We are a two brand new producers from LA looking for a crowd to share our music with.  Enjoy you guys!

Youtube: http://www.youtube.com/theofficialkiltek
Facebook: https://www.facebook.com/Kiltek
Bandcamp: http://kiltek.bandcamp.com/

Affiliate(s):
https://soundcloud.com/digital-empire-records
http://www.getloadedrecords.com/

jonofernandez.com 
www.facebook.com/jonofernandezofficial
www.twitter.com/jonofernandez

Jono Fernandez remixes for artists like Groove Armada, Cedric Gervais and Morgan Page and his tracks get played by such DJs as David Guetta, Tiësto and Thomas Gold. But in 2014, the Sydney-based producer will do something he hasn’t done before: recording his first artist album. 

While the origins of Jono’s music production can be traced to his bedroom at age 15, he’s spent over a decade now releasing music on some of the world’s top dance labels. The last year alone has seen Jono Fernandez releases on Chris Lake’s Rising Music, Mark Brown’s CR2 Records and Australian dance fixture OneLove. Tracks like “Lights Are Fading” (with Twin Atoms) and “Hear Me” (with Katrina Noorbergen) charted well in his home of Australia, paving the way for him to crack the UK club market with “Let It Out” and the Beatport charts with his Kaz James collaboration, “Stars.”

Anthemic, unapologetic, and custom-made for the big room, Jono’s music has never held back and his new material is no exception. His next single, “March of the Monkeys” is a pulsating peak-hour jam that compromises neither on melody or Jono’s own cheeky sense of humor. 

Jono promises that his album won’t be entirely club bangers; during the recording process he plans to mix things up and draw upon his background as a multi-instrumentalist (Jono plays guitar, piano, bass, violin and flute), mixing electronic instruments with those of the rock and classical variety. 

“I'm aiming to blur the lines between some of these genres and create a blend that comes from the heart and will hopefully result in some truly unique sounds,” Jono says of the album. “Stylistically I want to incorporate orchestral, rock, and modern experimental sounds into what I normally do, which is more traditionally electronic.”

In fact, while Jono’s work sounds at home across global festival stages and nightclubs alike, that Jono himself is not actually a DJ but a live producer sets him apart from many of his peers. A longtime champion of Ableton Live, what you hear in a Jono Fernandez live show is not played from pre-recorded CDJs or mp3s, but from the sounds produced live on a laptop, an APC40, an effects unit and a hell of a lot of trigger pads.

2014 will also see Jono tour the US as the winner of the Budweiser Producer/DJ of the Year at the Australian Independent Music Awards. His tour will include dates at Marquee Las Vegas and Marquee NYC this summer. 

Even as Jono continues to produce and release music at a pace that most would find dizzying, the truth is, we have yet to see the full range of talent this one-of-a-kind producer has to offer. 
 



An online music curation platform centered around reposting amazing music.
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"The Hair and the Hatter" is a pseudonym for the amalgamation of the musical and artistic endeavors of ill e. gal & Gio: MUSICAL EUDAIMONIA

Old school musician working at this since 94 and I’m gonna keep going until the day I die. I make whatever music I feel and I’m comfortable with that. 
Turn pain into love, turn love into knowledge, turn knowledge into wisdom, then become.

Life is vibrations.
Music is vibrations.
Anyone can create life. 

Remember to breathe and listen!

Designer/Motion Artist that makes shitty music sometimes

Booking & Info- booking@systemnipel.com +972 545352058

Multi-talented Ruby & Tony have been musical ambassadors for over a decade now, releasing and tweaking their steamed on productions on some of the world's biggest stages in Europe, South America, Asia and Russia, living proof of their musical competence.Exploring on their musical abilities is a daily basis act for these two hard working producers.Always seeking for the diversity that will take them to the next level, climbing up the ladder of global recognition. T hat is a bumpy road but only a small obstacle for Ruby & Tony, these two do not rest for a moment.


For Exclusive Booking, Remixes, Licensing, Demos and General information contact 

rubi@systemnipel.com rubytony@hotmail.com

The stickiest wombat you will ever listen to. 

YOUTUBE/TWITCH:
If you're wondering about using my music in youtube videos/twitch streams the answer is yes! 
just copy-paste this into the description: "Music by AdhesiveWombat"
(add a link to my soundcloud page as well if you like)

VIDEO GAMES:
For commercial games/projects please contact me at adhesivewombat21@gmail.com
For non-commercial games/projects feel free to use any of my music.

EMAIL:
adhesivewombat21@gmail.com

BIO:
As much as you may be convinced that I am a magical, musical, mucilaginous marsupial,  I do indeed have a human counterpart.  By day I am a full time software engineer, by night  I transform into a game-loving, music-making introvert.

I've been involved with music for a large majority of my life; piano lessons since I was 9, band from middle school through college, and I own (and attempt to play) more instruments than is probably healthy for a normal human.

My introduction to the electronic music production started when one of my friends needed an intro song for his youtube channel, so I found this neat program called fruity loops and made him something (you'll have to scroll pretty far down but it's the one titled "Illegit Intro").   Admittedly, I had absolutely no IDEA what I was doing at the time but it was fun nonetheless so I kept at it and haven't stopped since.  Sadly, the channel never saw daylight but I thought my efforts should be exposed to the public so I started sharing my stuff on soundcloud.  Since then things have picked up a bit and I'm really grateful for how lucky I've been with it.  I really love the community and I've met a ton of good friends and a bunch of awesome people along the way.

I've always had a soft spot for older games so, naturally, my music takes the characteristics of some of my favorite ones.  I don't ever plan to stop making music; I sometimes will change my sound or take a break from it here and there but I am always working on something so don't fret!

If you have any questions for me I'd be glad to talk to you at my email above.

Listen on!

CAKE:
lie

foops is following