Played by The Wire On Air (NTS Radio), amongst others.

Alaska (with Trashbat)

Electronic musician, best known for producing and DJ'ing deep, dark dubstep. Also known for for pioneering the 111 'movement', and for collaborating with other producers at a range of tempos. Ran Methodology Recordings, involved with Phantom Hertz Recordings. Material released on a range of other labels, including Eight:FX, DubKraft and Dub Injektion. Co-founder of the Ruffnek Diskotek club night.

Guested on BBC Radio 1. Recorded mixes for BBC Asian Network, Ministry Of Sound Radio and Knowledge Magazine. Featured in magazines such as Mixmag, ATM Magazine and XLR8R. Tracks played by Hatcha, Plastician, MRK1, Benny Ill/ Horsepower, Aquasky, Bobby Friction, Joe Nice, Macabre Unit, Hellfire Machina, Pathaan, Kion, Crises, Fused Forces, DFRNT, Hindzy D and Jus Wan, amongst others.

Collaborated with Kulture, Phaeleh, DZ, Juakali, Indi Kaur, Atki2, Be-1ne, INFRA, Threnody, Lysergene, Kuoyah, Wrexile, Trashbat, Demon, Substep Infrabass, king slaFF, Alien Pimp, B1t Crunch3r, Mortal Grey, China~, Grooki, This One, Two Oh One, Tommy Lexxus, Not In My Name, Paul Domino, MrJo, Rhythmical Thinker, Patchwerk Man. Recorded non-dubstep material under the name A Bridge Far Away during 2010.

Played alongside Loefah, Benga, Hatcha, Distance, Plastician & Skepta, Joker, Kode9, N-Type, MRK1 & Virus Syndicate, Scuba, Pinch, Geeneus, El-B, Peverelist, V.I.V.E.K, Headhunter, RSD, Appleblim, Gemmy, Ital Tek, Drop the Lime & Mathhead, Bass Clef, Rossi B, Toddla T, Cluekid, Synkro, Oneman, Jakes, Mungo's Hi Fi, Moving Ninja, Sukh Knight, Elemental, Geiom, Milanese...

Currently exploring the soundscapes of techno and bass, KJ is a producer and DJ with past endeavours into a multitude of genres and sounds, with a focus on vibe and flow.

Co-founder of Heartbeat Street.

~~~ SOUL FURY ~~~ 
"This is how the heart sounds,
Do not change the melody,
this now, you and I, here together.
Let this being with each
other be heart-sound." 
~ Rumi & Tabriz COLLAB ~ 

All About :: The Art of Collage & Rhetorical Velocity

I am specifically interested in situations where composers anticipate and strategize future third-party remixing of their compositions as part of a larger and complex rhetorical strategy that plays out across physical and digital spaces. We find this type of thinking—the asking of “how might the text be rewritten?” and “why, where, and for whom might this text be rewritten?”—an increasingly important set of questions in a digital age characterized, for instance, by swift, easy, and deep web searching and by copying and pasting practices. 

COLLAGE ::  Artistic compositions of materials and objects pasted and/or sewn/woven over and through surfaces, often with unifying and/or juxtaposing structures, lines, colors, themes in order to create textured, alive, amplified spaces. 

SYNTHESIS (AKA Mashup): Creating Compelling Texts comprised of borrowed, reconstituted, and original material.

The art of creating such compositions.

An assemblage of diverse elements.

To paste and/or sew/weave (diverse materials) over a surface, thereby creating an artistic product.

To create such an artistic product.

Base Camp for Arctic Windhorse: Eagle River, Alaska

Alaska (with Trashbat)

Forensics