suns up

FJAAK HÖR BERLIN JAN 2021

Daniel Avery - Magic   Memory [a playlist]

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Lionelectrochill

Hospitality House Party - Unglued & Benny L Takeover!

Electro/Breakbeat 2.0 ☠️☠️

<a href=spotify:playlist:37i9dQZF1EIW0LJeA23HkB>Shed</a>, <a href=spotify:playlist:37i9dQZF1EIUHRymXrDAXk>Lone</a>, <a href=spotify:playlist:37i9dQZF1EIVRPHq5zWW7N>DjRUM</a> and more

Forest Drive West Mix

DJay2 drum n bass playlist

Crusty Rolls

Crusty Rolls (feat. Benny L & Javeon)

1st solo album of just instrumental original guitar songs.

4 Drift away

Hospital Shop: https://www.hospitalrecords.com/shop/release/logistics/nhs149-jungle-music
iTunes: https://itunes.apple.com/nl/album/jungle-music-single/id305333286?uo=4&at=11l9mP

Logistics first Hospital outing since the massive “Reality Checkpoint” which smashed up dancefloors and ipods alike back in 2008. Jungle Music is the quintessential Ronseal tune – it does exactly what it says on the tin! Proving that Logistics is a true player of the scene, this is vintage Jump-up at its very best. Simple, deadly, route one stuff.

Jungle Music

Recorded at Secret Twitchdance, 1984
Romulus Cœurque: rhythms, dub treatments | Porn Flake: synths, dub treatments

Out on "Prototech" 2x12"EP, a joint release of Dark Entries (DE-179) and Serendip Lab (SERLP007).
http://www.darkentriesrecords.com/store/vinyl/hypnobeat-prototech-2xlp/#tab-description
http://www.serendip-lab.org/label/releases/hypnobeat-prototech-serlp007

Driven by the common DIY-attitude, James Dean Brown founded Hypnobeat with Pietro Insipido in 1983. Making noise with a Boss DR-55 rhythm machine, 2nd hand gear and household utensils, it was not before JDB’s encounter with Victor Sol and Tobias Freund a year later that Hypnobeat became a proper, fully electronic outfit.

The main goal was to follow a "neo-tribal" approach by reducing electronics to the hypnotic rhythm core. Affected by the emotional impact of polyrhythmic energy, the collective's live sets were often based on machine improvisations. In the studio, machine expert Victor Sol was the one who shifted the Hypnobeat sound to the desired level of technological sophistication.

Apart from a TB-303, the wide range of analog studio/live gear included up to six synchronized rhythm machines – always with a focus on the inimitable sound of the Roland TR-808. Accordingly, Hypnobeat conceived an early form of contemporary club music, somewhere within the scope of classical Electro Funk and prototype Techno, and with a proto-Acid flavour – on "the front-line of sonic innovation before Techno was even a thing."

In 1996, evolving from Hypnobeat, James Dean Brown formed Narcotic Syntax, a project he boosted together with Yapacc in 2003, with releases on Perlon, WIR and Prospector.

And after all, Hypnobeat retransformed from Narcotic Syntax. What was supposed to be a one-off solo live appearance by James Dean Brown at Serendip Festival, Paris in 2012 became the exciting new evolution of Hypnobeat with Helena Hauff joining the project a year later.

The duo's live performances are completely based on improvisation, exhausting the power of an untamed Roland horde which is unique on stage: 1 x TR-707 + 3 x TR-808 + 2x TB-303 + a formidable array of effects = provocative percussion, voodoo passion, tribal ecstasy, hypnodelic temptation, psycho-exotic magic, universal resonance, and a quantum of danger under a crypto-bohemian approach.

Hypnoweb
http://www.hypnobeat.net
Booking
hypnobeat@hypnobeat.net

Past live shows:
•	Festival Serendip, Paris
•	CTM, Berghain, Berlin
•	Grundlos Glücklich, ://about blank, Berlin
•	Les Siestes Électroniques, Toulouse
•	Écoutes au Vert, Motel Campo, Geneva
•	Insomnia, Tromsø, Norway
•	Bleak Future, Petit Bain, Paris
•	SAVE, Moscow
•	Intonal, Malmö, Sweden
•	Rural, Mountain Park Tsunan, Niigata, Japan
•	Krake, Urban Spree, Berlin
•	Arma Labelnight, OHM, Berlin
•	Atonal, Berlin
•	Kaiku, Helsinki
•	Boiler Room, Vienna
•	Dark Entries, Säule/Berghain, Berlin (JDB solo)
•	Mmodemmnight, Frankfurt a.M. (JDB solo)
•	Arma X, Funkhaus, Berlin (JDB solo)

Hypnobeat features:

The whole story
https://www.electronicbeats.net/frankfurt-diy-history
Techno Cadeau (08/2017)
https://web.archive.org/web/20220625101310/https://technocadeau.fr
Resident Advisor (01/2015)
http://www.residentadvisor.net/feature.aspx?2359

Hypnoweb
http://www.hypnobeat.net

Interview with Early Reflections, Paris (03/2023)
https://early-reflections.com/mixes/james-dean-brown

Interview with Fabric. London (03/2013)
www.fabriclondon.com/blog/view/in-conversation-with-james-dean-brown

www.empire-of-passion.com

Hypnobeat - The Arumbaya Fetish (1984)

BAY B KANE UNFOLDING PERSPECTIVE III GAPPA G VIP TAKEN FROM BBK,s LP SHREDDED BEAT FORTHCOMING ON RUFF GUIDANCE RECORDS IN APRIL 2015. 

BAY B KANE - Unfolding Perspective III -    GAPPA G VIP Forthcoming on RGR in April 2015.

Airglow Fires

Higher State Of Consciousness

Higher State of Consciousness (Tweekin Acid Funk)

Digital: 
https://marcoshuttle.bandcamp.com/album/flauto-sintetico

Vinyl:
https://clone.nl/item40762.html

Dozzy and Neel's exciting new label Spazio Disponibile serves up a third release this summer, with the latest one coming from Italian Marco Shuttle. The techno stylist and Eerie boss serves up three tracks that continue to mark out his heady and hypnotic aesthetic. 

'Flusso Dinamico' opens up the EP with sevens minutes of brooding, streamlined and slick techno that is spooky and haunting. A gentle cacophony of big bells stomp over slick rubber drums and suck you deep into the groove. ‘Danza Cinetica’ is then darker and more intense but just as spacious and involving, with paranoid melodic daubs falling from above as suggestive little synth sounds bleep below. Lastly, 'Flauto Synthetico' is an adventurous 11 minute opus with slow, undulating drums forming a basis for experimental synth patterns, rugged phasing and distant bleeps to all colour the airwaves with a sense of late night and futuristic menace. It is music that is both cerebral yet visceral and fits in nicely with the MO of the Italian label so far.

A1.	Marco Shuttle - Flusso Dinamico
A2.	Marco Shuttle - Danza Cinetica
B1.	Marco Shuttle - Flauto Synthetico

Spazio003 - Marco Shuttle - Flauto Synthetico

Ulterior Motive stir some serious nostalgia with the raw riddim that is Jungle Jam, out now on The Real EP on Shogun Audio. Get it here: https://lnk.to/UMTheRealDA

Ulterior Motive:
Facebook → https://www.facebook.com/ulteriormotive.uk/
SoundCloud → https://soundcloud.com/ulterior-motive-uk

Shogun Audio:
Facebook → https://www.facebook.com/ShogunAudio/
SoundCloud → https://soundcloud.com/shogunaudio

Link with Drum&BassArena on:
YouTube → www.youtube.com/user/officialdnbtv
Spotify → www.open.spotify.com/user/officialdnba
Mixcloud → www.mixcloud.com/drumandbassarena/
Facebook → www.facebook.com/officialdnba
Twitter → www.twitter.com/OfficialDnBA
Music news → www.breakbeat.co.uk/
Subscribe to our weekly newsletter → breakbeat.co.uk/#modal

The Real EP

Ulterior Motive - Jungle Jam

Taken from the eponymous EP released in 2006 on Exzakt’s Monotone USA imprint, Dynamik Bass System’s classic “Robotmachine” has been masterly revisited by some heavywheights procuders worldwide featuring VIP’s Aux 88 (Puzzlebox Records), Mandroid (Breakin’ Records), Detroit In Effect (M.A.P Records), Downrocks (Beathazard), Hardfloor (www.hardﬂoor.de), Detroit Techno Militia (Cratesavers International), Dark Vektor (Dona-Li Records), Di’jital (Twilight 76 Records) and Kronos Device (Battle Trax). 
 


Dynamik Bass System- "Robotmachine" (Hardfloor Remix).snippet

If We Ever

Marco Shuttle - Thebe

Hospital Mix 5 - Mixed by London Elektricity

Beatnik

Weapons Of Mass Creation 2 Sampler

The Trip

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

“We Are What You Think We Are” is the tenth dispatch from the crew at Lost Soul Enterprises, New York City, USA. This compilation features a whopping 15 artists who together represent all corners of the label’s extended family, with frequent local collaborators paired with past guests of our various parties. It is served with love from us to you on 3 slabs of vinyl released in 3 installments.
Each installment charts a different component of our sound: 10.1 highlights the influences of synthwave and postpunk electronics, 10.2 is comprised of razor-sharp acid and overdriven electro, and 10.3 delves into darker shades of industrial techno. Together, all of these elements loosely sketch our little corner of the sonic universe. With this humble offering we tried to capture and share with you a little sliver of what we’ve found together in hazy rooms full of flashing lights and strange sounds. Here is a track from 2nd installment by NYC based producer Maroje T who is slowly to slowly making his mark in the game after its recent stunning release alongside Annanan on Pinkman !

LISTEN ON YOUTUBE

PREMIERE : Maroje T - Bosnian Witch

Produced by ConductorWilliams at Depot Recording Studio 
Kansas City Missouri 
believecreate.org

Stik Figa & The Conductor - Oh Please

Leafeater - The Shit That Killed Prince

Relish

Relish (Shed Remix)

You Can' T Stop Time

Mininga

WSDM008

Syzygy

Glitter

Glitter (Jon Hopkins Remix)

C O S M

C O S M (Daniel Avery Remix)

Track taken from 'Apparitions', the Forest Drive West 2x12" release on Livity Sound released 12th October 2018.

Apparitions

Forest Drive West - Phaze-Shift

Blessing In Disguise

Sunrays (Intro)

Memphis 29 EP

KETTAMA - Did I Tell U

Squirrel Tape Instrumentals, Vol. 1

Hypnosis

Murky dub techno formulas from Forest Drive West via Echocord. 

Read more: https://hyponik.com/features/first-listen-forest-drive-west-parallel-space-echocord/

@forest-drive-west
@echocord

Parallel Space EP

First Listen: Forest Drive West - 'Parallel Space' (Echocord)

READ > inverted-audio.com/premiere-forest-drive-west-creation-dub

@forest-drive-west kicks off 2020 with the release of a sharp edged 'Parallel Space' extended player on industry stalwart @echocord.

Forest Drive West - Creation Dub [Echocord]

Welcome to the Pleasure Dome

Paraphilic Love Map

Soon o n Drumcode
2013 remake of the 10 years old track "Pontapé"

Pontape  (2013 remake)

Natalie Slade - Sunday Morning (Amy Kisnorbo Remix)

Artist: Pessimist
Track: Ridge Racer Evolution
Label: Ilian Tape
Release: 9 September 2020

I do not own any rights to this track.

Pessimist - Ridge Racer Revolution [ITX018]

@deejaymosca's Shaolin take on @bonebrokk's 'Exo' strips apart the original track. Forthcoming on @trialanderrorsound.

More: https://ins-rt.net/audio/bonebrokk-exo-moscas-shaolin-version

Article

Premiere: bonebrokk - Exo (Mosca's Shaolin Version)

Played by the famous group Plaid on their tours and countless other Dj's around the world this was really  a great record for Electro pushing  and developing a new style in the process. Just checkout the Boomkat review if you dont beleive me. some people just dont get Electro but this one rocked the planet. 
"Our favourite New York label, at the forefront of the electro scene 2003, gears up for its autumn onslaught with this four track bass-heavy beat cutter from E.M.S. E.M.S. builds his machines from the transistors up, drums and modular synths sounding distinct from the sound of a thousand lesser talents. 'Colonized' dominates the a side, an acid inflected electro stinger, burning modular synths and a morphing sound which just guarantees floor action. There's a useful drum-a-pella break to wrap up the side, then prepare for two further excursions of quality on the flip. 'Rythmus Machine' will challenge bassbins, the melodies are seductive and again the influence of prime acid strokes makes a welcome contribution to the tune. 'Pit + Lounge' ties it off, with a slightly more downbeat approach, floating vocoder across bassy surges and splendid 
rhythms, wicked track. " Boomkat
Tatum (Mr Velcro Fastener) – “The most inspiring electro record for a long time, really liked the PLT+LOUNGE_EUR track – fast but still pure electro, no drum & bass feel at all!  DDDDDDD was also cool, could’ve been a bit longer though…top quality!” 

Dave Mothersole (Kiss100) – “B1 and B2 are great – will play on radio and give B1 a chance out when I’m feeling brave.  Keep me posted with this label.” 

Scape One (Electrix) – “Another cool slice of analogue action from NYC’s premier electro label!” (Charted #4)

Will Saul (Simple/Fabric) – “Wow!!  This is some of the best electro I’ve heard in years. Totally awesome.  This got a great reaction at the weekend and will stay in my box for many months.” (Charted #3)

Dan Moore (Superconductor) – “Excellent stuff, great sounds, deep and energetic all round.  Definitely a top label – keep ‘em coming.” 

Fink (Ninja Tune/Solid Steel) – “Played A2 on the radio as a soundbed – the rest just falls short for me – epic maybe, but the pressing 
 sounds so sonically dull.” 

Scott McGill (T-Funkshun) – “Rythmus Machine, my favourite cut, sounds good on both speeds!  Prefer it at 33RPM where you can take in 
 its lush atmospheric electro sounds.  Last track is great for Aux88 fans.” 

Dan Bean (Passion FM) – “Good, solid release – nothing particularly crazy going on (or am I missing something?), but a good groove, 
 particularly on the title track, which I played on the show last week.” 

Percy X (Soma) – “Got this from Andy when I was in NY – I’ve been playing the first track on the EMS ever since.”

Phil Kieran (Shine/Bugged Out!) – “Fuckin’ brilliant – really, really good.  I think I’m playing B1, the big sub woofer job, perfect 
 for dropping between techno tracks…more, please more!  Best so far that I have heard from this label.” 

Rennie Pilgrim (TCR) – “Very pleasant electro tracks.” 

A1 People (Hydrogen Dukebox) – “This record kicks ass and I will be playing it in all my sets for the near future!”  

Mat Carter (Dedbeat/Haywire) – “Straight to B2 for me here, nice floaty analogue sounding electro.  Just how I like it.” 

Rick Hopkins (Haywire) – “As you’d expect from Satamile, a deep pulsating beast of a monster.  Top stuff!!” (Will Chart)

Reverand Milo Speedwagon (Kiss100) – “Rythmus Machine has the acid lurking nicely.  Colonized builds really well with a few skittery 
 bits flying around to lighten up the mood – good stuff.” (Charted #20)

Paula Temple (Virtual FM) – “Another great release – will give lots of support.” (Charted #7)  








Persistence of Memory, Pt. 3

Forest Drive West