Harm Knows Its Own Healing

Sugoi Collective
https://www.facebook.com/Sugoicollective/
https://soundcloud.com/sugoicollective

Safety Meeting Studios

insta-Bagavondbass
for booking:
Bagavondbass@gmail.com
www.facebook.com/Bagavondbass

《 HOSTILE AND STRANGER SOUNDS COMING FROM OTHER WORLDS 》
  
[Dark.Deep.Neuro.Trip.Hard.]

Following in the footsteps of his father, he has a deep passion for music and the co-creative experience between artist and audience.   He sees each performance as a journey and looks to weave a range of musical styles into a transcendental experience.  Jaguar Heart brings sacred and complex bass music to those called to listen.

For bookings: spiritwarrior6@gmail.com

www.YouTube.com  # Alien Ape                          www.Soundcloud.com # Silverbeatz 
Enjoy my Unique Funky NuJazz Breakkbeat Dub Funk Juicez Even bit of Anything actually D&B & House aswell  Anything Phat .                                    Alien Art by Me.     Background #  Rob McDonald - Herb Robert

fv <k
(frequency voltage <1,000)

Laszlo Juhasz
DJ, Producer, Percussionist

aliases: 

Umbra (Nous Art Records),
             
Deep Cut (US)

datkatkojak:
https://on.soundcloud.com/B6DoB


background: 
started drumming and singing in the chorus from the 4th grade, the following year hiphop exploded on the scene and sparked a desire as a child with a pen and pad to write rhymes daily for over a decade. studied classical music from Zsigmond, a protege of Kodály Zoltán. shortly after acid house, techno and breakbeat music ensued to the ears and salivated the pallette. after high school the first  purchase was a pair of used 1210's in a coffin with a shoddy 2 channel realistic mixer, it also came with a few milkcrates of freestyle, electro and early hiphop vinyl, at the same time drum and bass and jungle tracks were emerging, early metalheadz, suburban base and moving shadow were these new labels that were utterly captivating my attention and wallet, then breakbeatscience in nyc opened and started mail order in the internet's earlier days. 

a few years later the sp 202 came out and was the next logical step, as I had upgraded to a mixer with basic sampling capabilities and the sp202 just brought it to a portable exponential level. < a year later, the DR-202 was added while I had been learning Cubase and Reason and the wonders of MIDI exploration began. Soon after an SU-700, a DX-10, an EA-1 and an ER-1 as well. Later transitioned to FL for a DAW as it was much quicker in workflow.  

Later apprenticed at Razormaid Records under Joseph Watts; where I learned regioning, eq'ing and mastering, from a pioneer of dance music itself.

Performed for crowds > 2,000 as an emcee, and as a DJ opened for Thurston Moore of Sonic Youth and the Swans. 

The past 20 years have been mostly introspecting, learning and understanding self, traveling, connecting with the earth and her guardians. Listening and mirroring, the sky the earth, the fire and aire. The music was in my heartbeat I would mirror with a handdrum or the layers of pressures colliding within. To strum strings or bow them. They can encompass us, impact our moods and project them.

I also would like to play music for you and with you!

AEye
message for booking

take no form.
hold no shape.
surrender now.
disintegrate.

Harm Knows Its Own Healing

f o r m • n u l l