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“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead) [Clip]

A cover of I Get Nervous by Lower Dens.

Holly Rud: Vocals, Bass
Brett Kadrie: Drums
Mark Perkins: Guitar, Vocals
Jon Heinz: Guitar Vocals

I Get Nervous - Lower Dens (Cover)

Turnover - Dizzy On The Comedown

Kimya Dawson — You Love Me

Alice Phoebe Lou - Velvet Mood (ARTE Concert 04.11.2023)

Give You My Lovin'

LOWER DENS - ELECTRIC CURRENT (CABIN MOVIE MIX)

Peripheral Vision

Cutting My Fingers Off

Hello Euphoria

Humming

Dizzy On the Comedown

New Scream

Depression Cherry

Space Song

Currents

The Less I Know The Better

Campo

Heartbreaks

Cumbio

1987 (feat. Jorge Drexler)

Remixes & Rarezas

Carmesí (Versión Campo)

PREORDER COLOURED VINYL  NOW: http://bit.ly/afriquoistarship

Wormfood Records & One House Records are very pleased to announce the release of Afriquoi’s latest EP presenting two original tracks channelling afro and jazz fusion, backed with two remixes that rework the tracks for the dancefloor.

From humble beginnings in South London, Afriquoi have spent the last six years developing their own unique diasporic sound drawing on influences from across the African continent and reworking them for the dancefloor. The live show involves virtuoso musicians from Gambia, Congo and the UK and has been blowing the roof off festival stages and venues around Europe. In 2015 Afriquoi released their first album - Kolaba - to a sold out 1200 person audience at London’s Southbank centre.

On the EP’s title track - “Starship” - Afriquoi collaborate with the Mercury Music Award nominated saxophonist Shabaka Hutchings, also winner of numerous other awards, and balafon player Moussa Dembele from Burkina Faso. Moussa has toured Europe and Africa extensively with his own band Koroleko. 

On A2 Hector Plimmer provides a deep electronic reworking, drawing out the soaring melodies from the original composition. Hector’s productions have been garnering lots of support on the radio recently and he releases his own much awaited album - Sunshine - on Albert’s Favourites in March.

On the B side “Can I Know You” is a frenetic collaboration with Kakatsitsi - a group of traditional drummers, dancers and singers from the Ga tribe of Southern Ghana. Since 1996 Kakatsitsi have toured the UK multiple times and have established themselves as one of the leading African tradi- tional groups in the UK. 

Percolate resident and infamous party starters Krywald & Farrer regularly share the desks with the likes of Floating Points, Jeremy Underground and Motor City Drum Ensem- ble and provide a fitting house remix on B2.

Afriquoi Live:
April 21st - Mangle, London April 28th - Castlecary, Somerset May 4th - The Fleece, Bristol

Starship / Can I Know You

Starship (ft Shabaka Hutchings and Moussa Dembele)

Afriquoi - Starship (ft Shabaka Hutchings And Moussa Dembele)

Turnover on Audiotree Live

Cutting My Fingers Off (Audiotree Live Version)

New Scream (Audiotree Live Version)

Humming (Audiotree Live Version)

Hello Euphoria (Audiotree Live Version)

Canadian trio Young Galaxy’s newest record, Shapeshifting has really caught my attention lately. It’s kind of hard to describe, but it was produced by Dan Lissvik (half of Swedish electronic duo Studio), and they just finished a brief tour with Junior Boys. Check out the record if you get a chance.

Young Galaxy – Blown Minded

Alex Ebert - Vocals, Bass, Acoustic Guitar
Anthony Cuccia - Cajon
Drew Meez - Synth
Joe Cabral - Soprano Sax
Nico Aglietti - Electric Guitar

Recording Studio Piety Street
Written By Alex Ebert
Produced By Alex Ebert
Executive-Produced Jay Wesley & Mark Bingham
Arranged By Alex Ebert
Engineered by Jay Wesley & Mark Bingham
Mixed By Alex Ebert
Mix Engineer - Jay Wesley
Mastered By Adam Ayan at Gateway Mastering in Portland, ME

Lyrics

Love,
You being so cold in love
I be like a broken record
Everybody spoken enough,
Don’t you miss your man in enough
I be like so young and tough
I be like so taut inside
I be just on fire inside
Baby please don’t go

I will be your broken record
Wont you be my, broken record

Love I’m being so god and tough
I be like so dumb and stuff
You be like choking on muff
I’m the insult - your man ender
I, being so hard in love
Play me like a broken record
You be like oh God enough
Don’t Go

I will be your broken record
Wont you be my, broken record

Love,
You being so cold in love
I be like a broken record
Everybody spoken enough,
You just missed your man in love
I be like so young and tough
I be like so taut inside
I be just on fire inside
Baby please don’t go

I will be your broken record
Wont you be my broken record
I will be your broken record
Wont you be my broken record

Broken Record

Florist's sophomore LP, "If Blue Could Be Happiness"
Out on Double Double Whammy September 29th, 2017

Eyes In The Sun

Don't Delete The Kisses

We asked some of our favorite producers right now to remix Bloodflow, and that is what they came up with. Big THANK YOU to everyone who contributed on this release.

It's OUT NOW.

Buy it digitally: https://grandbrothers.lnk.to/Remix
A 12" is following very soon.

Bloodflow (Lone Remix)

Blood Orange - Champagne Coast

Different This Time

www.d-i-r-t-y.com
www.myspace.com/discodeine
www.facebook.com/discodeine

DISCODEINE feat. jarvis cocker - synchronize (radio edit)

Shop Merch: http://store.kavinsky.com
From "Nightcall EP" and "OutRun", available in vinyl: https://kavinsky.bandcamp.com

Follow Kavinsky:
http://instagram.com/Kavinsky
http://facebook.com/KavinskyOfficial
http://twitter.com/Kavinsky
http://tiktok.com/@kavinsky

Kavinsky - Nightcall (feat. Lovefoxxx)
Produced by Kavinsky & Guy-Manuel de Homem-Christo (Daft Punk), and mixed by SebastiAn

#RecordMakers
http://recordmakers.com
http://facebook.com/RecordMakers
http://instagram.com/recordmakers
http://twitter.com/RecordMakers
http://soundcloud.com/RecordMakers
Subscribe to our channel: http://bit.ly/1dd3pnN

Kavinsky - Nightcall

Second single from upcoming album Un Rêve.
New album by Super Besse - release date 13/03/20

Un Rêve

Vinyl

Ozhog - Super Besse

Amar y Vivir

No Te Importe Saber

Кафе танцующих огней

This song is about a character, who managed to break into the world they don’t belong in. They managed to lead a whole life and inspire other people to do things they’d always been afraid of. Love and rebel are an integral part of this journey

Do It (Instrumental)

La Femme - Si Un Jour

LOWER DENS - ELECTRIC CURRENT (CABIN MOVIE MIX)

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