Experimental 2024

Soit Tu Te Suicide Soit Tu Cree

shiver lick

“Tenderness” is the first collaborative album between Japanese musician Yumi Iwaki and Brazilian Carlos Ferreira using unreleased sketches, improvisations, and samples, “Tenderness” is a mosaic of painted sounds that does not end in itself, inviting the listener to inhabit its center.

Porto Alegre based experimental guitarist Carlos Ferreira and Tokyo-based synthesizer hypnotist Yumi Iwaki are presenting "Tenderness" , their first ever collaborative album through Modern Obscure Music. Carlos and Yumi have created this powerful ambient odyssey at the distance. Despite some connections between Yumi's family roots with the Brazilian musical scene, both artists feel a strong attraction about their cultural differences, through Literature, films, scents, colors, and nature… Carlos feels “there are infinite cultural differences between Japan and Brazil, and this can be explained by historical and even geographical factors, but people come together through very strong elements that are able to transcend these differences. Diversity must also unite us.”. Yumi explains that when she met Carlos on Instagram, she was instantly captivated by “his quiet, deep and fantastic view of the world, the feelings we shared seemed to take shape naturally, but it was Carlos' great talent to complete the production...  more
credits
released September 2, 2022

Yumi Iwaki: modular & analog synthesizers, op-1, piano, voice, FX pedals, looper, field recordings, sampling.
Carlos Ferreira: electric guitar, bowed guitar, FX pedals, digital synthesizers, looper, field recordings, sampling.

Written & produced by Yumi Iwaki & Carlos Ferreira
Mixed & mastered by Carlos Ferreira

Wabi-sabi

cassette tapes available:
https://blearmoon.bandcamp.com/merch

Revisiting one's artistic practices is a dialogue with past versions of oneself. This reassessment holds enormous potential for new aesthetic forms and meanings, directed towards the future.

This album is a compilation of alternative versions of previously released works and new ones that have not been published before.

produced and mastered by Vlas Presnetsov (Blear Moon)
tape processing by Kirill Yazinin
released December 22, 2023 via Three Head Tapes records

Revisions

bandcamp

Blear Moon - Maples

CASSETTES: https://fantasyaudiomagazine.bandcamp.com/album/lampbound

Satabban - LAMPBOUND

Total runtime: 33:16

In "Lampbound”, you embark on a retro video game journey as Max, an ordinary guy who stumbles upon a mysterious genie's lamp. In an unexpected twist, Max is magically pulled into the lamp and finds himself trapped within a fantastical world. With the genie's powers at his disposal, he must navigate through a labyrinthine maze of perilous puzzles, treacherous platforms, and enigmatic creatures to escape the lamp's confines.

As Max progresses, he uncovers hidden secrets and acquires unique abilities granted by the genie. These powers enable him to manipulate the environment, such as freezing time, conjuring temporary platforms, and transforming into different forms. Careful planning and clever utilization of these newfound skills are crucial to overcoming the various challenges that lie ahead.

Throughout the game, Max encounters eccentric characters, both helpful and mischievous, who offer cryptic advice or attempt to hinder his escape.

As Max inches closer to his freedom, he unravels the genie's backstory, uncovering the truth behind his entrapment and the enigmatic origins of the lamp. Will Max triumph over the lamp's ancient magic and find his way back to reality, or will he remain trapped within its confines forever?

TRACKLIST/LEVELS:

1. Lampbound Foyer: Max begins his adventure in the grand entrance of the lamp, facing introductory puzzles and obstacles while learning the game mechanics.

2. Wishful Woods: Max ventures into a mystical forest within the lamp, navigating through dense foliage, avoiding traps, and solving nature-themed puzzles.

3. Crystal Caverns: Max explores a series of shimmering caves adorned with crystals. He must traverse slippery platforms, dodge falling stalactites, and unravel puzzles involving light reflection.

4. Clockwork Citadel: Max finds himself in a clockwork-themed fortress, where he must manipulate gears, overcome timing-based obstacles, and solve intricate clock puzzles.

5. Mirage Oasis: Max encounters an illusionary oasis filled with mirages and sand-based challenges. He must decipher the real pathways, avoid mirage traps, and cleverly utilize sand-based mechanics.

6. Haunted Halls: Max enters a spooky section of the lamp, haunted by mischievous spirits and ghostly puzzles. He must outwit the apparitions and navigate through ethereal environments.

7. Elemental Chambers: Max enters a series of elemental chambers representing different powers. He must master the elements, such as fire, water, and wind, to progress and overcome elemental puzzles.

8. Genie's Sanctum: Max reaches the heart of the lamp, a majestic chamber housing the powerful genie. He must face the ultimate test, a climactic showdown with the genie, combining all his skills and knowledge. 
credits
released July 16, 2023

Performed, recorded, mixed, and mastered by Satabban.
Storyline, album cover and all art made by Satabban.

Crystal Caverns

"premonitions" by @alenakoroleva [fom10]
CS/DL : f-o-m.bandcamp.com/album/premonitions

“Whenever I go, I can't help but notice signs of a looming change. I eavesdrop on conversations of creatures big and small, and like me, they seem uneasy and uncertain about what's to come. Something is in the air, dark clouds gather, winds are shifting course. Amidst the confusion and restlessness, the voices of non-human and human worlds blend in a worrisome symphony. This piece is an ode to anticipation, to the beauty of different forms of life on the brink of the sixth mass extinction. Joining in the chorus are the American toad, northern winds, an old kettle, Mr. Cat, tawny owl, crickets, domestic chickens and pigs, trumpeter swans, honey bees, truck horns, cormorants, seagulls and other elements and critters.” — Alëna Korolëva 

Something is afoot, the Tkaronto/Toronto-based artist and curator, Alëna Korolëva tells us in her new soundscape composition “premonitions”. American toads and water beetles set things in motion before the long-form piece journeys through a multitude of field recordings and non-human voices in a quasi-cinematographic fashion. Korolëva layers and manipulates sounds from the real into a sonic chimaera which mutates concrete ambiances into vaporous surrealities through the modes of collage. A storm blankets the soundscape, things grow quieter. Distant parallels with Luc Ferrari’s "musique anecdotique" come to mind, yet here the piece materializes in an acoustic docu-fiction of some sort, that takes the form of a waking dream. Various scenes, ranging from the mundane to the uncanny, unfold in eardrums exposing an underlying sense of earthly melancholy. A weight lurks throughout while winds, pigs, chickens, and mechanical apparatus weave into a strange agitated tapestry. A kettle whistles, a cat meows – Korolëva sprinkles the gloom with touches of humor and audible senses of home. Trumpeter swans are joined by a trumpeter human; Chayka Chekhov responds to the avian songs in a interspecies dialogue – echoing Jim Nollman’s “Playing Music With Animals”. Environments cascade into a finale droned out by truck horns. Their ringings and animal cries swell in a somber abstraction bearing the weight of a presentiment. “What does the future hold?” we ask ourselves throughout the album as we dissolve in imbrications of positionings, emanating from one another like stacking dolls. Poly-layered, “premonitions” engages in play, in negotiation with the disparate spaces and voices of a troubled world as if it created harmonious discord to decipher the ominous clouds gathering in the horizon.

C30 — limited edition of 60 
duration: 28’56’’ — piece repeats on both sides 
recorded, photographed, and composed by alëna korolëva 
trumpet improvisation by chayka chekhov 
mastered by mathieu bonnafous 
tape production by headless duplicated tapes 
published by forms of minutiae — fom10 — 2024

CS / DL

alëna korolëva — premonitions [fom10]

Hope you'll enjoy this under 10 minute dive into my new album out on Sonic Dialogue next week. Preorder for digital and cassette opens today here: sonic-dialogue.bandcamp.com/album/diary-5

The Diary series focuses on the studio process and gives a space to share unfinished pieces and fragmented loops that would have been left on the shelf. Find out more about the album and read about my creative process on the label website here: diary.sonic-dialogue.com/diary05

diary#5 minimix

I usually stay away from using field recordings of birds in my tracks, as I think it is a bit of a trope in ambient music. However, those moments where I sat in the small outdoor space that I have at my house, are very valuable to me and deserve to have a place here. Together with the lines of electric guitar that move in and out of this track.

Bandcamp

Nobuka-Balkon

Kiri No Oto

Figures Lone Static

Zaumne - Élévation

Desertshores (Memorial Mix) is an exclusive remix of the track from 'Desertshores  / The Final Report' double album release. The track is a gathering of the voices of thirty five of Sleazy's friends and acquaintances. The lyrics are simply "Meet me On The Desertshore". A full list of contributors is here > http://127.0.0.1:53932/industrialrecords/industrialrecords/xtg-desertshores.html

Promo Videos:
https://vimeo.com/49072037 
https://vimeo.com/49072036
Released on Industrial Records 26th November 2012.

Desertshore

Desertshores (Memorial Mix)

Buy Album Here

Excerpt from forthcoming album with MP Hopkins 'The Divine For Me Is Whatever Is Real', to be released on More Mars, 2021.
Recorded by Alexandra and MP at Tempe Jets, mastered by Renato Grieco.

The Divine For Me Is Whatever Is real

Piano & Flue

Piano & Flute - Alexandra Spence & MP Hopkins

https://f-o-m.bandcamp.com

publishing platform for sonic ecologies and experimental music.

artists are invited to produce sound topographies that point to specific (or imagined) environments.

co-runned & curated by @pablodiserens & @mathieu-bonnafous

> demos: we encourage submissions by women, trans, non-binary and BIPOC artists.