Comment or repost and ill follow you :D 
james.kosher on instagram :DDD

8/2/2021

Sometimes

live recording/demo of something i wrote
thank you to devin for doing the other guitar part
written and sung by me <3

Easy to Forget (demo)

selch - bg, acoustic guitar 
parker - bg, slide guitar

written by me

when U need it

Lyrics Written by me, vocals and Instrumental are made with AI 

Rejuvenate (my love)

An exposé that brings you back to the early 2000s

too complicated

ryley, would you let me take you for a spin? i could show you the world or i could just make you a new one.

POST $2 BILL EDIT: real ones know about this one

RYLEY (demo)

Touch Myself

this is a reference for when I play it live :)

the most bullshit cover of teenage dirtbag

don’t look back
wasting nights over half of a drag 
in my hometown 
is this where i belong now
all these other kids with nothing to do 
so much to say with nothing to lose
kinda like that 
the best part of the weeks such a nightmare 
hope everything burns downs
pray that i can pick my cards 
hope this shitty town is ours

i felt like making shoegaze today so here's 50 seconds of shoegaze

garden song sample flip

i want that power
i want to matter
i want to have her
to heal what shattered

Shatter

For Tuesday is Mark Ferris, the songwriter, instrumentalist, producer/mix engineer behind the songs. The project began as a series of lofi music sketches on Instagram and TikTok where Ferris explored the creative possibilities of cassette tapes, guitar pedals and synthesizers to make short-form tape loop driven ambient, lofi, experimental music. Inevitably, the project birthed a series of single releases to explore different ways of integrating some of those lofi tape sounds with an indie pop or rock sensibility, leading to the release of The Postal Service-inspired single “Hard Drive” in August 2020, followed by the release of The Smashing Pumpkins-esque “The Summer Went” in October 2020, then rounding out the year with the release of the synth and riff-heavy “Count Me In” a month later, described by Chalk Pit Records as “idyllic synth-pop anthem (which) will have you listening on repeat”.