"I Should've Stayed Home" out March 20, 2021

Music and lyrics by Lindsay Baffo

Vox/guitar- Lindsay Baffo
Bass- Gus Puga
Drums- Tib Van Dyke Jr.
Guitar- Carlos Marroquin

Music and Lyrics by Lindsay Baffo

Tracks 1-8 recorded, mixed and mastered by Danny Balistocky at Rev 9 Recording in Hollywood, CA

Track 9 recorded, mixed and mastered by Michael Keehan at Downtown Rehearsal in Los Angeles, CA

Artwork by Simone Arasimowicz

What's The Craic?

Something's Over by Delsbo Beach Club, released Nov 20 2018. From Debut EP 'Four tracks & a burger', released Jan 25 2019.

Listen on Spotify, Apple Music, Bandcamp etc.: bit.ly/DBCEP

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www.facebook.com/delsbobeachclub
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Delsbo Beach Club - Something's Over

Soft Blue Shimmer's debut album Nothing Happens Here out June 28th, 2019 on Disposable America.

Pre-order the album on digital and cassette @ https://disposableamerica.bandcamp.com/album/nothing-happens-here

Soft Blue Shimmer "Happier Than Mitsuru"

Clara Luz

Alternative Privilege

#SCFIRST

'Swear Jar' is the first single from our forthcoming EP 'Zero' out Friday 25 October via Dot Dash / Remote Control

'Swear Jar' is an optimistic tune about the dumb stuff we fight about in the heat of the moment, and having the patience to find out what the other person really means without judging them on the language they used initially, on the premise that hindsight is the mother of foresight.

____

Lyrics:

it helps to swear if you're hurt,
to scream, and kick, and curse
damning the hypocrites and liars
for what they call friendly fire
when it seemes no suture can make it better
just remember...
it helps to swear if you're hurt

even when you've done nothing wrong
the resentment is just as strong
don't punish yourself for painting fiction
for there's more to be seen in a narrowing vision

if you swear I can tell something's beating you down
we'll dig you out from your underground
it's less like a light switch and more like a dimmer
while the anger is fading, the room will get brighter
same with your language, I understand
there's a spectrum between words like fuck and damn
there's a spectrum between words like fuck and damn
there's a spectrum between words like fuck and damn
so remember...
it helps to swear if you're hurt

#indie #poprock #folk #folkpop #australian #newmusic #alternative

Swear Jar

Stream

Neon Ballroom

In anticipation for the first new Tullycraft album for five years, Fortuna POP! are releasing a single featuring the title track ‘Lost in Light Rotation’. One of the most influential bands to have emerged from America’s indiepop underground, Seattle’s Tullycraft revel in a DIY aesthetic having honed their particular brand of clever, self-reverential pop to perfection.

‘Lost in Light Rotation’ is an all-in-one banner anthem for the heartbroken, the disenfranchised, and the fleeting pop star. The song also makes a not-so-veiled reference to the 1996 single “This is Fake D.I.Y.” by the Scottish indiepop band Bis.

The b-side ‘Bad Connection’ is a cover written by the British synthpop duo Yazoo (also known as Yaz in the United States). The song originally appeared on the group’s 1982 debut album, Upstairs at Eric’s.

The album ‘Lost in Light Rotation’ was mixed by Phil Ek (The Shins, Band of Horses, Built to Spill, The Halo Benders, The Shout Out Louds, Fleet Foxes, The Walkmen). Sparkling with brainy fairy dust and glittering with proper pop songs, Ek irons out the quirks to create a wonderfully polished, yet still as punk as ever, sheen on the 11 delightfully upbeat, smart, indiepop anthems. With Sean Tollefson’s nasal vocal delivery counterbalanced by the sweetness of Jenny Mears’ responses, if you need a template for what the best indiepop sounds like, look no further.

Tullycraft - Lost in Light Rotation

Choose Your Own Apocalyse

Drug Couple - 2027

Held Open Door

Glow & Behold

Middle Sea (Demo)

‘It is true that Jaque M–– left Lisbon by boat in the winter of 1759, two hundred years to the day before the city opened its first metro system, and that he sailed with intentions of greatness and returned in disgrace, never speaking about why, or why he spent the rest of his life recreating scale-models of the buildings he claimed to have seen on the Arabian coast.’