shifty keys may 21 v1 70 bpm

shifty keys may 21 v1

shifty 60 bpm key test 4 w hat 1

Keith Fullerton Whitman “En la Parc de la Ciutadella”

Oren Ambarchi - crys cole - Leif Elggren 'Certainly' excerpt

From the album The Thing Itself And Not The Myth
---------------------
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
---------------------
From Diving Into The Wreck by Adrienne Rich
---------------------
An album made from sounds gathered underwater and along many shorelines. It is built from drones played by a synchronised swimming speaker broadcasting into a fjord, many spluttering radios, geese, and morse code.

There Is No One To Tell Me When The Ocean Will Begin -- out Nov 26 on Glistening Examples

'Tones mor' is taken from FWD24 - Rune Clausen 'Tones jul' 

Digipacks and digital available to purchase:
https://forwind.bandcamp.com/album/tones-jul

Forwind arrives at release number 25 with a trip to the Norwegian forests. Rune Clausen’s “Tones  jul”  leads the listener on a sinister trail through the thicket with a foreboding set of tracks that come winter ready from subzero Norway.

Tones jul  follows up the moods from his collaboration with Anders Brørby, “Mannen Faller”, a tribute to the long gone Norwegian forests, its animals and people living there in both fear and joy. Rune's Forwind debut is a darker and more anguished piece of work. Rune’s first solo album under his own name, is musically and thematically influenced by Norwegian folk music, ambient, ambient black metal, the rough and dark fates of 19th century people.

Tones jul

FWD24 - Rune Clausen - Tones mor

both sides of dunst ping the mmf-1 in dual bandpass mode. dunst "clocks" stepped side of r*s ssg for pitch cv and delay modulation. 
dunst modulates itself. d0 delay with feedback path through doepfer spring reverb.

dunst pings

Yolabmi_Bygone-Dear (Senglar rmx)

Laure Boer combines the expected and the unexpected. As much music as ritual, performance as spell, Boer fittingly describes her sound as ‘witchtronic’. Out of sonic abstraction emerges a system of beat, chirrup and hum, then from nowhere a voice, singing or reciting in her native French. Coming from a musical family (her mother and father were opera singer and choir director, respectively), she directs her instruments–a sprawling table full of small wooden utensils, clattering metallic objects, and stringed artefacts–to perform, pushing them into strange shapes, odd contortions, and sometimes startling beauty. Boer also works extensively in the visual arts, and has collaborated with, among others, visual and performance artist Yan Gi Cheng, musicians such as Benjamin Geyer, Igor Titenko’s Radio Vostok, and San Diego’s SKRAPEZ, with whom she released a split 8” in late 2018. Recently the Musicboard Berlin granted Laure Boer for a two-month-residency in Manila hosted by WSK, in cooperation with CTM Festival and the Goethe-Institut.
http://laureboer.com/

Laure Boer - Allons Au Bois

Splinters as a composition has a dream like quality, dark and enigmatic. Electronic noise colours the drone and bubbling soundscapes of a somewhere. Repeating musical phrases mix with recognisable sounds from life - a spoken utterance, a rumbling train. As a listener you drift with the current through misty scenes, on a journey down a river towards some marshland on the edge of an urban sprawl.

Made in response to an invitation from TACO! - an artist space in Thamesmead in South East London - Splinters documents Kate Carr’s relationship with that space, and the area of London it is located in. Over an 18 month period Kate kept a growing sonic diary of her journeys to the space from her home, her construction of work in the gallery, her wanderings around the green spaces and urban architecture, the coming and goings of visitors and the artistic material from other artists and musicians working at the space. This work is a sonic portrait of a time and a place, and the actions and events within it.


Splinters includes audio samples from concerts and exhibitions held at TACO! Featuring material from live sets by Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe, and audio material from the exhibitions Scratch! by George Barber, and Heavy View by Laura Yuile.

Mat Jenner, director, TACO!
--------------------------------------
Mastered by Simon Scott at SPS Mastering.
Design by Louise Mason.
A huge thanks to Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe for permission to use short excerpts of audio material from their wonderful live sets, and to George Barber and Laura Yuile for access to audio from their installations. 
Also massive thanks to Mat Jenner for inviting me to TACO in the first place!

Detritus Clouds from Splinters out Sept 3

Music publishing label specialising in contemporary electronics, electro-acoustics, quarter-inch ambience, and avant leaning experimentation. Operating from Dublin, Berlin, and Waterford.