Elisa Bee returns to Stolen Goods Records with two hefty techno workouts and a remix from Cromby.

The system is down in ‘A Place In Space’, erratic bleeps dart playfully around sequenced sirens as a robotic voice presses the alarm, warning about magnetic failure. There’s no need to panic, Elisa Bee’s masterful groove turns this scene of interplanetary hardship into an exhilarating dancefloor moment, which is expertly remixed next by Irishman Cromby. Guesting on the thus-far all-Italian label, the now Berlin-based Rekids, Craigie Knowes, and Phantasy Sound artist contributes his signature house, techno and trance influences in this deep space offering. Closing out the EP, Elisa’s ‘There Might Be Other Ways’ then fires up the hyperdrives and turns on the strobelights, before slinging itself forward with ceaseless rhythm shot through with flashy synths.


Having first appeared on former NTS-host Lele Sacchi’s Stolen Goods Records in its ‘Volume 0’ compilation, Sardinia’s Elisa Bee returns to the Italian label following a busy few years. In addition to playing venues like Berlin’s Tresor and Tokyo’s Air, she’s appeared on Ben Sims’ Hardgroove and Symbolism, Truncate, and UTTU. She now unveils two new tracks on Lele’s imprint, hot on the heels of her recent ‘Sample Minds’ record on Posthuman’s Balkan Vinyl.

Elisa Bee
Soundcloud: https://soundcloud.com/xelisabeex
Facebook: https://www.facebook.com/xelisabeex
Instagram: https://www.instagram.com/xelisabeex/

Stolen Goods Records 
Facebook: https://www.facebook.com/stolengoodsrecords
Instagram: https://www.instagram.com/stolengoodsrecords/

A Place In Space (incl. Cromby remix)

PREMIERE: Elisa Bee - There Might Be Other Ways (Stolen Goods Records)

Swedish duo Manic Brothers are excited to announce their return to Consumed Music with their latest EP, "Some Count Some Doesn't." The release showcases the duo's signature groovy and efficient sound, with tracks that are sure to get audiences moving on the dancefloor.

The EP features six original tracks, each with its own unique character and energy. From the pulsing beats of "Bolibompa" to the driving basslines of "Farthinder", Manic Brothers have once again proven their ability to craft tracks that are both danceable and thought-provoking. To add an extra layer of excitement, the EP also includes a remix of the title track by fellow Swedish artist Franz Jäger, taking the original to new heights with his own unique interpretation.

The release of "Some Count Some Doesn't" marks a triumphant return to Consumed Music for the Manic Brothers and is sure to solidify their place as one of the most exciting and innovative acts in the underground techno scene.

Consumed Music - 10 years of supreme underground material, thanks for following us on this journey, stay tuned!

Manic Brothers - Some Count Some Doesn't incl. Franz J​ä​ger Remix - CSMD144

Listen exclusively here to the premiere of the track ‘Tensal - Kodex' to be released with the ‘The New Land Order EP‘ on September 29, 2023 via Bpitch / BPX030

Get your copy here: https://tensal.lnk.to/the-new-land-order

https://soundcloud.com/tensal
https://soundcloud.com/bpitch-control


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Artist: Tensal
Title: The New Land Order
Label: BPitch
Cat. No.: BPX030
Format: 12“ / Digital
Release Date: September 29th

For his next solo release as Tensal, Héctor Sandoval - known to many for his collaborative projects as Exium, Komatssu, and Selección Natural - debuts on BPitch with The New Land Order, a four-track package of intense, minimalist techno.

Functioning as an output for his solo work, Tensal is a project that amalgamates various references into an exploration of tension in electronic music. Built using a combination of strange harmonic dissonances and abstract rhythmic patterns, the tracks are designed to be layered over time to build a tautly wound intensity; DJ tools in the best sense of the word.

With a learned understanding of the ways in which atmospheric surroundings are built within electronic music, and the role that this plays within nightclubs and DJ sets, Tensal uses his solo alias to experiment with a powerful range of sonic structures. He expands:

‘The concept I was thinking about when I made the EP is the timelessness of my influences which are currently running away from mainstream "modern" Techno and are closer to the music I've played as a DJ since I started my career in 1992, things like Acid, EBM, Electro, Techno-Trance or the first Rave music.’

Opening the release is ‘Misandei’, a dose of industrial-leaning techno centred around a cyclical synth line that charges continuously as the drums move in different frameworks around it. Minimalist and expansive in equal measure, it encapsulates the juxtapositions that inform his sonic palette. Following closely behind is ‘Mors Tua’, a frenetic cut driven forward by a dissonant melodic line that teeters on the edge of losing control, just about staying on track. ‘Jugoplastika’ then steps straight into the main room with a frantic blend of surreal vocal loops and heavy distortions, whilst closing track ‘Kodex’ takes an unexpected turn into broken beat territory, driven by cavernous acoustics and euphoric bells.

The New Land Order finds Tensal in total control of his craft, carefully arranging layers of sound to create a powerful dose of tension on the dancefloor.

The New Land Order

Kodex

Premiere: Tensal - Kodex [Bpitch]

With Dwellers, language and symbolism run deep as CAIV, a new collaboration from Israel Vines and Camille Altay, challenges listeners to embrace the ambiguity of existence, and accept incongruity as a vital part of the whole.

CAIV was borne of the partnership initiated on Israel Vines' 2021 track, Keeping, and Dwellers delves into the realms of sound, semiotics, and half-obscured meanings, starting with the word-association from the pair's chosen moniker that led to the EP's title.

As Vines explains, "CAIV is obviously our initials combined, and we both liked the "cave" references that it brought to mind - digging, exploring, existing pre-modernity and continuing underground through the ages."

Across the four tracks CAIV use both language and rhythm to create a dense strata of significance and buried meaning - titles like G&ouml;belki Tepe and &Ouml;tzi 2.0 reference prehistoric relics whose full history is unlikely to ever be unearthed, while Cymbalism and Shamanfreude exhibit a joy in word play that hints at the very old and modern at the same time.

Altay explains this further, "This convergence of pre-civilized ironies, opposites, conundrums, conjectures, this is what I love about these great human discoveries. There is no definitive answer - someone hazards a guess that is grasping for meaning. We can only feel our way towards the truth of it, based on the signs and symbols we know and have associations with."

Fittingly, the music itself is deep and reverberant - combining primaeval rhythms with modern sound production and unexpected instrumentation. The opening track, Cymbalism, is built around samples of Altay interacting with Polish artist Alicia Kwade's TunnelTeller - a sculpture they describe as "resonant metal tubes and concrete, resembling an instrument waiting to be played"; again this neophile urge to do things differently leads them paradoxically to techniques that might have been second nature to humans thousands of years ago.

Altay can't fully put a name to this drive: "I feel like in the music we write, Israel and I are grasping toward a language that we both share and grew up speaking, but can't actually write down. It's referential, and specific, but hard to describe&hellip;we live on opposite sides of the country, so the music we send back and forth feels a lot like we're signalling to each other by lighting fires on a mountain. It's a way to communicate deeply over a great expanse with a nonlinear gesture." It is this instinct to transmit experience in novel ways which drives the CAIV project.

BANDCAMP

CAIV - Ötzi 2.0

1 hour opening 128 BPM - 134 BPM

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://scopavik.bandcamp.com/album/segment-of-a-circle

Artist: Scøpe 
Title: Segment Of A Circle
Label: SCOPÁVIK
Catalogue: SPV012
Format: Digital 
Genre: Electronic
Style: #Techno 
Release date: March 16, 2024

All tracks written and produced by Scøpe, Xanexx, Ve Bogel
Mastered at mott lab
Artwork by Pano

Tracklist:
1. Segment of a Circle 
2. Grabber Hand
3. Hover Over
4. Floating Method

We released an EP with 4 tracks to celebrate our 9-year journey. This EP is the first collaborative work of Scøpe, Xanexx, and Ve Bogel who are artists of SCOPÁVIK.

Follow #Scøpe here:
https://soundcloud.com/scopekim
https://www.instagram.com/scope_kim/
https://www.facebook.com/scopepage


Follow #SCOPÁVIK here:
https://scopavik.bandcamp.com/
https://soundcloud.com/scopavik
https://www.instagram.com/scopavik/
https://www.facebook.com/scopavik/




___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

Follow us on INSTAGRAM and FACEBOOK for releases previews and news:
https://www.instagram.com/hate_collective
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Follow us on SOUNDCLOUD for exclusive podcast series:
https://soundcloud.com/hate_music

Segment Of A Circle

Premiere: Scøpe, Xanexx, Ve Bogel - Segment of a Circle [SPV012]

Fabrizio Marra is back on Selectro with a track that brings summer straight to the dance floor. Analogic Summer is full of warmth, energy, and groove - a feel-good bomb ready to light up clubs everywhere. With years of experience behind the decks and in the studio, Fabrizio has played some of the world's biggest stages - from Ibiza to London and knows exactly how to move a crowd. His sound blends deep grooves, bright melodies, and pure dance floor energy, and this new release is no exception. Get ready for a track that shines with summer vibes and keeps the party alive from start to finish. Enjoy and support another Selectro release!

Beatport: https://www.beatport.com/release/analogic-summer/5356550

▪ Fabrizio Marra:
https://www.facebook.com/fabriziomarraofficial
https://soundcloud.com/dj-fabrizio-marra

▪ Selectro:
https://www.selectrorecords.com/ 
https://www.facebook.com/SelectroPage
https://soundcloud.com/selectro-official

#tech #minimal #micro #deep #deeptech #housemusic #breakbeat #breaks #microbreaks #dub #dubtech #melodic #reggaedub #dubtechno

Fabrizio Marra - Analogic Summer

RE 4039 (A.V.I.V. )

Buy on bandcamp

Maximilian Beck - RE 4039 (A.V.I.V. )

PREMIERE Julia Govor & Jeroen Search - Watching You (take 1)

Being an influential player within Belgium’s evergreen techno scene, Ortin Cam’s music can best be described as rousing and straight-to-the-point.  A regular contributor for leading labels such as Drumcode and Invasion, this single on Mote-Evolver represents another accolade in Cam’s upwardly mobile career. 

The clue to what to expect from this record is in the title. Carnage is a highly purposeful, no-holes-barred, full force techno record. Constructed around firing snares and alternating loops of jittery and then drawn out horn snippets the overall effect is a high-octane track with a fierce rhythm and lots of tense energy. 


Mote012 :: Ortin Cam - Carnage (Original)

Here is a little edit I did recently of 'I feel loved' by Depeche Mode. Enjoy!

Support from the likes of: 

Chris Liebing
DVS1
Loco Dice
Rolando
Deetron
Steve Rachmad
Norman Nodge
Karotte
Alan Fitzpatrick
Truncate/Audio Injection
Rod
Roman Lindau
Sasha Carassi
Dustin Zahn
Unbalance
Jamie Anderson
Russ Gabriel
Rich Jones
Luciano Esse
Paul Mac

Video

Depeche Mode - I feel loved [Roberto - Fossil Archive Edit] - FREE DOWNLOAD

Roberto (real name: Rob Kirkaldy) is a London based Techno producer, DJ and Remixer. Considered to be one of the most exciting new UK Techno artists in recent years, he combines influences from Detroit and Amsterdam to create his own sound unique to the UK.

As a DJ, he brings a special energy to the dance floor that is the product of many years of dedication to the craft. Never one to let an audience get bored, his sets explore many angles of techno, which has seen him play at some of the most well respected clubs around the world, including fabric in London and both Tresor and Berghain in Berlin. His DJ skills have also made him a popular choice for podcasters, having been called upon to deliver mixes for esteemed shows like the CLR Podcast, Slam Radio and Electric Deluxe.

With an already impressive discography, Roberto has built his production credits with EPs on the likes of Rekids, Fachwerk, ARTS, Solar Phenomena and Obscura, as well as a host of remixes for artists like Jamie Anderson, Roberto Clementi, DJ Rolando and Shinedoe. His own tracks have been remixed by artists such as Steve Rachmad (Sterac), Mike Dehnert, Trevino and Peverelist.

At the beginning of 2015, Roberto launched his own Fossil Archive label. Predominantly a vinyl label (though releases are also available digitally), the ethos of the imprint is that it must not compromise on the sound.

As Roberto said in a recent interview with Data Transmission: “I love the fact that you can hold a piece of music in your hands. They are art pieces in their own right. Music is the product of many years of development; much like a fossil that can be buried deep underground for millions of years, until it is discovered. I wanted to ensure the music is of the highest quality, which means not rushing things.”

We’re also booking Fossil Archive label showcases!

Depeche Mode - I feel loved [Roberto - Fossil Archive Edit] - FREE DOWNLOAD

R.M.K ➖ Fossil Archive ➖ Roberto