Pagina Facebook: https://www.facebook.com/DiSoRDEr88M.R

D I Ƨ O R D E R
Disorder è un progetto che nasce nel febbraio 2015 mirato principalmente al "disordine" in pista con Hit e Tormentoni. Ripercorreremo le diverse epoche, alla ricerca dei migliori pezzi, con generi differenti tra loro che messi insieme creeranno una miscela esplosiva.
Sceglieremo i più spettacolari, quelli che ci hanno fatto ballare, emozionare, cantare e divertire nel corso degli anni.
Un Djset senza criterio, senza regole, disordinato e originale.
Ogni party sarà caratterizzato da un tema specifico.

☆Nessuna moda da seguire.
☆Nessun colore in particolare.
☆Nessun genere specifico.
☆Nessun limite.
☆Nessuna posa.
☆Nessun ordine.

Per Info contattare
Massimo di Lernia (MASHKY)
Rossella Di Tondo

Difference makes us an eye to each other.

UasEye is the personal project of GeopR (ASYMMETROI FAROI)

***Please PM for original production/Beats are not exactly free, either small fee or credit please just contact:)*** PS: How come people add me and my followers don't seem to change? Is this just a me thing? srsly. BTW that's just a mask I think....  SCROLL DOWN PLEASE!I  Some of the best beats that may appeal to you are all over. I make beats and write music for fun, small fee or recognition depending on the artist. If you are interested in collaborating or using a beat please contact me on SoundCloud or just name me as producer/send me the song that you do if you do use my music. I am very interested in working with other hip hop groups/artists/spoken word/singers and produce for them. I have been playing instruments and rapping for the last 20 years or so, but just getting used to different programs on the PC so please do have mercy. Open to constructive criticism as well! If you enjoyed a snippet from an earlier uploaded beat please let me know and I will upload full version. Love making spaced out hip hop beats/metal/industrial but basically just whatever I feel like. I would also be interested in doing soundtracks for short films/commercials (for free depending on the project/small fee of course as long as I'm credited correctly) :)  Please Scroll Down!!! Some of my tracks are half way down the page.  Please like and follow and I will check out your page/music and do the same! Thank you all, enjoy. Will do share for share for indie artists   in order to attempt to succeed together! I am on and off here so I check my msgs about once a week.  I will be shortly uploading some lyrics that I've wrote along with some of my favorite beats to upload soon! Been a disruption due living in a basement apt, lol but setting up new studio to record in currently!  Best to come soon....(lyrics, guitar....fun) Thank you for all the support! I also do the odd re-post of artists that I currently like. PS: Any track labeled "experimental" might not be for everyone, these tracks are just me doing different things and mucking around to attempt to make different sounding tracks as well.  More tracks otw always! Will soon be putting up fill songs with lyrics/singing and all that fun stuff :) Keep on Sound Clouding everyone! If you share my track I will share yours, just PM to remind me please.    !!KEEP UP THE MOVEMENT!!

I am A Sound designer and Music creator Artist: Solo Tracks And Albums "TribalCall"  ( Industrial Noise ) melodic & Percussive Industrial Beats & Keys... I and We do play live and practice our music with Tony Crawford from "Crawfishs" I play Bass but we do Create Soundtracks too in  "AT MUST FEAR".  other projects include "Attractar" "Creators Of Ecnalab" "The Tones Projection" "Aushone" "Collaborators Of Ecnalab" & "Neal Ager"...

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
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I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Italian DJ based in London.
All about electronic, techno, deep house and house music with melodic nuances.

Monthly Podcast - .Feel It.

Fotomaton is what happens when a well known DJ teams up with a sound maniac and both decide to create timeless crackling cinematic landscapes.

While Andreas Rosenhahn (HiFi Brown) absorbs himself in a crackling vibrating sphere of sound created with records, effects and distorted beats, Tobias Vethake (Sicker Man) envelops the music with his barrage of instruments including cello, guitar, prepared guitars and basses, synthesizers, toys and more
The result is something between ambient punk, improvised soundscape and odd hymns to the flow of depression.

I am a producer, mixer, engineer & multi-instrumentalist based out Seattle, WA.  Hannah Ramone, Disinterested, Trespassers William

This is  my page for sound experiments, some field recording , some modular synth noise, I would be delighted if anyone wants to rework,remix, or use anything in their recordings, just credit me or any of my collaborators in the title, contact me and I will send you the files.

Followers of Fotomaton