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Outlook Remains Untouched

Written and Produced by Brian Leeds
"Plonk IV" Mixed by Chris Wang 
Mastered by Anne Taegert
Design by Jonathan Castro Alejos - www.jonathancastro.pe

"Plonk IV" is taken from Huerco S.' Plonk LP
PREORDER: Vinyl 2x12"/CD/Digital:
https://huercosplonk.bandcamp.com/album/plonk
Out February 25th, 2022
INC-015

Huerco S.
@huercos
https://huercosplonk.bandcamp.com/album/plonk

Incienso
www.inciensorecs.bandcamp.com
www.instagram.com/inciensorecs
www.incienso.nyc

Plonk

Huerco S. - Plonk IV [INC-015]

Kool FM (Container remix)

'Someone Close', out now on Ninja Tune: https://floatingpoints.lnk.to/someoneSo

Follow Floating Points -
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#FloatingPoints #NinjaTune

Someone Close

+ support Burial's recent releases - https://burial.bandcamp.com

check out my remixes of Near Dark & Archangel 
 https://soundcloud.com/iamquestionmarc/near-dark-questionmarc-bootleg-burial
https://soundcloud.com/iamquestionmarc/archangel-questonmarc-edit-burial

linktr.ee/questionmarq

Tunes 2005-2007

Distant Lights (quest?onmarq Gqom Club Bootleg) - Burial

Taken from the album 'LXXXVIII', released 03 November 2023 on Ninja Tune: https://actress.lnk.to/LXXXVIIISo

Follow Actress -
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#Actress #NinjaTune

Game Over ( e 1 )

When aggressive expenditure subsides, denial follows. The subject disengages, declaring the material irrelevant or nonexistent. The sonic event is relegated to the margins of consciousness, coded as ignorable background.
However, as psychoanalytic theory indicates, denial is never absolute. Auditory fragments remain: the persistence of a loop, the afterimage of a dissonance, the mnemonic trace of a texture. The red flag is not extinguished but repressed, continuing to function within the unconscious domain.
Denial therefore constitutes a paradox: the object is consciously excluded while unconsciously maintained. This silent negotiation signals the beginning of hidden integration.
credits
releases January 23, 2026

Mastered by Larionov
Artwork by crudex.zone

https://ratflak.bandcamp.com/album/3-4-denial

Sampler_VA_3/4_Denial(RATFLAK003)

iTunes

First Light - Zora Jones

Planet Mu are very excited to announce Jlin's long awaited second album “Black Origami”. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music.

“Black Origami” is driven by a deep creative thirst which she describes as “this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.” 

Spirituality and movement are both at the core of “Black Origami”, inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival – ”There is a fine line between me entertaining a person and my spirituality. Avril, who collaborates with me by means of dance, feels the exact same way. Movement played a great role in Black Origami. The track "Carbon 7" is very inspired by the way Avril moves and dances. Our rhythms are so in sync at times it kind of scares us. When there is something I can't quite figure out when it comes to my production, it’s like she senses it. Her response to me is always "You'll figure it out". Once I figure it out it's like time and space no longer exist.” 

Similar time shifting/folding/disrupting effects can be heard throughout the record – especially on “Holy Child” an unlikely collaboration with minimalist legend William Basinski. She also collaborates again with Holly Herndon on “1%”, while Halcyon Veil producer Fawkes' voice is on “Calcination“ and Cape Town rapper Dope Saint Jude provides vocals for “Never Created, Never Destroyed“.

Jlin will be touring extensively this year and is currently lining up appearances including Sonar festival. She also has plans to collaborate with acclaimed UK choreographer Wayne McGregor who played her music recently on Radio 4’s Desert Island Discs and described her music as “quite rare and so exciting”.

Black Origami

Jlin - Nandi (from 'Black Origami' - out 19th May)

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

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Last Bloom

I usually don’t write about feelings or experiences, my music is not a vehicle for ideas and language; music is an art form that stands on its own. I put sounds there for the sake of sound, not what they mean. I’m perfectly fine with listeners feeling their own emotions or adding their narratives to my music, but that has never been my goal. Music and sound for me is a physical experience that you feel and enjoy. FIGURE BESIDE ME is the exception to the rule. After this EP I’ll go back to serving the dancefloor again - I just need to get this one out of me.

STREAM/BUY: https://objectblue.lnk.to/FIGUREBESIDEME

Kool FM (Container remix)

Four Tet