Minimalist Techno

L.B. Dub Corp | No Trouble In Paradise

taken from ETUILTD005 V.A. - Translucent Tracks
will be out on translucent / black marbled vinyl on Nov 22nd 2013
buy here: http://www.etui-records.de/?p=2646

this is 128kbps preview snippet

Translucent Tracks

ETUILTD005 Frank Hellmond - True Lines

A Side of my collaboration with Simian Mobile Disco.

For the final dessert course in this particular banquet of Delicacies, after successful collaborations with Cosmin TRG and Bicep – SMD are very proud to present two tracks in collaboration with none other than Roman Flügel fresh from a session in their research kitchen.

Hachinoko (snippet) / Roman Fluegel & Simian Mobile Disco

Acid Test 09 marks the first true collaboration from Tin Man and Donato Dozzy. After spending studio time together in Rome the two have completed a beautifully deep EP of music. Tin Man's emotional acid lines become shooting stars in Dozzy's hypnotic atmosphere.  Limited hand painted sleeves. Mastered by Rashad at Dubplates & Mastering.

A1 - Donato Dozzy & Tin Man - Test 7

Order: http://atomnation.bandcamp.com/album/rental

Bless

Islander Version

Portable Sunsets - Islander (Version)

This track is part of the album "GHOST FROM THE PAST" (ORNAMENTS 032).

A2 - Marko Fürstenberg: "With A Difference"

Tin Man - No New Violence (vox Version)

“I see Techno and House as an intrinsic part of day to day culture here in Berlin. So many lives and lifestyles (r)evolve around this music. Mine included. (In Berlin,) Techno and House inspire a level of identification and loyalty which I still find amazing. I also see a difference in how people deal with this music here compared to other cities where music can be very hype driven and there’s a pressure to innovate. In Berlin, Techno and House are more vented on a constant level without being questioned too much. It’s tried and tested — loved for exactly what it is.”

“I decided to call my album Folk because I feel that we all work with a sonic vocabulary that was developed by a relatively small set of pioneers 20 or 30 years ago, that took their cues from disco which was influenced by R&B, Funk, Soul, etc, down to the most primal ritualism of tribal drums. This sort of traditionalism appears to have been passed on from generation to generation with everyone adding their own perspective to it, thus making it more difficult to trace it all back to a source. One can argue that a lot of it is passed through records but I feel the most important ways of experiencing, enjoying and learning about the music happens inside a club. I also call this Folk as the blueprint of this music was laid out on what were originally cheap instruments from a dusty thrift store — in 1985, the TB-303 was the equivalent of a worn out acoustic guitar. Today this is reflected by the immense and accessible power of creation found in a $500 laptop running a crack of Reason or Ableton.”

Nick Höppner - Paws

After his joining with Ostgut Booking in 2015, his contribution to the Ostgut Ton | Zehn compilation and two 12“es on Ben Klock’s Klockworks label, Ukraine-born, now Berlin-based producer and DJ Etapp Kyle debuts on Unterton.

As with his previous releases Etapp Kyle captures his playful, multi-layered Techno endeavours with single-word track titles: Continuum EP starts off with “Opto”, an atmospheric track with fazing bleeps, ensouled synths and subdued claps – a prime example of his great feel for musical detail. “Ahora” builds upon this vibe with more asynchronous drum patterns, well placed drips of melody, distant pulses, mesmerizing pads and hints of rattles amongst other percussion.

The EPs title track “Continuum” is distinctive through its use of industrial hammer jabs and reduced, puzzling synth pads that are counteracted by a more dominant, steady and stubborn kick drum. “Limb” contrasts unconventional pulsating, hypnotic synth tones with sharp claps and snare sounds, and rounds off this 12“ of all new, puristic and futurist Techno, catering as much to the darker corners as to the brightest spots of the dance floor.

Etapp Kyle | Continuum

Nuits Sonores / Nectarines

Nuits Sonores

Percolating Acid from Dripping Acid. Dripping Acid is a series of 6 separate 12"s.
Digital is also available on Bandcamp.

Percolating Acid

More Info:  https://www.xlr8r.com/news/2017/02/stream-tin-mans-new-acid-infused-lp-in-full/

@tinman

Dripping Acid

Premiere: Tin Man - Dripping Acid

@EtappKyle’s first full Ostgut Ton EP release sees the Ukrainian-born, Berlin-based Berghain resident emphasizing the connection between spaces, while avoiding Techno’s overt intergalactic clichés. By partially linking to his ‘Continuum EP’ (Unterton, 2016), the results are four tracks of pristine, sci-fi minimalism, propelled by Ambient synths and percussive explosions in distant skies – more utopian than dystopian.

Buy 12"

Etapp Kyle | Quantum

Etapp Kyle | Alpha

Red Axes - Eastern Crown [PERMVAC1602]

PPH009 Rhauder SessionsII B2 Chord Jam

Freund der Familie - Symbian (Christopher Rau Remix)

preview of Frank Hellmond - Sunday
taken from V.A. - Etui Winter Camp

http://www.etui-records.de/?p=2079

Etui Winter Camp

Frank Hellmond - Sunday

Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.

Und wieder glüht die Nadel. DJ Koze did it again. Seine Hommage an Audrey Horne. "Burn
with me“ – ein abgefuckter deeper schizoider Brainfoodbouncer mit stehenden Bässen und Hi
Hats, completely out of Timing. Der Beat bumst wie Ficken, die dreckige off Hi Hat peitscht
erbarmungslos in die Schweineherde, alle wollen einfach nur ficken.

Minimalist Techno

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