Minimalist Techno

Turn to Gaia

L.B. Dub Corp | No Trouble In Paradise

Acid Test 09 marks the first true collaboration from Tin Man and Donato Dozzy. After spending studio time together in Rome the two have completed a beautifully deep EP of music. Tin Man's emotional acid lines become shooting stars in Dozzy's hypnotic atmosphere.  Limited hand painted sleeves. Mastered by Rashad at Dubplates & Mastering.

A1 - Donato Dozzy & Tin Man - Test 7

Efdemin - Night Train ( Vid Remix )

“I see Techno and House as an intrinsic part of day to day culture here in Berlin. So many lives and lifestyles (r)evolve around this music. Mine included. (In Berlin,) Techno and House inspire a level of identification and loyalty which I still find amazing. I also see a difference in how people deal with this music here compared to other cities where music can be very hype driven and there’s a pressure to innovate. In Berlin, Techno and House are more vented on a constant level without being questioned too much. It’s tried and tested — loved for exactly what it is.”

“I decided to call my album Folk because I feel that we all work with a sonic vocabulary that was developed by a relatively small set of pioneers 20 or 30 years ago, that took their cues from disco which was influenced by R&B, Funk, Soul, etc, down to the most primal ritualism of tribal drums. This sort of traditionalism appears to have been passed on from generation to generation with everyone adding their own perspective to it, thus making it more difficult to trace it all back to a source. One can argue that a lot of it is passed through records but I feel the most important ways of experiencing, enjoying and learning about the music happens inside a club. I also call this Folk as the blueprint of this music was laid out on what were originally cheap instruments from a dusty thrift store — in 1985, the TB-303 was the equivalent of a worn out acoustic guitar. Today this is reflected by the immense and accessible power of creation found in a $500 laptop running a crack of Reason or Ableton.”

Nick Höppner - Paws

EBLO

🔊 Genre: Progressive House / Melodic Techno / Uplifting Trance
🎧 Title: Ethereal Sunshine
🎚️ Artist: The Mainside Project

Ethereal Sunshine is the quiet bloom of light that rises from within, a warmth that dissolves the shadows you didn't realize you were carrying.
It’s the soft pulse of a new day unfolding, where melodies drift like golden particles suspended in the air.

A radiant progression shaped by deep textures and subtle breakbeats, rising gently the way the sun stretches over the horizon.
Bright enough to lift you, calm enough to hold you, and honest enough to touch the parts of you that still believe in small miracles.

It’s the moment when light feels weightless and hope feels effortless, glowing softly beneath your skin.

🎵 Send this to someone who carries their own sunshine, even on the days they forget.

#EtherealSunshine #TheMainsideProject #ProgressiveHouse #MelodicTechno #UpliftingTrance #Breakbeat #ChillProgressive #EmotionalElectronic #SunriseMusic #DeepMelodic #AtmosphericHouse

Ethereal Sunshine

sirens (beware)

Answer Code Request | Zeitspielraum

Obsidian

Monolith

Nuits Sonores / Nectarines

Nuits Sonores

http://bit.ly/GREYSCALE03

Lithuania’s Greyscale returns this December with Ohrwert’s ‘Fidelis / Blavus’, backed with remixes from XDB and grad_u. 

Greyscale was launched in 2012 by Lithuanian producer and DJ grad_u, and photographer Rima Prusakova, set up as a platform for material from grad_u and close friends whilst Prusakova’s black and white analogue photography provides the visual identity of the label. 

The original mix of ‘Blavus’ opens the EP, perfectly setting the tone with murky, ethereal atmospherics, billowing dub echoes, modulating percussion and thunderous drums before DubTechno stalwart XDB strips things back a little with soft touches of the originals airy drones 
tucked away in the depths whilst choppy stabs and dynamically unfolding analogue rhythms wander throughout. 

The second original from Ohrwert opens the flip-side, upping the energy levels slightly with hooky stab-sequences, filtered delays and hypnotic melodies running alongside a sturdy percussive foundation. Lastly to round out the release grad_u reworks ‘Blavus’ into a more 
groove-driven workout, employing shuffled hats, looped dub chords and bumpy sub-bass hits throughout. 

Mastered at the legendary Dubplates & Mastering in Berlin.
 
*** 

Early support by Jonas Kopp, Ben Sims, Truncate, Italojohnson, Dj Deep, Roman Poncet / Traumer, Oliver Deutschmann, Markus Suckut, Johannes Volk, Julietta, Alland Byallo, Will & Ink, Dorian Paic, Eric Cloutier, Midland, Massimiliano Pagliara, John Osborn, Darko Esser / Tripeo, Marco Effe and many more..

Fidelis / Blavus

Ohrwert - Fidelis / Blavus

A1 Ohrwert - Blavus - GREYSCALE 03 | Snippet

INFO: https://www.clubbingspain.com/mp3/2018/primicia-joachim-spieth-luciferin-chptr-rework.html

Irradiance reworked

Luciferin (CHPTR rework)

PRIMICIA: Joachim Spieth - Luciferin (CHPTR rework)[AFFIN]

‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Efdemin | New Atalntis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Artwork: The Centers Of The World, Brussels, https://centersoftheworld.wordpress.com | Layout: Yusuf Etiman

Efdemin | Good Winds

Contact / demos policy: https://www.ostgut.berlin/label/contact/

L.B. Dub Corp | No Trouble In Paradise

Ostgut Ton | A-TON | unterton

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