A record label from the North West of England... 

Launched by former Electric Elephant booker & manager Chris Massey as a side project alongside his A&R role at Paper Recordings....

Sprechen is a platform to showcase electronic music designed for the dance floor...with a passion for melody, groove, soul & energy with no limitations of style and a diverse release policy...

Speak Music...

This world is little square, but we are not! 

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For the world dj-bookings, edits, rmxs and nu feels please write:
limpodisco@icloud.com

♥♥♥

Limpodisco is a duo equally in love with both 80s pins-up and 80s synth-disco. Hypnotic, cool and deep music: all around weird sciense. Try it to be wet & sexy!

deejay or LIVE bookings:  ladykier@mac.com  

Mid-tempo dancefloor specialists... plus everything else.

Midnight Magic is a cosmic disco ensemble with a desire to make you, the listener, and the rhythm, become one.  

Vicious Love is out now: http://btprt.dj/1ut85Nv

tici taci - bringing you electric funk rekkids at tempos below 120 bpm. No pre-packed freeze dried loops here, all tracks have live instruments well to the fore, from funky wah-wah guitars and deep chunky bass to temperamental analogue synthesisers and live percussion.

Now 2 years later (July 2015) we're at 23 releases from a range of artists and remixers, with one release scheduled each month.


Duncan Gray (biog) : Perhaps best known as one half of the Sons of Slough along with Ian Weatherall - see discogs entry for details of releases. The Sons were a formidable Live act (see You tube) playing regularly across the UK. DG's own releases also gained some popularity, starting with cuts for Scatological (1996) Blue Black, Whole9Yards, SaltHill, through to Aquamelon (2009). Since returning to music production in 2013 he has released tracks on NEIN, Eskimo, Blindetonation, Play Pal, Rock to The Beat, plus Andrew Weatherall's vinyl only Birdscarer label. He has played guitar on half a dozen AW remixes.
DJ Bookings : julieann.smith@gmail.com

CONTACT :  ticitacimusic@gmail.com


Yes, I do want to hear new tracks. I am always interested in music which features REAL INSTRUMENTS - or electronic originality. I'm getting fussy these days...please email files to the email address above. (don't just send a soundcloud link please) If you don't know what the sound of this label is like, don't bother sending me stuff. I get quite a few demos with a note saying "I love the sound of your label" from producers who have clearly never listened to any of our releases.

PLEASE NOTE : 2020 release schedule now full, but I can always make room for something spectacular, or a really cool remix...

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

Davie Miller is an artist manager and works with Andrew Wasylyk, Lomond Campbell, Eyes of Others and the record label Paradise Palms. 
He is founding member of Scottish electronic music pioneers FiniTribe(Wax Trax, One Little Independent, FFRR/London Records, Epic, Infectious Records) and  occasionally plays other peoples records.

Fourtran is following