RidingEasy Records is a Rock n Roll record label that focuses on heavy psych, doom, metal, and rock.  Check out our website for the real deal goods and other titles we carry.

1000mods is a stoner rock band from Hiliomodi, Greece. They formed in 2005 and after a few changes the final lineup was made up in summer 2006. From that time and later on they have played numerous live shows and sometimes they accompanied bands like Nightstalker (greek stoner rock legends), Brant Bjork, My Sleeping Karma,Radio Moscow and Colour Haze. They tend to impress everyone that attends their shows with their commitment to vintage equipment, the thick and heavy analog sound and their remarkably passionate on stage performing.

In the beginning of 2007 they released their self financed first EP “Blank Reality” on CD. In December 2009 they stroke back with a brand new 7” EP titled “Liquid Sleep”. Available on coloured (light green) vinyl by SuiSound.

In October 2010 they recorded their debut album with the almighty Billy Anderson(Sleep, Melvins, Neurosis, Om, Los Natas, Orange Goblin etc...).

shed rock band from SUNNY COAST 4573

https://www.youtube.com/watch?v=j58V2vC9EPc

thechats69@gmail.com

Milan Records is an independent label that has been operating for 30 + years. Specialized in soundtracks to film and TV, Milan Records has released classics soundtracks such as Ghost, Brazil, City of God, Monsoon Wedding, Tsotsi, Pan's Labyrinth and many more....Milan Records is also the home to a wide array of talents such as The Devil Makes Three, Emily Jane White, Alaska in Winter, Astor Piazzolla, The Five Corners Quintet.

Milan Records is distributed in the USA by Warner's ADA, in France by Universal, in Japan by JVC/Victor, and in the rest of the world by Warner Music Group.

About Chromanova
[*1993-†2025]
has a long history now. founded in 1993 in berlin/germany by Nesjaja and Irmi Exo ,it developed from various projects at the edge of the psytrance scene to a wellknown radiostation. At the beginning there was the love to party, dance and having fun, since 1999 its more serious because chromanova started with the radiostation. The radio presents you dj-mixes and liveacts around the world within internet 24 hours 7 days a week nonstop. The main concern lies into streaming good mixes from djs and liveacts, sometimes we stream live from partys, mostly indoor. The basic principle is still the same as it was at the beginning: we play what we like! with the time the crew grow bigger, and we are proud to name djs and liveacts as our chromanova resident team, which play all over the world.


Chromanova.fm | Chillout & Lounge Radio
Free Tibet ; free your mind and fly with us

††† broadcast stops in 2025,april because of the death of the founder, maker & dj nesjaja †††

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

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