"percussion" and arrhythmic rhythm

un ricordo di mia madre v v v OLÈ

all the fr0ggy5

i tried to grab the most recent 20 and make playlist, but somehow it grabbed em all. cool cause is most recent back. for oldest to newset - there is playlist called "all the fr0ggy5". is 8 hours of sound. i like it but

fr0ggy5 recent tracks

the fr0g arrive at the swamp-tone poem

fr0g's lament-tone poem

fr0g dances-tone poem

the flies converse while frog lurks-tone poem

frog has springtime peace-tone poem

percussion fr0g-tone poem

SWARM

Nimbus (2022) Anthology CD1 Track 12

Heavy Horns 145 BPM

memory of her ( for my mother )

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege (by David Marconi, featuring Elpiverse, Ron Lewis & The Eclectic Collective)

metronome army

time is different when you have a strict schedule

afternoon autumn sun

Newtrackdec9

arrive soon new electric kid bass

i learn that my fate is sealed

march of may

taking a drive

see full paintsmear - it was a foldy job with random leftover paint
https://unsplash.com/photos/9O26FtyTkRc

is not intentional sexy lady it is paint folding image by accident   <3   :D

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free to remix/sample/rap on --download enabled
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if my track is a remix of someone else- 
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ALL my track are intended to be listed creative commons! but some may be mislabeled due to replacing the track! 
(i replace a lot)
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all here is hand crafted audio - no ai
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営利目的での使用OK、クレジット表記不要
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my music is made from these things:
casio keyboard (has multi-track)
zoom h1 microphone
bamboo xylophone
edward the violin
blasty the hollow tube (styled after didgeridoo)
kidbass malldad the electric bass guitar
honey the acoustic guitar
bluey the electric guitar
trombone
thumb piano
cowbells
clarinet
flute
recorder
stylophone
wooden frog
floor tom  drum
bongos drums
african drum
various mallets
various percussion
household objects
field recordings
stupid kid drum kit thing
ukulele
piano
pump organ
zoom h4 microphone
digital metronomes
koala sampler
metal xylophone
misc other physical instruments
NCH audio editing software
garageband (only used once so far)

LET ME KNOW IF I CAN REMIX YOUR SOUND
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soundcloud:tracks:1962767755