recent fr0ggy5 creations

Janne Hennie

Protaanta

Drummax, Sytrus, Fender Squire Mini guitar , Yamaha Tenor Saxophone

Artwork-photo of some homegrown olives curing in the kitchen.

Yep, Sure, 100%

'banjovi'

something until the next thing

banjovi

“L’Amour de Love” by Luke

I posted the long version when I only had 50 followers..
here is the shorter version .. it’s one of my favourite compositions.. and yes the “big tough as nails” is a romantic 

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“L’Amour de Love”  by Luke

What is there to describe, the song title tells you plainly and simply - don't obey. I've used art made by the awesome Alec McKenzie to make the thumbnail, and the music video as well !

Don't obey

ROCK

🚀 Digital Highway – Steven Francis

Cruise the 432Hz sonic motorway with “Digital Highway,” an immersive soundscape crafted by Steven Francis, UK keyboardist with perfect pitch and a passion for healing frequencies. This 3-minute track blends atmospheric drones with subtle rhythmic pulses, creating a journey that’s both grounding and transcendent.

🔊 Designed for ambient lovers, meditation moments, or chill background vibes 🌐 Connect with the flow of thought and energy as you travel this digital route 🎹 Featured on 432Hz Relax 2 — part of Steven's evolving catalogue of sound healing

432HZ RELAX 2

DIGITAL HIGHWAY

DIGITAL HIGHWAY, this is 1 of 10 tracks from the album (432HZ RELAX NO 2 SOUND )

Conga and bass, Sergio Párraga.
Piano and drumms, Ireal pro.
Front page, Pepe Gámez.

Conversando

I had the absolute pleasure of collaborating again with the greatly talented David De Michele who has created an incredibly enchanting cinematic soundscape for my piano composition "Up". 

Please listen to more of David’s beautiful music here: @user-92820487

Sincere thanks for your attention to this work. We do hope it brings you some joy and comfort!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Up (Ft. David De Michele)

There's a heat wave going on in Norway...  I made the music in GarageBand.  Maybe I add some vocal eventually.... :)
Thank you for listening!  🎧😊

Heat Wave (Instrumental-Original)

made with casio keyboard and multitrack ability
zoom h1
nch editing
i moved the mic around to try to create panning
but it is janky :D

sad frog part two : NOT SAD THO <3

made with casio keyboard
zoom h1
and nch edit

toxic algae in the lake but i want to swim

made the casio keyboard piano sound and multitrack
zoom h1 mic
nch edit
Photo by Saranjeet Singh on Unsplash
TRACK NUMBER 601

sad piano noodles using my favorite 7 notes D E♭ G♭ G A B♭ D♭ (corrected!)

made with piano and sax voices
using casio
and zoom h1
and NCH editing software

casio noodle using the unused notes only b c e f a♭

quick janky prayer with honey the acoustic guitar and casio keyboard
edited in NCH software
also zoom h1 portable microphone
uses C C# D# E F F#

casio plus guitar techno prayer for new venture prosperity and contentment

This one—whoo boy. One of my oldest songs, made around 2014.
It’s one of those “cursed” tracks—but in a good way. The more I tried to perfect it years later, after learning all kinds of new tricks in Fruity Loops, the more it lost that certain magic I tapped into when I was younger. That raw energy is gone now, and while I can improve the song with better mixing, bass, synths, programming, and sound quality, every “improvement” risks erasing that special something—that je ne sais quoi, that zazz.

It’s like a reflection of me, frozen in time inside an MP3 file. The spirit of these early works is more important to preserve than to sacrifice in the name of perfection. Sure, it takes skill, dedication, and time to create a masterwork—but I also believe there’s genius in capturing a unique feeling with as little effort as possible. Kakaphoney is an album where I try to balance both philosophies, though most songs fall into the “finished, not perfect” category. My next album, after sharing Kakaphoney, will be an album I currently call "Tracks back from high school when I had no clue what I was doing", and it will feature all of the tracks I actually shared on Myspace, my edgy solo noise project "Spinal Menstruation", and yes I was a one man Myspace noise band. So, this album is a collection of my earliest works that embrace this "save the vibes fuck mastering" mindset and take it to another level - because i did not even know what mastering was back when I made those tracks ! 
Anyway, I did not listen to these primordial melodies (most of them made in High School) for many years, and once I did go over it finally relatively recently - I was stunned. Why did I just make so much music and then just forget about it ? And how the hell did I manage to stuff so much soul into every track with such little experience. I realized that the vibe these old tracks portray is unique and nowhere to be found in any of my newer, fancier tracks (Here’s one example from that project—a song that perfectly captures the weird energy that animated me when I was young : https://www.youtube.com/watch?v=N_R022SObfk
 
But yes - Nee-Cola was one of those tracks I dug out of those ancient folders, and when I found it and listened to it again after 10 000 years I remembered everything about it. It actually started out as something completely different—until I realized I’d accidentally programmed the main synth to sound like it was calling my name (Nikola). My original concept was to create a song that felt like a stage performance, with different synths and samples taking turns. But this main synth refused to just play a simple tune and stop—it fought to stay on stage and sing (the song was also named "It's my turn" back then). The other synths, including a deep bass, seemed to try to pull it back and silence it. As the track progresses, the main synth goes haywire, growing louder and more chaotic, eventually overshadowing everything else.

I was fascinated by what I’d made, but it felt a bit ridiculous to name a song after myself. Still, it fit perfectly with the Kakaphoney theme—synths that sound like voices, and non-voice synths manipulated until they seem to speak, as if they’ve gained a voice of their own. That’s the ultimate goal here, as it is in my “Suck On These Tears” track from the same album.

So instead of making it about me, I invented a fake cola drink with a name that sounds like mine—easier to explain, and far less narcissistic. So drink up bitchezz

Nee-Cola

╚══《🐸》══╝╚══《🐸》══╝╚══《🐸》══╝
free to remix/sample/rap on --download enabled
🖤🔥🖤profit okay // no credit okay 🖤🔥🖤
if my track is a remix of someone else- 
             double check with other artist :D
🐸🐸🔥🐸🐸🐸💕🐸🐸🐸🔥🐸🐸
ALL my track are intended to be listed creative commons! but some may be mislabeled due to replacing the track! 
(i replace a lot)
_______________________________________________________
all here is hand crafted audio - no ai
-----------------------------------------
サンプリング、リミックス、ラップOK。
ダウンロード可能
営利目的での使用OK、クレジット表記不要
良い一日を
╚══《✧》══╝╚══《✧》══╝╚══《✧》══╝
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Kostenlos zum Remixen/Sample/Rappen – Download aktiviert
🖤🔥🖤 Gewinnen ist okay // Keine Anerkennung  $$ ist okay 🖤🔥🖤

my music is made from these things:
casio keyboard (has multi-track)
zoom h1 microphone
bamboo xylophone
edward the violin
blasty the hollow tube (styled after didgeridoo)
kidbass malldad the electric bass guitar
honey the acoustic guitar
bluey the electric guitar
trombone
thumb piano
cowbells
clarinet
flute
recorder
stylophone
wooden frog
floor tom  drum
bongos drums
african drum
various mallets
various percussion
household objects
field recordings
stupid kid drum kit thing
ukulele
piano
pump organ
zoom h4 microphone
digital metronomes
koala sampler
metal xylophone
misc other physical instruments
NCH audio editing software
garageband (only used once so far)

LET ME KNOW IF I CAN REMIX YOUR SOUND
 : D  <3   🐸