Recording Artist | Producer
Everything copy righted so don't try it lol unless u wanna pay but yea im zeak im from east Oakland ca ive been rapping and producing for 5 year just tryna make im a fiend for the fame hungry for the high life hit me for collabs and beats
Brothaz keepa
website for comuter and mobile http://zeakmusic24hours.wix.com/zeakmusic24hour
For Booking and Features Hit zeak91@gmail.com

Follow for updates about our newest beats.
Beat store: www.blanqbeatz.com
Promotion for your tracks/beats: blanqbeatz@gmail.com

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Black Chiney is a Jamaican sound system (DJ's) based in Miami, Florida. It consists of four Chinese Jamaicans mixed with African descent: Supa Dups, Bobby Chin, Willy Chin and Walshy Killa. The Caribbean slang "Black Chiney" refers to this racial mix.

Biography: Delano Thomas(CEO of Renaissance)
Profession: Deejay,Producer,Promoter & Remixer

He’s a legend of sound, a veteran of music, and the one and only crowned Remix King—deejay and progressive entrepreneur Delano Thomas has paved the way for many in the industry.  As the founder of the one of the most renowned sound systems in the world, Renaissance Disco, Delano’s name is synonymous with both expertise and entertainment.
Born and raised in Kingston, Jamaica, Delano began spinning music in his bedroom as a hobby at only 12 years old.  Two years later, he spun for the crowd at his preparatory school’s Christmas party, and stuck with music ever since.  Heavily influenced by his father, an electronics engineer, Delano was introduced to the blueprints and building of sound systems from an early age.  Owning the “Plus X” sound system ultimately drove Delano’s passion for music and sound.      

Initially a member of LeJeaux sound system, Delano decided to branch out on his own.  In a very successful attempt to expand his career, he created Renaissance Disco.The sound’s signature energy and originality is a product of the fusion of multiple musical genres.  An ever-versatile selector and engineer, Delano’s roots began in reggae and dancehall.  He introduced the pairing of these genres with calypso, soca, hip hop, R&B, pop, Latin, house, and even rock.  You name it, Delano plays it!  

A 1995 incident caused Delano to lose vision in his left eye, and during this time he took a leave from the music scene to focus on his recovery.   Through his personal struggle, he managed to regain confidence and emerge on-scene more motivated than ever—debuting his signature eye patch to fans worldwide.  
Delano’s graced stages and recording studios with artists across various genres including Grandmaster Flash, Eve, Swiss Beats, Sean Paul, Shaggy, Beenie Man, Bounty Killa, and Destiny’s Child.  With some of the hottest and most prominent night clubs around the world seeking to showcase his unmatchable talent, he’s played at The House of Blues in Los Angeles, The Apollo in New York City, Karu & Y as well as the Hard Rock in Miami, and Crystal Palace in London, England.  

Delano considers the lack of unity in dancehall music a challenge.  While this could stunt some hopefuls from progressing as top international deejays, Delano and his sound have seemed to overcome this obstacle.  Touring all over the world, producing acclaimed riddims such as “Rebirth” “Tunda Klap”, “Stepz,” and “Gallis Swing” among many others, appearances on BET’s 106 & Park, MTV, Soul Train, the Conan O’Brien Show, and becoming a Billboard producer with Sean Paul’s chart-topping single “We Be Burnin’”, Delano has not only reached ultimate success, but surpassed it. 

Honored, privileged, and humbled to carry the title of Remix King, it was Delano who first fused together hip hop and dancehall, appealing to hundreds of thousands listeners worldwide.  His live remixes are admired to this day, and his introduction of this art to the turntables is what makes sounds and artistes alike idolize him as a strong figure in the music industry.

Playing an integral role in the launch of Renaissance Disco’s new generation of deejays in union with the sound’s original veterans, Delano has multiple ventures underway.  With the promise of involvement in more event and restaurant opportunities in his native Jamaica, the guaranteed success of this entrepreneur’s investments is endless.
Delano’s dedication to his talent and firm belief in his team enabled him to create his powerful musical empire.  Motivated by his own work to continuously outdo his accomplishments, Delano’s natural ability to please any audience and leave them craving more keeps him at the top of the game. 

BOOKINGS
renaissancedisco.ja@gmail.com
(876)809-5628 JAMAICA
(305)829-0516
Twitter @DJDELANOJA
Instagram @DJDELANOJA


GIHE Deluxe Out Now: https://ovo-popcaan.ffm.to/greatishe_deluxe

Young Jamaican MC Popcaan burst onto the scene in 2010 on the biggest dancehall tune of the year, ‘Clarks’. As Vybz Kartel’s protege, the 23-year old quickly proved himself as one of the most talented up-and-coming vocalists in the genre, lending his distinctive voice to an arsenal of bashment hits, from ghetto laments to party smashers.

After a string of big records in 2011, from ‘Only Man She Want’ to ‘Raving’, Popcaan became the first dancehall artist since Sean Paul to have his track playlisted on the BBC and has just been tipped as one of their ‘Hot 20 for 2012′. He joined Mixpak in 2012 with his first collaborative single with Dre Skull, ‘Get Gyal Easy’, followed by his cut on the Kling Klang riddim, ‘So We Do It’, as well as ‘The System’ on the Loudspeaker Riddim.

In 2014 he will release his debut album on Mixpak, executive produced by Dre Skull and featuring additional productions from Dubbel Dutch, Anju Blaxx, Jamie YVP and Adde. The first single, ‘Everything Nice’, is out now.

youtube.com/SFR3SC018
Booking: Ackeembrandon.18@gmail.com

il gruppo Joe Faniente nasce  da.... sempre!si  c'è sempre stato  .... ma ad un tratto  vi è stata la necessità  di farmi una grossa incisione e far uscire fuori almeno qualche litro di quelle affastellanti idee  ... Quando si cammina il ritmo  può intrappolarti in qualcosa che presto o tardi va  buttato da qualche parte o inchiostrato  su qualche piattaforma utopica per sentirsi parte degli spilli del lettino del fachiro, con la speranza di essere poco più lungo degli altri spilli, quel poco che basta a  farsi sentire sulla schiena

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