The conflict continues....

The aftermath of "The Great Brain Robbery" is underway. The Artificial Intelligence has won the battle but not the war.

"Project : Cassandra" is in development as the humans fight back.

What will the future hold? 

https://fragilex.bandcamp.com/album/project-cassandra

Part 1 of the saga, "The Great Brain Robbery" is available on Bricolage.

bricolageglasgow.bandcamp.com/album/the-great-brain-robbery-bc077

Project : Cassandra

The Motherboard

Just a girl from the forest who enjoys the trippier side of life.

Be careful, it's dark out there...

Qigong EP March 1st
https://latelabel.bandcamp.com/album/late-04-qigong

Hjärta och Själ EP July 10th
https://latelabel.bandcamp.com/album/late-08-hj-rta-och-sj-l

https://www.mixcloud.com/Ulva/

My page for re-posting great Souncloud music...whatever the genre. Listen to Pelegrim at https://www.soundcloud.com/belial-pelegrim

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

Drifting in the audio void.  Somewhere between the chaos and the calm.
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Production (Fragile X) 
Label Owner (soundcloud.com/bricolage-g5)
Sleep Research as (soundcloud.com/leit-motif-sleeper)
The visible half of (soundcloud.com/futurendeavours)

Music released on Bricolage, Intellitronic Bubble, Waxing Crescent, Móatún 7, noci miste, Cue Dot, Neo Ouija, Soundtracking The Void, Disintegration State, See Blue Audio, Subplant, Triplicate Records, Tribal Pulse, Light At The End, Unstrung, Gorecki Productions, Neotantra, Soundscape Versions, BFW Recordings and Bath Dub.
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Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Adrien d’Elzius is a traveler of shadows and halos, a silent-walker who transforms emptiness into a path. His art invites listeners to hear what happens between states — where doubt yields to a gentle clarity, where the body-sound and image respond to and illuminate each other. In his universe, contemplative electronic music blends with abstract imagery and AI-enhanced visual writing, giving rise to a transmedia experience that does not merely tell a story but makes it emerge through each medium.

Musically, Adrien d’Elzius favors sounds that speak directly to bodily and emotional listening. His textures are spatial and sensuous: pads that breathe like nighttime landscapes, drones that sustain poetic tension, and discreet melodies that sharpen the sense of time. The rhythmic backbone, precise and technically crafted, is nurtured by his live drumming and a keen sense of groove — a framework that offers clarity without ever sacrificing emotion. This rhythmic dimension forms the skeleton upon which organic textures and electric scratches unfold, guiding the listener along an inner journey that unfolds without a promised endpoint, but with a growing clarity upon repeated listenings.

Visually, Adrien d’Elzius’s work is conceived as a door — a sequence of portals, halos, and organic motifs that reinvent themselves with every release. The sleeves, clips, and digital paintings are not mere illustrations but elements of a shared symbolic language. They accompany the music and render it legible as a complete sensory experience: a dialogue between light and matter, between opening and confinement, between world-dust and inner glow. This transmedia approach, where AI and manual craft coexist, is not mere technical experimentation but an artistic choice asserting that poetry can be produced as much by algorithms as by hands.

The heart of his universe is guided by a simple, ambitious thread: to traverse the inner space without imposing a fixed truth, offering tools for each listener to read their own path in sound and light. The journey is not a straight line but a living itinerary, oscillating between tension and reconciliation, between urgency and breath. In this frame, two poles stand as anchors: the blunt honesty of Bukowski and the mystical depth of Rilke. These voices, far from being imposed motifs, act as sparks that illuminate textures and tonalities: the former invites facing reality unmasked, the latter invites listening to the world with a near-sacred attention. Other voices—Jung, Watts, and McKenna—further nourish this thread, offering angles on the psyche, consciousness, and awakening.

The artist’s lexicon unfolds through recurring motifs: doors that open ajar, halos of light, spirals, and abstract structures. These motifs recur across all facets of his work—music, sleeves, clips, and digital paintings—and serve as a transversal language to articulate his universe. Their recurrence gives the whole a cohesive flow, like a book advancing chapter by chapter while remaining legible on every page.

I tinker with musical toys. sometimes they behave and sometimes they don't. sometimes they run and tell lies to their mom about what I called them. in the end we always make up and laugh about it.

I release music as colab; through collaborations; and by remixing/producing other artists’ music from my home studio in Toronto, Canada.

if you like what you hear, send me a message and perhaps we'll be able to collaborate on something. assuming I'm not too busy drinking. 

which has been known to happen.