Listen to ‘A Ghost In Someone's Body’ by Ben Reneer here on Indie Folk Central. Lyrics and song meaning are included in the description! Enjoy our albums & playlists: https://indiefolkcentral.com/ifc Subscribe & Discover the best new indie folk: https://goo.gl/58cjHJ

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📖 About the song:
This song is about staring at yourself in the mirror and wondering ""Who am I? Why am I trapped in this body?

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📝 Lyrics:

I was still alone
The moment that you held me
Cause I couldn’t let go
Of who I thought I was

I guess that’s how things go
It’s your and then it’s history
When I was feeling ready
It ended just because

Am I a ghost in someone’s body?
Am I a voice inside your mind?
And if I’m haunting you, I’m sorry
I haunt myself sometimes

Unprepared
For the things you told me
I hope I didn’t scare you
Buried in my thoughts

I hope you know
How much I think I need you
So I write another poem
And hope that that’s enough

Am I a ghost in someone’s body?
Am I a voice inside your mind?
And if I’m haunting you, I’m sorry
I haunt myself sometimes
I haunt myself sometimes

If you keep dragging this on
Then I’ll keep dragging us on
Go find a way not to haunt someone

If I keep dragging this on
Then you’ll keep dragging us on
Go find a way not to haunt someone


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Ben Reneer - A Ghost In Someone's Body (lyrics)

One of the first old time tunes I learned "The BOatman Dance"
Recorded in a home studio overdubing banjo, guitars, bass, and uke.

From Mexico, with Love!


The Boatman (Dance, boatman dance). [old time]

Fiddle & Banjo: Tunes from the North, Songs from the South is the collaboration of fiddler Karrnnel Sawitsky, and banjo player Daniel Koulack and featuring vocals by Joey Landreth (from The Bros Landreth). This album explores the creative possibilities of this classic old time palette; both by creating new fresh arrangements of traditional music, and creating original compositions that have as a seed the sensibility of these traditions. It is a unique creative collaboration of instrumental styles, imagery and storytelling.  


Traditional Tune

Sweet Marie - Alan Ingall, Accordion., Hilary Dirlam, Guitars and Banjo

Hollow Pines is a dark folk lament rooted in quiet dread and ancient woods. With fingerpicked guitars, ghostly vocals, and a wind-whispered melody, it captures the feeling of being watched by something older than memory. It’s a song for lost trails, cold embers, and truths buried beneath moss and bone.

#darkfolk #folknoir #neofolk #gothicfolk #indiefolk #hauntingmusic #acousticfolk #moodyfolk #americana #forestmusic #hollowpines #ghostfolk #singersongwriter #altfolk #melancholyfolk #sadfolk #etherealfolk #darkacoustic #woodlandmusic #mythicfolk #newmusic

Hollow Pines

It Will All Be Fine

Leonard Bernstein - Somewhere (From West Side Story)

Rock the Cradle Joe, old time traditional on four tracks:

1 Banjo (double C tuning)
2 Guitar no capo
3 Guitar capo 5th
4 Mandolin
5 My kid in the background yelling

From Mexico, with Love!

- Frailer Kino, January 2016.

[old time] Rock the Cradle Joe

The street the song is named after "Calle De Las Ursulas" is in Salamanca, Spain. I spent three months there back in my youth and wrote the tune in its honour. Larissa O' Grady and Douglas Kelly are playing violin and cello respectively. I'm on the Spanish Lute, or Laud.

The track is on my first album "Songs From An Outpost." 
I'm mixing another  "Where Splendour Falls" at the moment. Made me think of this tune from the first cd. Speaking of Cd's (or lack of) the new venture will be released on digital download and vinyl only in the coming months. 

Image © Sebastián Cortina

04 Calle De Las Ursulas

Dear Wormwood

There Beneath

FrailerKino is the lo-fi folk project of Juan Cordero — a collection of ghost songs, borderland memories, and warm sounds for quiet rooms.

These aren’t covers. They’re fragments. Postcards. Bits of melody passed down, half-remembered, and re-recorded with tired fingers and an open heart.

Drawing from Mexican classics, Appalachian ballads, and worn-out American anthems, FrailerKino isn’t about nostalgia — it’s about what songs leave behind. Each track is stripped down to its bones, often recorded in a single take, with the room left in — hiss, hum, breath, silence.

This is music for empty houses. For the in-between spaces. For people who still believe in melody, even if it wavers.

FrailerKino isn’t here to revive the past — just to sit with it, kindly.

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