Bek Audio 

Imprint of Gary Beck

www.bekaudio.com
www.garybeck.co.uk

Artists to appear on BEK - 

Gary Beck
Speedy J
Slam
Mark Broom
Ben Sims
DJ Rush
Edit Select
Mella Dee
Mike Dehnert
Ritzi Lee
Kimono
Yousef
Harvey Mckay
Mark Reeve
Hans Bouffmhyre
Par Grindvik
Ryan Mckay

Tout commence en 1991 par l'organisation des "Night of the Rave" à l’Opéra plage de Nice en alternative aux soirées Satellite.

Rapidement il décide de s’essayer aux platines et apprend à mixer à une vitesse vertigineuse puisqu’en moins d’un mois il commence déjà à animer des soirées et ne manque pas de culot...

En effet lors d’une "Distortion" il rencontre dj Nesty qui lui laisse l’opportunité d'un set au pied levé qui s’avèrera être une totale réussite.

Il intègre alors le pool "Prophets tribe" tout en jouant également dans les soirées Wonderland mais aussi "Paradox", "Shiver", Transillusion et aux côtés des "Spirale tribe".

Dj très expérimenté, il a mixé au côté de "pointures" tels que Manu le Malin, Laurent Garnier, Carl Cox, Damon Wild ou encore Colin Dale.

La qualité et la constance de ses mixs l’ont mené de Nice à Avignon puis Bordeaux , Lyon, Paris, la Suisse, la Belgique et la Corse.

Booking contact : fab066330@hotmail.fr

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Cédric Stevens career began in 93 as a DJ and techno producer under the pseudonym "Acid Kirk". He quickly established himself as a pivotal figure in the Belgian underground, producing over a dozen 12’’ and EPs. In 97, driven by his growing interest in experimental music, he launched his side project: "The Syncopated Elevators Legacy" (S.E.L.). The project served as a vehicle for Cédric to explore a more ambitious sound, based aroun...d experimentation rather than repetitive beats. Across the next decade, several EPs and mini LPs were released on different labels, each one with its very own specific approach. From experiments in electric currents and serpent patching (Siamese Level EP) to his own take on ‘musique concrete’ (Still Between the Battle & the Sheet EP) S.E.L.’s sound never ceased to investigate the most improbable sound sources as compositional tools. In 2012, an acclaimed anthology of his past work with remixes from Fennesz, My Cat Is An Alien, Burning Star Core and more was released on the London based Discrepant label, since then he has released several other records, more notably his last solo LP "Hanging In The Wires" (Discrepant, October 2014), a triple album with the world famous My Cat Is An Alien (My Cat Is An Alien & Cédric Stevens "Abstract Expressionism For The Ears" on Opax, October 2014) and collaborated with the most renowned avant-garde artists active today: Christian Fennesz (he co-wrote and played modular system on one track ("Sav") of his last album ("Becs", released on eMego in April 2014). Cédric is now focussing his energies on the full potential and dynamic harmonies between drone, noise and pastoral ambient.
His live show is a full analogue beast of a show made of an intricate set up of guitars, modulators, synths, and various FX pedals.


Marko Nastic, is globally recognised by many as one of the Top South Eastern Europe artist as producer & DJ performer. 
Marko and friends accomplished and built one of the most vibrant club scenes in Balkan, the one that inspired writers of Mixmag, The Face, DJ and NME to write about. 
In carrier long almost 20 years Marko has done more than 200 releases including rmx and co productions. He is most famous for his high end 3 decks sets which gave him opportunity to tour  globe many times and to be resident of Exit festival. Stands behind project Easy Tiger known as party series and recently as a record label.


for more info:

Bookings World :

Dragan Greensmith
Bookings & Management
dragan@greensmith.org 

Bookings Balkan : 

Alex Nastic  | Body & Soul Bookings  
nasticbookings@gmail.com

Remix inquiry: Marko Nastic - 
easylikeatiger@gmail.com

Contact : lacroixdavid24@gmail.com
Three Flickering Horns, Forever Framed LP [Roman Numeral] / 2025

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