"Nine to five to Paradise" gets its name from the Turin Metro station Paradiso; the 30 second recording upon which this piece is based was recorded as the metro arrived at the station of Paradiso. This 14 minute piece uses only sounds from that recording, including fragments of the bells and female voice announcing the station. All the sounds were treated using a digital audio workstation. Since I had worked on Musique Concrète in the seventies using magnetic tape, splicing and mixing and processing with the then new and innovative EMS VS1 synth, I was able to emulate these techniques with the computer software.

Nine To Five to Paradise

Submit booking, licensing, and label correspondence to keston@audiocookbook.org

John C.S. Keston is an award winning composer of electronic, experimental, and instrumental music. His work embraces the chaotic ambiguities of environmental and sensorial influences providing context within unpredictable or everyday events. His unconventional compositions convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. His compositions parallel indeterminate improvisation activating what remains immutable within traditional forms of notation driven music. Performers are empowered to use their phonomnesis, or sonic imaginations, to contribute to the work.

His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015) presented at the MNKINO Film Score Fest. He has appeared on more than a dozen albums including two solo albums on Unearthed Music. His latest release, Isosceles (2016) has drawn comparisons to the Stranger Things soundtrack. In 2011 he won the Minnesota Emerging Composers Award for electronic musicians. In 2013 he won the Jerome Fund for New Music for his project documenting binaural duets with the Singing Ringing Tree in the UK. 

John has performed and exhibited original work at Northern Spark, an all night arts festival with over 200,000 attendees (MN); the Weisman Art Museum (MN); the Montreal Jazz Festival; the Walker Art Center; the Burnet Gallery (MN); the In/Out Festival of Digital Performance (NYC); the Eyeo Festival (MN); INST-INT (MN); Echofluxx (Prague); WMC (Miami); and Moogfest (NC). In addition, Keston has worked with Atmosphere, Jon Davis, Martin Dosh, Peter Hennig, Joshua Herbst, Cody McKinney, Graham O'Brien, Adam Svec, and Nils Westdal to name a few. John resides in Minneapolis where he is a professor of creative multimedia at the University of St. Thomas and founded the widely read sound design resource  <a href="http://audiocookbook.org" rel="nofollow" target="_blank">AudioCoobook.org</a> where he shares sounds and writes about his unique approach to composition, production, and performance.

Experimental composer, currently working in the field of Acousmatic music; she has ADHD which means that she often leaves the tap (faucet) running, tries to do too many things at once (at one time, this was considered a virtue and called multi-tasking); but can be a blessing to her creativity. She is also a committed feminist and activist; “I only fight the battles for justice, equality and diversity.” 💜🌈  Member of: https://soundgirls.org/  and https://womensaudiomission.org/  and https://immujeris.morelia.gob.mx/

Nine To Five to Paradise

Frà Maria