From the album: Panoptique Electrical - Decades (2001-2021)

Physical copies and digital downloads available here:
http://soundinsilencerecords.bandcamp.com

Sound In Silence is proud to welcome back Panoptique Electrical, presenting his new album Decades (2001-2021), an era-spanning compilation of ambient works, experimental scores and soundtracks.

This is his fourth album on the label after the highly acclaimed Disappearing Music For Face in 2016, Quiet Ecology in 2017 and Five Pianos in 2020.

For over twenty years Jason Sweeney, based on Kaurna Country in South Australia, has been composing and recording either solo, in various electronic bands (Other People’s Children, Pretty Boy Crossover) and under the composer alias of Panoptique Electrical. He has also been directing and creating interactive works for the internet, making experimental films, curating projects for galleries and theatre spaces and has collaborated with and composed for some of Australia’s leading performing arts companies, artists and organisations.

Decades (2001-2021), Panoptique Electrical’s eighth full-length album, spans 20 years of compositions over 70 minutes and 31 tracks. Starting in 2001, with pieces made from lo-fi synth drones, sampled loops and broken pianos, taking us through to more recent works featuring layered atmospheric strings, processed piano, field recordings, cinematic cello performed by frequent collaborator Zoë Barry and cut-up vocal pieces performed by Caroline Daish, Decades (2001-2021) perfectly blends melancholic ambient music, modern classical composition, experimental electronics and evocative soundscapes.
Exquisitely mastered by Room40’s Lawrence English, Decades (2001-2021) is an epic, but personal, record that takes us into the emotional landscape of Sweeney’s compositional world.

This is a limited edition of 200 handmade and hand-numbered collectible copies. It is packaged in a lovely hand-stamped 127mm x 127mm 250 gsm smoky grey recycled cardboard envelope with the front cover image printed on a polaroid style photo paper and three insert sheets containing tracklist and information, two printed on a 170 gsm dusty pink cardboard and one on a 120 gsm cream recycled cardboard. It also comes bundled with a download code coupon and a Sound In Silence card.

Panoptique Electrical - Dance With Me (Pornography, 2012)

Here is a beautifully wintry track from the upcoming album, "Allusionen" from German artist, Himmelsrandt...please enjoy! Available for pre-order on 12/03/2021.

Allusionen

Himmelsrandt "Allusionen"  Ausklang

PERSEUS

Inspired by Naviar Haiku 623:
https://www.naviarrecords.com/naviarhaiku623-dont-pick-it/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!

Photo by zenbytes (La Palma, Spain, 2015)


pick and give to me - Naviarhaiku623

Bachweide

francescoberta.bandcamp.com/album/a-quiet-hate

Five previously unreleased tracks, reminiscent of forgotten memories and cold embraces.

Performed, mixed and mastered by Francesco Berta.

Download on Bandcamp

Frost

Lhasa Live in Reykjavik

Bells (Live)

Motohiko Hirami / Strings Of Rain / (Søren Andreasen Rework)

“01Duo” is working on live audio performances, audiovisuals, installations, game sound design and performance arts. “01Duo” was formed in Tehran, Iran, 2018 by two sound artists Farbod Maeen and Deniz Tafaghodi. 

Farbod Maeen Born in 1985.02.11, Tehran, Iran. Graduated in Power and electricity engineering and interior design architecture. Started his career in music as a Jazz and Blues guitar player with Bahman Nasri in 2001, Composing Music and sound designing for dance performances, theaters, films , games since 2009.

Deniz Tafaghodi Born in 26.08.1997, Tehran, Iran. Studied B.A in Music, Azad Art and Architectures University of Tehran. She started playing the piano since 2003 and composing music and Sound designing for theater, contemporary dance , games, performance arts since 2012.
.
"33 1/3"
This quadraphonic piece for two computers and a turntable is made by mixing the pure and processed sounds of locked grooves (the inner groove on a vinyl record in the form of a closed loop, which traps the tonearm and needle, preventing it from entering the label area).
These loops are not exactly the same each time they are played, because of some condition changes(grooves damage, dust,cartridges,needles,etc.)
So this piece will change in each performance, even though it has a specific music sheet in ABAَ form.
The poly-rhythmic part turns into an ambient space, then back to the variations of the first part.

01Duo - 33 1/3

Download:  https://tristaneckerson.bandcamp.com/

Listen on Spotify: open.spotify.com/artist/24LGVKHzsrVV7oo94nlNE1

Listen on Apple Music: itunes.apple.com/us/artist/trista…erson/1243764726

Patreon: www.patreon.com/tristaneckerson

Sato

For Noah

Francesco is an Italian born music composer, pianist and visual artist. 

In the first ten years of his career Francesco has been able to collect a substantial list of wide-ranging achievements: from conducting his own music in the legendary Abbey Road Studios in London to releasing an impressive number of albums as a solo artist; scoring movies and documentaries to directing award-winning short films.

Francesco’s work ethic is second to none, but his greatest asset is, undoubtedly, his unconditional love for film: having a bachelor’s degree in Film Technology and a burning desire to create stories that will stand the test of time.

Drawn to simplicity and driven by a fanatical attention to detail, Francesco creates music that blurs the lines between ambient, electronic and orchestral.

His instinctive use of acoustic instruments combines the elegance of traditional orchestration with complex, electronic landscapes, melding into emotive and exquisitely elegant hybrid-orchestral compositions.

Francesco’s music takes listeners on a passionate journey through images and emotions, creating stories and shaping memories.