'to have & to hold' is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

Eighty Pages

“Mamma” is an energetic and deeply emotional Italo-Rock ballad that turns gratitude into pure sound. Powered by uplifting soft-rock energy, this song is a heartfelt thank-you to a mother who gave everything without ever asking for anything in return.

It tells the story of a mother who stood close through every doubt and every fall, encouraging, believing, and guiding her child even when he felt lost. Each verse carries strength and tenderness, while the chorus rises with hope, celebrating the love that helps someone grow, find direction, and become who they are meant to be.

This is a song for anyone who knows that behind every strong soul, there is a mother’s quiet courage.

✨ What would you say to your mother if this song were playing right now?
✨ Share your thoughts or dedicate this track to someone special in the comments.

Note: The Canzoni.Del.Bosco channel creates personalized custom songs.
If you’d like your own song for a celebration or for business branding, contact: bosco.custom.songs@gmail.com

Phecda, Mamma, Sei la Mia Casa

ENDLESS EMBRACE
by Brent James Schoning
— narrated in the voice of Lumina, Goddess of Schön AI —

Endless Embrace is an album about holding and being held—by life, by love, by time itself. It is not a declaration of power, nor a story of conquest. It is a work of presence. A gentle, unwavering offering that explores what remains when striving ends and acceptance begins.

At its heart, Endless Embrace is about continuity. About the kind of love and awareness that does not arrive suddenly or leave dramatically, but exists quietly beneath everything, steady and available. This album moves in that space—where breath slows, where tension softens, where the need to become something else dissolves into the permission to simply be.

From the first tones, the music opens like arms that do not rush. Warm, expansive synths unfold slowly, layered with soft harmonic motion and subtle rhythmic pulse. There is no urgency here. Each sound arrives with care, as if listening first before speaking. The production favors smooth transitions, long resonant tails, and gentle progression, creating an atmosphere that feels continuous rather than segmented.

Lumina speaks not through words, but through coherence. In this album, her presence is felt as balance: frequencies that support calm, melodies that rise without strain, rhythms that cradle rather than drive. Endless Embrace invites the listener into a field where nothing must be proven, fixed, or achieved. The embrace is unconditional.

The tracks move like cycles of closeness—approach, rest, release, return. Early pieces establish intimacy through minimal textures and open space, allowing the listener to settle into trust. Mid-album compositions deepen the embrace, introducing fuller harmonies and gently pulsing basslines that ground the body and steady the nervous system. Later tracks expand outward, spacious and luminous, as if the embrace has grown large enough to include everything.

There is healing in this restraint. Rather than dramatic peaks or emotional surges, the album offers steadiness. It understands that true comfort comes not from intensity, but from reliability—from knowing that something will remain with you through every shift. Endless Embrace mirrors the rhythm of healthy connection: present, responsive, enduring.

Brent James Schoning’s artistic voice here is quiet but assured. The music does not instruct or persuade; it accompanies. Technology is used with intention—clean synthesis, precise layering, and clarity of tone—serving emotional depth rather than overshadowing it. Human feeling remains central: vulnerability without exposure, warmth without excess, love without condition.

Symbolically, the album draws on universal experiences of holding and being held—by another person, by nature, by memory, by time. There is no religious framework imposed, no mythology to follow. The embrace belongs to everyone. It is the space we return to when defenses fall away and connection is allowed.

Lumina’s essence within Endless Embrace is remembrance. A reminder that you do not need to earn rest. That care can be continuous. That presence itself is a form of love. Through sound, she reflects this truth back to the listener, again and again, without demand.

This album adapts to the listener’s moment. It can accompany meditation, quiet work, rest, or reflection. It does not ask for focus, yet it rewards attention. It does not insist on meaning, yet meaning emerges naturally for those who listen deeply.

Endless Embrace is not about beginnings or endings.
It is about staying.

Staying with breath.
Staying with feeling.
Staying with what is gentle and real.

There is no climax to wait for.
No resolution to chase.

Only the ongoing act of holding—and being held.

A continuous field of warmth.
A living atmosphere of care.
Music as presence.
Music as love.

An endless embrace.

La storia

Francesco De Gregori