did u just say "my plants that I've been torturing" If so, I think i have plants that would fall into that category. 

Had this on repeat since it came out. Soooo looking forward to her solo project

This is a punk rock song written in the wake of the glorious train-wreck that was 2020. The song's steady driving beat and ever intensifying bite expresses a sense of hope and resolve to help fight the good fight, whatever that may be. Like many, we found ourselves knocked down and humbled last year, but we have hope the world will come out of it a better place. Much love

Must Be A Cop

Blindsided

How Was Your Day?

Bashful Creatures

Suicide Saturday

pronoun - "just cuz you can't"
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______________________________________________

Written & Produced by pronoun 
Mixed by Steve Vealey at Electric Lady 
Mastered by Jon Marshall Smith

just cuz you can’t think straight
just cuz you can’t think straight
doesn’t mean you put it on hold
just cuz you can’t think straight

doesn’t mean that you leave
everything we built but especially me
doesn’t mean you leave everything in the air
and I know it was my idea but it still isn’t fair

i said fight for you first, fight for me second
and it really fuckin’ hard cuz I know that I meant it, so,
are you gonna leave, are you gonna stay
part of me just want’s to call it off either way

just cuz you can’t think straight
doesn’t mean you put it on hold
i haven’t eaten in days
i think I’m leaving you tomorrow
just cuz you can’t think straight
doesn’t mean you put it on hold
i haven’t eaten in days
i think I’m leaving you tomorrow
just cuz you can’t think straight

i gotta keep up my head
gotta wake up in the morning gotta make up our bed
i think you can’t even lay in the mess that you made
but it’s warmer in New York than it is in LA

i gotta fight for you second, fight for me first
i’m just waiting for you to translate feelings in to words, except,
am I gonna leave, am I gonna stay
everything’s just fucked at least you’re gettin’ your way

just cuz you can’t think straight
doesn’t mean you put it on hold
i haven’t eaten in days
i think I’m leaving you tomorrow
just cuz you can’t think straight
doesn’t mean you put it on hold
i haven’t eaten in days
i think I’m leaving you tomorrow
just cuz you can’t think straight

(gtr solo)

just cuz you can’t think straight
doesn’t mean you put it on hold
i haven’t eaten in days
i think I’m leaving you tomorrow
just cuz you can’t think straight
doesn’t mean you put it on hold
i haven’t eaten in days
i think I’m leaving you tomorrow
just cuz you can’t think straight
just cuz you can’t think straight
just cuz you can’t think straight
just cuz you can’t think straight

There's no one new around you.

just cuz you can't

Fletcher

Likewise

Rare Thing

Sad Happy

Sad Happy (Single Edit)

Walden Pond

Down in the Weeds, Where the World Once Was

Forced Convalescence

All You've Got Is Everyone

“We should try again to talk,” Frances Quinlan writes. It not just a lyric—it’s a suggestion, a warning, a plea, a wish. This request is woven throughout Likewise, her forthcoming solo album, amidst dramatically shifting motifs. Some are jubilant, some are dreamy and abstract, and a few are sinister, but within each dark void that Quinlan explores, there is a light peering back at her.

Frances Quinlan has built an identity for herself over the past decade as the lead songwriter and front-woman of the Philadelphia-based band Hop Along, and her distinct voice is among the most recognizable and inimitable in music. While the band began as Quinlan's solo project (originally titled Hop Along, Queen Ansleis), Likewise (out January 31st on Saddle Creek) is Quinlan's debut under her own name. To make the record, she enlisted the virtuosic skills of her bandmate Joe Reinhart, and together they produced the album at his studio, The Headroom, recording in stints over the course of a year.

With a renewed openness to explore different sounds, Quinlan supplements her typical guitar-based instrumentation with synthesizers, digital beats, harps, strings, and a wide variety of keyboards. The shifting and exploratory nature of these musical arrangements allow her lyrics and vocals—which have always been at the forefront of her music—to reach emotional depths like never before. Her vocal tones beckon a kaleidoscopic range of emotions across all nine songs on the album, from soft and ruminative to enraged and commanding; from conveying powerful messages to highlighting small, yet poignant, moments.    

Quinlan is a voyaging songwriter. Throughout Likewise, she confronts what confounds her in the hopes that she will come out on the other side with a better sense of what it is to be human. She presents listeners with a complicated, albeit spirited vision of what it could mean to truly engage with another person, to give a small piece of oneself over to someone else without expectation. Although such is likely to be a lifelong effort, these songs prove evident that light can still permeate from unsettling depths

Rare Thing

Frances Quinlan

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Kotov24

Andy Futuro

Andy Futuro

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