usued to listen to this song every morning, makes me feel so good even though things are heppeneing..

[Weekly Mix] 2020.01 (2)

Noise Floor: A Companion

Blue Angels Air Show (Companion Version)

That Kind Of Girl

MY WOMAN

Shut Up Kiss Me

I'm Not Your Man

Boyfriend

Bedouine

Solitary Daughter

The Execution Of All Things

Paint's Peeling

From the debut album I Need to Start a Garden, out March 2nd (US/World) & March 30th (UK/EU) from Mama Bird Recording Co.

I Need to Start a Garden

Haley Heynderickx - Untitled God Song

How Simple

Bark Your Head Off, Dog

The Fox in Motion

Likewise

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Went to LA

From the album "3D Routine". Preorder on orange vinyl from : https://www.musicglue.com/mushband/

Upcoming tour dates:

18 Feb – UK Nottingham, Rough Trade
19 Feb – UK Bristol, Rough Trade 
20 Feb – UK London, Rough Trade East 
07 Apr – FR Paris, Supersonic
08 Apr – FR Lyon, Le Sonic
10 Apr – FR Lille, Pzzle Festival @ Le Grand Mix
12 Apr – UK Ramsgate, Ramsgate Music Hall
13 Apr – UK Brighton, The Prince Albert
14 Apr – UK London, Sebright Arms
15 Apr – UK Bristol, The Lanes
16 Apr – UK Manchester, YES
17 Apr – UK Sheffield, Picture House Social
18 Apr – UK Newcastle, The Cumberland Arms 

Tickets: https://www.musicglue.com/mushband/live

Mush - Revising My Fee

Raincoat

Hope you enjoy the second single from our upcoming record, Disco Volador! 
Heavenly Recordings 
Produced by Marta salogni, Engineered by Joel Patchett 
Artwork by Raissa Pardini

Space Samba (Disco Volador Theme)

In Me

“We should try again to talk,” Frances Quinlan writes. It not just a lyric—it’s a suggestion, a warning, a plea, a wish. This request is woven throughout Likewise, her forthcoming solo album, amidst dramatically shifting motifs. Some are jubilant, some are dreamy and abstract, and a few are sinister, but within each dark void that Quinlan explores, there is a light peering back at her.

Frances Quinlan has built an identity for herself over the past decade as the lead songwriter and front-woman of the Philadelphia-based band Hop Along, and her distinct voice is among the most recognizable and inimitable in music. While the band began as Quinlan's solo project (originally titled Hop Along, Queen Ansleis), Likewise (out January 31st on Saddle Creek) is Quinlan's debut under her own name. To make the record, she enlisted the virtuosic skills of her bandmate Joe Reinhart, and together they produced the album at his studio, The Headroom, recording in stints over the course of a year.

With a renewed openness to explore different sounds, Quinlan supplements her typical guitar-based instrumentation with synthesizers, digital beats, harps, strings, and a wide variety of keyboards. The shifting and exploratory nature of these musical arrangements allow her lyrics and vocals—which have always been at the forefront of her music—to reach emotional depths like never before. Her vocal tones beckon a kaleidoscopic range of emotions across all nine songs on the album, from soft and ruminative to enraged and commanding; from conveying powerful messages to highlighting small, yet poignant, moments.    

Quinlan is a voyaging songwriter. Throughout Likewise, she confronts what confounds her in the hopes that she will come out on the other side with a better sense of what it is to be human. She presents listeners with a complicated, albeit spirited vision of what it could mean to truly engage with another person, to give a small piece of oneself over to someone else without expectation. Although such is likely to be a lifelong effort, these songs prove evident that light can still permeate from unsettling depths

soundcloud:tracks:346587244

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Frances Quinlan

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