Fantástico ! Timbres electrónicos, timbres eléctricos y timbres acústicos.  Todos muy bien ensamblados y empastados.

Ensemble soundinitiative - Fabienne Séveillac, mezzo-soprano - Chef Léo Marque

Cancion Del Ciego

INVOLUTO (2022) for violin, bass clarinet, electric guitar, tablas and live electronics
Francisco Huguet

Ensemble Vortex
Rada Hadjikostova, violin
Moritz Schneidewendt, bass clarinet
Ruben Mattia Santarosa, electric guitar
Max Dazas, tablas  
Francisco Huguet, electronics

Concert REVOLTE III 
KOMMAS ENSEMBLE + VORTEX ENSEMBLE
Cologne | 01.10.22

Involuto (2022)

No input ensemble - Amaryllis Jarczyk(cello)/ Noam Bierstone (percussion) / Andrés Castellani (saxophone)- 2014

Un Jardin Primitivo

Bats screaming at twilight in south of France. Around 400 bats coming out of their nest for the night.

Recorded very close by 2 Sanken COS11D Omnidirectional microphones
Lectrosonics Wireless Transmission
Sound Devices 788T Recorded
Sound Ref: 140821
Recorded in Argens Minervois (Aude, South of France)
Same sound on Freesound (longer): http://www.freesound.org/people/felix.blume/sounds/245768/

More sounds on www.felixblume.com

Hundreds of bats screaming and coming out of their nest

for orchestra and amplified percussion

Premiered by Orchestre Symphonique du Conservatoire de musique de Montréal under the direction of Louis Lavigueur (March 28, 2015)/ Thierry Jacques-Soudin (March 29, 2015) at Église Saint-Jean-Baptiste.

A huge thanks to Loïc Guilloux for his recording and mastering work.

noli me tangere | 29.03.2015 | Orchestre Symphonique du Conservatoire de musique de Montréal

pieces from the contrappunctus III of the Bach's art of the fugue like islands in a sea. Buon ascolto!

Archipelagus

From "Exploring The World" Ensemble Reconsil, Austria.
Emily Dickinson.

Granite Lip

A watery etherCore tale, please leave a comment.
Vocal on last two verses courtesy of Éanna Butler @YaWha

Languid she lay, on the kelp now a drying.
Ashore on the sandbank, her fate there was waiting.
Once soft salty-scales, now brittle and weathered,
Sintered dry eyes, half-closed and tethered.
Where dost thou go for escape.

The sunset, the glimmer, a long-ago time,
salt-bleached and wanting, her aspect sublime.
Shriveled and wrinkled from the rip of the wave,
no solace there, as her pale lips did fade.
Where dost thou go for escape.

Through tears on the sand, she awoke; his arrival.
They spoke with their minds, of their love, it's survival
Of past times explaining the flow of the whole,
did her voice without words stressing feelings of woe.
For her there was no escape.

In sacking he wrapped her, sea water he pored,
carried the bundle from shipwreck to shore.
Her begging demeanor pulled him tight with care,
she breathing no gasps of the fresh cool clean air.
Where do they go for escape.

An aspect of wonder her eyes did relate,
a tale of the deep seas, of troubles and hate.
She told of the reef and the seamen who drowned,
of how they became cursed by the charm of her sound.
For them there was no escape.

The waves that were summoned tipped ships and their crew,
down to the depths of the dark blacky-blue.
Where huge pearls are kept by the king of the water,
the sailor he swam to the kings only daughter.
For them there was no escape.

The palace, he entered in search of his prize,
courtiers awaiting, all turned their dark eyes.
The mermaid for marriage, her hand he did crave,
the dowry his soul and a watery grave.
For her there was no escape.

The mermaid imprisoned, she quietly wept,
asleep on the sand, his heart still and kept.
She wanted to take him far from the sea,
yet in her bright heart it wasn't to be.
Where do they go for escape, their escape.

Stocktaking his future, the sea out of reach,
she now walks on two legs, so dry was the beach.
Salt water avoided, her tail won't awaken, 
He has her to hold, the Sea king's forsaken.
They'd found their perfect escape.

pytchblend - ephemeralGold (ft. Yawha)

Behind the church, in the small village of Praia do Sono, toads are singing. Beach in background very far away...

Recorded by a MS Setup Schoeps CCM41+CCM8 in a Zephyx Windscreen by Cinela
Recorder Sound Devices 633
Original Recording in Wave 96kHz 24bit
Sound Reference: BRA170219T10

www.felixblume.com

Toads singing during the night in Praia do Sono (Brazil)

HÖRSPIEL#1 
Five pieces for amplified voice, radio and electric guitar

Duo Bazar Électrique :
Eloïse Labaume - voice and radio manipulation
Aurélio Edler-Copes - electric guitar

Commissioned by Radio France
Premierede at "Création Mondiale" by Anne Montaron

Hörspiel#1 [five pieces for amplified voice, radio and electric guitar] 2017

A train is passing by in the small town of Wuadley in the Wirikuta Desert (Mexico, State of San Luis Potosi SLP). Train horn and railway vibration at the beginning (recorded by the contact microphone).

Sound recorded by a MS setup Schoeps mixed with a contact microphone
Microphone CCM41+CCM8
Contact Microphone Aquarian H2aXLR
Sound Devices 744T recorder
MS is encoded in STEREO Left-Right and mixed with the Contact Microphone
recorded in july 2012
sound is in 96kHz

Same sound on freesound on
http://www.freesound.org/people/felix.blume/sounds/166086/

more sounds on http://www.felixblume.com

Please rate the sound or comment it if you like it !

Involuto (2022)

Francisco Huguet

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