FRANCISCO C. GOLDSCHMIDT
...murmuró con furia... (2015/2016, second version)
for amplified flute (+bass), bass clarinet, violin, cello & piano

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KOMMAS ENSEMBLE

Christian Vásquez Miranda, Flute
Hugo Queirós, Bass Clarinet
Gustavo Vergara, Violin
Bernhard Rath, Cello
Claudia Chan, Piano
Francisco C. Goldschmidt, Conductor
Maximiliano Estudies, Sound Director

Recording: 11.10.2017 / Kunst-Station Sankt Peter Köln

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Title translation (english/german/french):

...he murmured furiously...
...murmelte er wütend...
...murmura-t–il furieusement...

The title is based on the novel "Eloy" by Carlos Droguett

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Performances:

27.06.2019 / University of Music Freiburg
BESTIARIO / (Second version, rev.2016)

19.07.2018 / Institute of Chile of the Academy of Fine Arts
COLECTIVO AZUL / (Second version, rev.2016)

11.26.2017 / KRAM-03 2017 / Stuttgart Contemporary Music Festival
KOMMAS ENSEMBLE / (Second version, rev. 2016)

11.10.2017 / Kunst-Station Sankt Peter Köln
KOMMAS ENSEMBLE / (Second version, rev. 2016)

01.21.2017 / FRAKZIONEN 2017
Bielefeld Contemporary Music Festival
KOMMAS ENSEMBLE / (Second version, rev. 2016)
www.youtube.com/watch?v=hH94Yp5j2UE

...murmuró con furia... / for five amplified instruments

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

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upcoming:

ELOY (DVD). In 2025 will be released the audiovisual record of the instrumental monodrama «ELOY -music with images of isolation»; (work in progress 2013–2022, 100 min.) for 9 amplified instruments, video & voice based on the homonymous novel by the chilean writer Carlos Droguett.

«PALINGENESIS» (2024) -premiere: Cologne, 08.06.2024- for three amplified violas, electronics & sound installation (50 min.), commissioned by the City of Cologne and TRIO ESTATICO.

«cantos póstumos» –after Lola Kiepja
for amplified violin and video (7 min.)
world premiere: Alte Feuerwache Cologne, 27.04.2024
Johannes Haase, violin / Nicolás Rupcich, Video 

«K'an –fueron deshojados» (2023) -premiere 08.09.2023- for percusission solist, bass flute, clarinet, viola, cello and 15 instruments (21'), commissioned by the Ernst von Siemens Music Foundation and the MUSICAHORA Festival. Premiere by Kommas Ensemble & La Serena's OSULS Chamber Orchestra of Chile.

«new work» (2026) -premiere: november 2026- for female voice, 2 bass flutes, 2 cellos, 2 pianos & percussion (25'), commissioned by Kommas Ensemble and BRuCH.

...murmuró con furia... / for five amplified instruments

̶ ̶F̶R̶A̶N̶C̶I̶S̶C̶O̶ ̶G̶O̶L̶D̶S̶C̶H̶M̶I̶D̶T̶ ̶