Some Disaster On Difusor

a name is a password

Paral·lel & François Fontaine - Glisten

Création sonore réalisée pour l'installation "Galb’Achalay" d'Abdessamad El Montassir en collaboration avec Matthieu Guillin, compositeur.
Composée originellement sur un système 5.1.
Compositeur: Matthieu Guillin
Poésies/poetry : Badi Wel M'hamed Salem
Voix/voice : Wel Sidi


Galb’Achalay puise dans les formes architecturales du Sahara et ses ruines afin de retracer et raviver ses micro-histoires. Composée à partir de poésies du Sahara, Galb’Achalay emprunte aux chants et récits méconnus de ce territoire pour ouvrir un interstice inédit qui laisse émerger et se déployer une histoire dominée. Galb’Achalay est réalisée en étroite complicité par Abdessamad El Montassir et Matthieu Guillin. 

Visuel – légendes et crédit © Abdessamad El Montassir - ADAGP
Dans le cadre du  "Dispositif de compositeur et compositrice associé(e) dans les scènes pluridisciplinaires" DRAC
Coproduction Maison Salvan, La Biennale – Festival international des arts vivants Toulouse Occitanie 
Résidence de création au studio eOle
Un immense merci à Paul de Sorbier, Wel Sidi et Franck Loiret.

Galb'achalay (5.1 to binaural, only for headphone)

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

Etude Friction n° 12

SenSen -  Mofley

Tracklist:

Terry Riley - A Dervesh In The Nursery (Francisco Morgan remix)
Francisco Morgan - Marching Madness
Rick Ross - Hold Me Back (Francisco Morgan broken drill remix)
Sunn O))) - Frost (C) (Francisco Morgan mix)
Gustav Mahler - Symphony No. 5 in C sharp minor - IV
Ayub Ogada - Kothbiro (Francisco Morgan dub)
Freddie Hubbard - Brigitte

Event: Live at El Pumarejo w/ DA ROCHA UM, NUEEN, AKAZIE, SUNNY GRAVES & AIRE.

Live at El Pumarejo (Bcn) - 20.05.23

Resonancias

amnesia

SUPERSTITION

Composer | Film & Audiovisual Media 

contact: franciscomorganmusic@gmail.com

🧡

Francisco Morgan is a Portuguese producer and film composer based in Barcelona.

Having spent a lot of time performing in free jazz ensembles, he developed his taste for experimentation, while simultaneously falling in love with electronic music, hip-hop and film in all its aspects.

For 5 years he has led his solo dance music project Mujipuki, where he covers a wide variety of genres, from House and Big Beat to Chicago Juke/Footwork.

His film scores consist of nuanced electronic pieces intertwined with orchestral elements.

On his live sets, mostly constructed with his own dubs/remixes and original compositions, Morgan’s mission is to create adventurous sonic narratives that feel like movie soundtracks. Navigating through drone, beats, orchestral and world music, with an experimental approach to sound.

Live at El Pumarejo (Bcn) - 20.05.23

Francisco Morgan

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