Long overdue, we've finally got back to the task of editing up more tracks pulled from our four improvisations using sounds kindly provided by @anmoku, recorded early this year. This one was taken from the fourth jam in the series, recorded 28/01/21 and unusually for us, is relatively calm and peaceful.

Castle In the Air

january 17th, 2022
Featured on "Distance "EP" by Arco5
https://arco5.bandcamp.com/album/distance-2

Garso

From a recording I did of a rubber band banjo (a couple of rubber bands stretched over the top of a cardboard box); a recording a door closing (https://freesound.org/s/346267/) ; and a recording of an orchestra tuning (https://freesound.org/s/324595/).

Photo credit: By Gaurav Dhwaj Khadka - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=100785478

Elegy For Rubber Bands, Hinge and Strings

Place

Trampelfâd
rec.name: " PD Algorithm Tryout Phase 2"
credit: korg ms10,pure data,vst,granular
date:10-07-2022
work in Progresssss
https://www.youtube.com/watch?v=Z8kNo_q2Ao0

Linear Plan 019

vv. - Repose (22)

part a.
drifting (edit)
inter 2
part b.
'AZH 20/City'
colour test - repose

collage extracts samples.

Repose (22)

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

Original Version:
https://soundcloud.com/senmove/173catastrofe

SenSen - 173th

Minare no.22 - (Theourgoi x uaun)

https://tectorumtapes.bandcamp.com/album/berlin-reverberations-from-remembering-yet-to-occur

Transparent Forms

Nick Ashwood

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Martin Hoogeboom

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