you guys this is one of the greatest mixes of all time. I have been listening to it for eleven years.

One of the greatest remixes ever is the Lifelike-Fleetwood Mac one Cut Copy did in this tape

any steer on where I can download this? I tried their old blog but no joy x

Back here in 2020 for the fleetwood mac lifelike blend

Downloads

Last month on the 13th of October, we invited house music hero & all round good guy Derrick Carter to bring his 'Derrick Does Disco' party to the Sub Club helping to celebrate GLASGAY! 20th Anniversary.

The source of many a man-crush (particularly from our local DJ geeks and record freaks) our sexy affair with Derrick has spanned a good couple of decades. Perhaps it’s his desirable physique, that intense beaded brow around 2am or his disarmingly charming manliness from the moment we met him off the plane.

Either way we’re always hot for him and so was everyone in the crowd who joined us as we got down and dirty in a darkened room and showed each other some serious loving, with no strings attached till 3am.

With Derrick in control for the full four hours we had to get the roadblocks out. Here is an hour of this amazing set specially picked out by the one man block party himself.

NEXT STOP IS A LONDON REUNION WHERE HE JOINS HARRI & DOMENIC IN THE SUB CLUB POD FOR RED BULL'S REVOLUTIONS IN SOUND WHICH WILL BE BROADCAST LIVE ON CHANNEL 4OD. TURN ON, TUNE IN & DROP OUT X

 


'Derrick Does Disco' [Recorded LIVE at Sub Club 13/10/13]

Track List
Aphex Twin –	 On		
1.02 	 Cut Copy –	 So Haunted (Knightlife End Edit)Remix -Knightlife
1.03 	 Panda Bear –	 Bro's		
1.04 	 Popolice –	 (Edit)		
1.05	         Delia Gonzalez & Gavin Russom –	 Rise		
1.06	         Elitechnique –	 Fingerfood (Major Swellings Mix)Remix – Major Swellings
1.07         New Musik –	 Warp		
1.08 	Panthers –	 Goblin City (Holy Ghost! Dub)Remix – Holy Ghost!
1.09 	 Alan Braxe & Fred Falke –	 Horizon		
1.10        Bell X1 –	 Flame (Chicken Lips Dub)Remix – Chicken Lips
1.11	        Giorgio Moroder –	 Knights In White Satin		
1.12 	Aeroplane (4) –	 Aeroplane		
1.13 	Fleetwood Mac –	 Never Forget		
1.14 	Lifelike –	 So Electric		
1.15 	Oscillation, The –	 Saturn 5		
1.16 	International Music System –	 Run Away (Edit)		
1.17 	Cut Copy –	 Lights & Music		
1.18	        Jean-Michel Jarre –	 Equinoxe (Edit)		
1.19 	Harmonia –	 Deluxe (Drum Edit)		
1.20 	Bell, The –	 Target Group (The C90s Remix)		
1.21	        Holy Ghost! –	 Hold On		
1.22	        Bag Raiders –	 Nil By Mouth		
1.23 	Space –	 Save Your Love (Instrumental Edit)		
1.24	        In Flagranti –	 Additional Alpha Blocker		
1.25	        Oran 'Juice' Jones –	 The Rain		
1.26	        Cut Copy –	 Hearts On Fire (A Cappella)		
1.27	        Cut Copy –	 Hearts On Fire (Joakim Mix)Remix – Joakim

Cut Copy - So Cosmic (Mix Tape)

French house legends Alan Braxe & DJ Falcon are on their first US tour as Braxe + Falcon, off the back of their Step By Step EP, out now on Smugglers Way. Catch them at 1015 Folsom in San Francisco on Friday, 11/11 and El Rey Theater in Los Angeles on Saturday 11/12.

@alan_braxe, @iamdjfalcon, @smugglersway

Alan Braxe & DJ Falcon @ The Lot Radio 11 - 06 - 2022

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

We're beyond thrilled to welcome French house music pioneers Alan Braxe & DJ Falcon who share with us with their recent set from Golden Plains Festival! 

Fasten your seatbelts for a high-octane genre bending encounter, packed with plenty of cult French house classics mixed with the duo's signature blend of indie pop, disco and techno with some special edits they made just for the set. 

@braxe1 + @djfalconofficial

Q. What inspiration did you both draw upon when planning for this set at Golden Plains? How would you describe the feeling in the crowd, and what kind of a story were you hoping to tell with the music that night?

Alan Braxe:

Weeks before playing at Golden Plains many people and friends told us this one is going to be special, you’ll love it! So we were very excited. When we arrived on the site we immediately felt very good energy with a big crowd focusing on the music. All these lights everywhere made it quite unreal, a bit like in a fairy tale. When we played we tried to be quite eclectic covering a wide range of the music we like. We even prepared some special edits backstage before the set when we realized how good the atmosphere was.

DJ Falcon:

As Alain said we were already excited to play there as we had tonnes of great feedback from our Australian mates weeks before the show. We knew this festival was going to suit us well as we’re constantly flirting with pop, rock and electronic music. Honestly we simply play the music we love and tell a little bit of our story, some of our French classics combined with a selection of tracks we like from the moment. 

Q. What were some of your favourite moments from this particular set, and how do you guys find the right balance between the nostalgic classics and the newer French house sounds when preparing for your sets together? 

AB:

As said above we love to play eclectic with a bit of techno, house, French house, indie pop, we don’t really prepare the set, it’s more an improvisation based on our respective selections. It doesn’t really matter to us if the music is new or made 20 years ago, it’s more about playing tracks we love 100%. My fave moment was probably when I played the 1st track “I Saw” by Young Fathers that I edited a few minutes before the set. On stage, when I saw this very enthusiastic crowd, I felt like wow we have full freedom to play whatever we want.

DJF:

Favorite moment, for me, is when you arrive at the place and you instantly know that you’re gonna have a good time. Also after 10/15 mins of our set we were able to know that the audience is super receptive, that’s a good satisfaction for us. Talking about the right balance between classics and newer tracks is mainly dictated by the energy of the audience. I feel like we’re simply going with the flow, we’re somehow just some kind of energy sensor…

Q. Now having completed this long awaited Australia tour, how did you find the experience of returning to the country after so many years, this time as a duo, and where are you hoping to take the Braxe + Falcon project next? 

AB:

It’s been a very pleasant tour, we did other festivals with also a very positive reaction from the people, touring as a duo is also very exciting as there is this common excitement backstage before playing, and also my son is now living in Sydney so I had the chance to spend a lot of time with him. Next for us is studio time to release more music, our next single is set to be released on July 10th on Smugglers Way / Domino, and there will be more to come later in 2024.

MDC.297 Braxe + Falcon

2 hours of emotional disco soul, served by the mediterranean sea in mallorca (in the presence of julio iglesias spirit)

Full Moon Party @ Lobster Beach Club, July 21st 2024 LOVEBIRDS

Soul Shine

Free Download

Click the Click

OK, stop the competition. This is your summer jam right here. The Far Out Monster Disco Orchestra's vinyl only remix/edit series has already seen some pretty impressive contributions from the likes of John Morales, Theo Parrish and Marcellus Pittman. Now the latest instalment is here, featuring two new takes on the track 'Where Do We Go From Here?'

We're premiering the flip - a remix from Italy's Luca Trevisi, aka LTJ Xperience. Having racked up over 30 years in the DJ and production game, his disco collection is (unsurprisingly) absolutely unparalleled. Luca's take lets the gorgeous vocals breathe in that Mediterranean air, plunging into the deep blue ocean depths and emerging glistening into the sunshine.

Pre-order here: https://faroutmonsterdiscoorchestra.bandcamp.com/album/where-do-we-go-from-here-andr-s-ltj-xperience-remixes
 

PREMIERE: Far Out Monster Disco Orchestra - Where Do We Go From Here? (LTJ Xperience Remix)

For the 22nd entry in the Honcho Podcast Series we welcome the New York duo BUTCHED! Comprised of Joey Quinones and JT Almon, BUTCHED throws their own party titled 'Bromo' which they describe as 'A gathering for you, your bro, your sis, your cis, and everyone in between.' Joey and JT have prepared a great mix for us that we are excited to share. Enjoy!


Honcho Podcast Series 22 - BUTCHED

The final hour of my Disco only dj set, recorded live at the legendary Homoelectric in Manchester, as part of the Manchester Pride weekend. Strictly on a disco/italo/hi-nrg tip. 

Shout out to the @Homoelectric team and resident Djs for throwing such a great party for so many years: Luke Unabomber @trampmusic @jamiebulldj @Ginabreeze

Tour Dates

Erol Alkan (Disco Set) Recorded Live at Homo Electric 25.08.18

Despacio full sonar set 2014 credit to oldboy and dylan

Despacio (2ManyDjs +James Murphy) Sonar 2014

tracklist:

01. Alice Coltrane - Krishna [Avatar Records]
02. Tensnake - Untitled [Unreleased]
03. Move D - Untitled B2 [Workshop]
04. Kruse & Nürnberg - Polargeits Temperature Rise [Exploited]
05. Trujilo - Acapulco Gold (Ron Basejam Remix) [Apersonal Music]
06. Bang Goes - Can't Hold It [Grubenstrasse Zurich]
07. Du Tonc - Darkness [Cheap Thrills]
08. Nickodemus - Los Tarantos [ESL Music]
09. Galarude - Cero (DJ Harvey Remix) [Internasjonal]
10. Ejeca - Dazed [Needwant]
11. Jan Jelinek - Tendency (Unreleased Tensnake Edit) [Unreleased]
12. Martin Patiño - Your Lips [Cadenza]
13. Anthony Middleton - Till The End Of . . . [Get Physical Music]
14. James Welsh - The Way (Tom Demac Remix) [Join The Dots]
15. Monika Kruse - One Love (Rampa Remix) [Terminal M]
16. Terranova - I Want To Go Out (David Meyer Remix)
17. FCL - It's You (San Sodas Panorama Bar Acca Version) [Defected]
18. Gerd - Palm Leaves (Deetron Remix) [Clone Royal Oak]
19. Medlar - Knockard Pearl (Detroit Swindle Remix) [Wolf Music]
20. Leslie Clio - Couldn't Care Less (Iron Curtis Remix) [Vertigo]
21. Hot Chip - How Do You Do (Todd Terje Remix) [Domino]
22. Boe & Zak - Kiss My Cologne [Editainment]
23. Vicky D - The Beat Is Mine (Soul Clap Remix) [Nurvous]
24. T-Coy - Carino [deConstruction]
25. Tensnake - Untitled [Unreleased]
26. Felix Da Housecat - What Does It Feel Lile (Royksopp Remix) [City Rockers]

Cut Copy - So Cosmic (Mix Tape)

fRANCISxAVIER

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