Born in Manhattan and raised in The Bronx. I was raised by parents who loved dancing, and good music. My pops always had good sound systems at home.
My parents brought me my first sound system in the 70’s introducing me to Altec Lansing, and my first receiver was a Pioneer SX 434, with a Gerrard direct drive turntable. I caught the record collecting bug early on, Music was definitely an escape for me, especially Disco and House. I’ve enjoyed being the bedroom DJ that I am.

Birds of Mind is the flying duo dj/producers Alex H. & Adrian C. 

Label Owner https://soundcloud.com/mindgamerecords

mgmt@birdsofmind.com

Bookings

Europe: luca@nweagency.com
MENA/Asia: marwan@ctnmth.com
Americas: rs@thebullittagency.com 

Promo : birdsofmind@gmail.com

Bookings : booking@interwave.live (DJ/Live World)
diego@analog-a.com (South America)
info@omniverse.sm (Italy)
maucleme@gmail.com (Portugal)
seiji@hitomi-pro.jp (Japan)

Satoshi Tomiie has been a pioneering and driving force within the global electronic music community since the early days of house music. Now, decades after his ‘Tears’ alongside Frankie Knuckles, the Japanese born, New York and based DJ, producer, remixer and label boss is still regular feature in the sets of many of today’s underground elite.
A student of jazz and classical piano, Satoshi is musically adept and accomplished producer who constantly evolved how he works. Experimenting with a new hybrid Modular DJ setup which sees him effortlessly fuse live analogue modular synthesis and with traditional DJ sets. Regularly playing clubs such as DC10, Rex and from South America to Tokyo while releasing music on labels such as YoY, Yoyakuza, Kaoz Theory, No19, MFR, Holic, and his own Abstract Architecture. Satoshi is as relevant as ever and continues to make waves throughout the electronic music community as only he knows how.

Mixing, Mastring & Tuition https://linktr.ee/pippiciez 
Worldwide Bookings: Polina@jackmode.com

I  Inward Records  I
I  All Day I Dream  I
I  Dynamic  I
I  AltraModa  I
I  Madorasindahouse  I
I  Sondela  I
I  Trybes Of  I
I  Do Not Sit  I  
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Pippi Ciez is a live performer and producer who has reached audiences worldwide. Known for melodic compositions, Pippi shapes immersive soundscapes that connect with listeners, blending Melodic vibes with Indie and Afro to craft a distinctive signature. Whether headlining festivals, playing at smaller venues, or collaborating with prominent artists, each show leaves a lasting impression.

From the streets of Brazil and the nightlife of Ibiza to the club culture of Asia and beyond, Pippi has built a reputation as a must-see act.

Offstage, he is a dedicated producer, gaining support from Solomun, Diplo, Black Coffee, Keinemusik, and others. Stay tuned for fresh music, upcoming tour dates, and exclusive news as Pippi continues to shape the global music scene with every beat.

Very few artists need a proper introduction as their name alone speaks for itself and connotes veteran status. BEHROUZ is easily recognized both on the Playa where he has held a highly coveted residency on the Robot Heart bus, as owner / curator of Do Not Sit On The Furniture in Miami Beach, All Day I Dream artist and is well known all over the world having been a household name for those who truly know what's up for well over two decades now. An artist who has seen nearly every inch of the globe as he has shared his music with millions from continent to continent, his name and reputation proceeds him. A DJ's DJ in every sense of the word, Behrouz is a favorite amongst many of the most talented artists and producers on the planet. He is a true story teller and a magician behind the decks evoking powerful emotions through his sound.

Follow Behrouz: www.facebook.com/behrouz

Looking out to sea, the sun’s position, like life, is continually changing, until it hangs suspended and proud over the Faro, blurred and hazy like a re-discovered water colour on the wall of a long forgotten Finca, as Tardor i Hivern come to the Island.

This marks not only a period of hibernation, but for La Torre and many others, a period of reflection and rebirth…what happened, why did it happen, will it happen again and perhaps…should it have happened, as the madness of the summer fades away and we all start to inhabit our own space again, gathering breath for the coming times ahead.

Perhaps we should use the sun, not only as a giver of life, but as a cipher of presence and focus, a centre point to escape the frenetic pace of modern life and use it as a metaphor to always inhabit our own space, regardless of the insanity that surrounds, to become balanced and calm like the mirror-still sea that sits below this ever glowing presence that draws us back time and time again to this Island of infinite possibilities.

Perhaps it’s time to stop thinking about the summer at the end of the Autumn, the Autumn at the start of the summer and just be here…now, listening to the sounds of Elvissa and watching the sun kiss the ocean, because this is our moment, but one that we must have the courage to create amidst all the madness.

Our hope is that even if you haven’t yet visited us at La Torre, this collection of music, our second, will help you on this journey and if you have shared the majesty of the sunset with us, thank you and we hope it will transport you back to that glorious moment when the stillness and feeling of connectedness is so joyous it’s almost overwhelming, but remember, nostalgia is a heady drug….for there is only now, this beautiful calm moment.

More mixes by C. Castel on<a href="http://soundcloud.com/blackwizrecords" rel="nofollow" target="_blank">Blackwiz Sessions</a>

Born into a world where beats and melodies were as vital as the air itself, Moojo's musical journey began in the vibrant heart of the South of France, Nice. From an early age, Moojo displayed an innate connection to rhythms and melodies. He surrounded himself with diverse musical influences, ranging from traditional African & Latin sounds to modern electronic beats, laying the foundation for his unique musical identity.
As Moojo grew, so did his passion for music. He embarked on a relentless pursuit of knowledge, honing his skills in production and DJing. With an uncanny ability to blend many cultural styles of music with contemporary electronic elements, Moojo crafted a signature sound that resonates with audiences worldwide.

 Moojo quickly garnered support from industry giants Black Coffee, Diplo and Blondish. His early releases such as ‘Simba’, ‘Makasi’ EP and Mo Black's chart-topping ‘Lora’ were an instant success, with Black Coffee featuring the ‘Lora’ at Tomorrowland.
‘Desperado’ & ‘Vamonos’ (4.9M & 1.9M Spotify streams respectively), caught the attention of stalwarts like Rufus du Sol, Diplo, and Bedouin.
Upon Diplo's invitation, Moojo remixed ‘Fortress’ released on Diplo’s Higher Ground. 2020 introduced ‘Jupiter’, with Caiiro on remix duties.
His breakout hit, a remix of ‘Moth To A Flame’ by The Weeknd & Swedish House Mafia became an anthem and has over 7.1M streams on Spotify, propelling the track to ‘the most listened-to Afro house track of 2022’.
More recent collaborations include Demayä with ‘Lotus’, Da Capo with ‘Secret ID’ and Bun Xapa with ‘Hate It or Love it’, all under Moojo’s label, Calamar Records.

Beach-friendly Deep House label coming from the need of an artist's self-expression, no signature sounds needed. #DeepHouse #ChillHouse #BeachHouse.
Contact, demos: personalbelongings@kanedomusic.com

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

FranckChartier is following