lock

WE GOT OUR THING

dance

Lisa's Disco

demo

Feed the flame

Shirokuma(boty cut) - Jabberloop

Clap Your Hands

Hooked Up an Intro from DJ Spen's DUB into Linda Clifford's Original JAM!!!
Inspired by my Soul-Boy Michael Caithness

Linda Clifford - YOU ARE YOU ARE (Jski - Soul Boy Extended)1978

Excellent vocal disco on Prelude, edited and reinforced with love!

Download from here: 
http://hypeddit.com/track/sc/f9uur7

Please favorite, comment, repost & play loud and stay tuned for more free edits!!!

Free Download!

Feed The Flame (Superprince Edit) FREE DOWNLOAD

Shit Robot
Do That Dance Feat Nancy Whang 
(Leisure Connection Remix)

Shit Robot - Do That Dance (Feat. Nancy Whang) [Leisure Connection Remix]

http://facebook.com/guilnermusic
https://www.instagram.com/guilnermusic
http://youtube.com/guilnermusic
http://twitter.com/guilnermusic

I Wanted To Tell Her 

Ministry - I Wanted To Tell Her (Guilner edit)

Extremely sought-after disco track from 1980, written by Blll Simmons of Midnight Star fame. This is only one of two releases known to be made off this label, which was likely based in NY or NJ. 

Full Body - You Got To Dance (Vocal)

I Don't Wanna Stop

jabberloop - イナズマ

Black Eyed Peas - Rock That Body - Skrillex Remix Extended

This was a major classic for clubs when it came out in the late 70's. For some strange reason it was never given a remix nor 12" release although ever self respecting DJ was begging for it. Everyone had to play the rather short LP version and there were many edits of it. The song became popular again in the mid 90's when Chicago DJ Sneak sampled it for his "You can't hide from your bud" club hit. You can notice that all the musicians follow the bassline, playing the same hook. This was a typical Philly Sound signature and a another idea that way into House music and the new millenium. RIP Teddy Pendergrass.

You Can't Hide From Yourself Dimitri From Paris Super Disco Blend (snippet)

Buy on iTunes: http://itunes.apple.com/album/disco-durello/id498792814?i=498792815 

Buy on Beatport: http://www.beatport.com/track/disco-durello-original-mix/3249630

Fare Soldi presents: PAGHETTA

Like when we were kids and our parents gave us some money at the end of the week.
Hope your bedroom is not a mess and that you put out the trash.
And next sunday the lawn should be mown.
That's your payoff.
Every month, a track. Simple as it sounds.
1 year=12 tracks.
12 new furious tracks from your favourite golden guys.
 
Let's start at the end of January 2012.
 
The first PAGHETTA is here and is “Disco Durello”.
 
Out on Riotmaker Records worldwide.
Itunes, Beatport, wherever you want.

Paghetta

Fare Soldi - Disco Durello

10 Super Bad (Pts 1 & 2)

The Singles Vol. 7: 1970-1972

Soul Power (Pt.1 / Single Version)

Rage Valley

Centipede

OK-MA-BWOY GAL/Rare Track By DJ Mattew

Thank you all for listening and supporting over these past few years! Here's a mixtape I've been working hard on, I hope you enjoy it! Shot out's to all the DJ's that have inspired and taught me! For events and all that good stuff, hit me up: djfleg@gmail.com

Lastly, I know we're all broke, but if you listen my mixes and enjoy them, please support. 5 bux to sfleg1@yahoo.com on paypal goes a long way. Peace! See you at a Jam!

DJ FLEG (LOZ) - STRIFE TV Bboy Mixtape

Don't Stop the Party

Don't Stop the Party (feat. TJR)

Looking for a live band for your party? The Tied Knots offer exciting arrangements of all the songs you want to hear including top 40, jazz, funk, Bollywood and any requests you have. The instrumentation of the band is tailored to your event so whether it's a 3 piece, 5 piece, or full 8-10 piece The Tied Knots will have you dancing all night long! 


Soul, With a Capital S

A personal remix. Inspired by DJ Jay Negron.

Up Jumped the Devil (Discotized Mix) - John Davis Monster Orchestra

One of my favourite songs! Disco Power directly from 70´s

C.J.&Co - Devils Gun

I Feel Love (Instrumental Dub Edit by Steve Rachmad)

Artists / Writers / Producers / Mix: Steve Rachmad, Giorgio Moroder, Donna Summer, Pete Bellotte and Jürgen Koppers

Original: Casablanca Records, 1977

Artwork by Raffaele D'Adamo
Live-Video: http://www.youtube.com/watch?v=WZPm3gfvrVg
Vinyl: http://www.djshop.de/Vinyl-melon-sterac-the-future-i-feel-love/ex/s~details,u~1790692,p1~vinyl/xe/details.html
Giorgio Moroder on Facebook: http://goo.gl/q5IX2

Donna Summer - I Feel Love (Sterac instrumental dub edit)

E-dealize...
http://www.youtube.com/watch?v=H1XFa_0dAHA

[Low]Freakshow On The Dance Floor(E-dealize)

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


Up Jumped the Devil (Discotized Mix) - John Davis Monster Orchestra

discotized