Feel the vibe

Berlin 90s techno classics

Clancy The Space Traveler - 5

Oldschool 4cid

House Classics 80s || History Of House | Acid House | Chicago | Detroit || 80s House Classics | UK Rave Classics

1986-1993 - House, Techno, Piano, Hardcore, Balearic & Hip Hop

Techno

The House Music Anthem (Move Your Body) Remake

The House Music Anthem (Move Your Body Remake)

Chime

Chime (Eli Brown Remix Edit)

Where's Your Child

Give It to Me

Circus Bells

Nu Genea -  Praja Magia (Samuele Taurino Edit)

Happy new year! 
Gift for You ALL.
Classic Techno Moments Reworked
FREE DOWNLOAD

The Hypnotist - The House Is Mine Dj Dextro Remix ( FREE DOWNLOAD )

Classics

Energy Flash

Compression Part 2 - I Like It Dirty 320 Kbps

Foundation

That's the Way Love Is (Deep House Mix-Extended Version)

What Evil Lurks

here are 2 hours of my 4 hour dj-set i did earlier this year at legendary Robert Johnson Club @live-at-robert-johnson in Germany. enjoy

Boys Noize 2h DJ-Set at Robert Johnson (live recording) - June 2016

We Are Phuture

Phresh Phantasy - Come On Acid (Chicago 1988)/
Annie Hall - Sky Watcher/
Plant43 - Tellarium Snow/
Planet Pluto - Lesser Value/
Paul Blackford - Robotix/
Cultek - Moody Rollneck/
Petr & Lobanov.K - DVRZ (rembaza blast mix)/ 
Umwelt - Outlaw World/
Morphology - BIT Space/
Automatic Tasty - Window Funk/
Cyngus - Bedroom Activities/
Boris Divider Wireframe Reality/
Anthony Rother - Don't Stop The Beat/
Boris Divider - Remote Operator/
Pant43 - Cold Operator/
Deemphasis - Resist/
E.R.P. - Lament Subrosa/
Ben UFO - Raw Code/
Atom_Tm-mp3_(moralpovertythree)/

NUCLEAR SPRING MIXTAPE

Track A1 from It's The Arps EP (Olsen Records)

TODD TERJE - Inspector Norse

Kicksquad - Champion Sound (Jz Sub Dub)

Artwork by Tom Schwigs. 

Out now on all platforms - https://OfLeisure1.lnk.to/DaySpa

Day Spa

Black Loops needs no introduction nowadays, you see his name on something, you click it/download it or buy. He's built up such a strong following and reputation for quality house music it was only a matter of time that Freerange snapped up an EP from the Italian wonder. We've got 'King Paul' to show today, off an EP full of killer tracks. With his trademark swinging 909 grooves, bubbling arps and perfectly placed synths. The track also features smooth Rhodes stabs & keys licks courtesy of Nikos Haropoulos.

Artist: @blackloops
Label: @freerangerecords

SB PREMIERE: Black Loops - King Paul(ft. Nikos Haropoulos) [Freerange Records]

Promised Land

Bedrooms And Cities

Leaving Eninburgh Humor (Original Mix)

Fúzió EP

Secret Transmission

Kulør Record 2017 - 2019 Re-issue
Three Way EP
https://djibon.bandcamp.com/album/three-ways-kul-r-004

DJ Ibon - Maur

As Planetary Assault Systems, @Luke-Slater is an innovator of psychedelic mindfuck techno. Across a lengthy catalogue that stretches back into the 90s, the music’s bleepy, polyrhythmic loops are as recognizable as they are genre-defining. ‘Plantae’ is Slater’s first release as PAS on Ostgut Ton since ‘Arc Angel’ (2016) and covers the spectrum of PAS’s different strains while remaining grounded in Slater’s uncanny funk and knack for developing oblique melodies and rhythms over longer stretches. Deepness and hypnosis come as much through duration as sound design.

For Slater, ‘Plantae’ is made for Berghain, where he is a long-standing resident. In his own words: “I’m sure it’s no surprise that when it comes to putting together a release on Ostgut Ton, PAS takes on its more mind-altering, otherworldly quality by natural cause, quietly reflecting the dark sweaty nights and days at the club; at the point, the common neural coupling, of us all together. PAS has been part of Berghain and Berghain part of PAS for a long time. All of these tracks needed to pass the Berghain test in my sets first stop.”

Plantae

Buy 2x12"

Planetary Assault Systems | Red

Curtis McClaine & On The House - Let's Get Busy (Original Mix)

Client_03 - Prosperity Stream Divider [Astrophonica]
Carlos Sicrock - Jams [Digital Distortions]
Genotype & Just Jungle - Matrix Madness [G Lab]
BufoBufo - Mutant Enzyme [Ritual Poison]
Lewski - Mariachi [Céad]
винер - Missverständnis [Get Busy]
ATIX - Street Fighter [Bass Agenda]
Jensen Interceptor & Assembler Code - The Repo Man [Dance Trax]
Setrus - Purple Pedals [Bass Agenda Recordings]
James Shinra - Kord [Craigie Knowes]
X-Truder - Foreign Intelligence [Urban Connections]
Dusko Janevski - 091 [Urban Connections]
Special Request - Adel Crag Microdot [Houndstooth]
Mall Grab - Eucalyptus [Looking For Trouble]
Assembler Code & Jensen Interceptor - Day 1 [Mechatronica]
Broken English Club - Domestic Animals [L.I.E.S.]
винер - Death & Roads [Get Busy]
Sugar Experiment Station - Everyone's Doing It [Varvet]
Nite Fleit - Hot Bot [Looking For Trouble]
Umwelt - Faceless Power [Voitax]
Jensen Interceptor - E L E K T R O [Craigie Knowes]
Reptant - The Raid [Craigie Knowes]
Radioactive Man - Night Bus to Nowhere [Rotters Golf Club]
Daribone - Meeting In Wooden Rooms [Mechatronica]
Derailleur - Hydraulic Performer (Radioactive Man Remix) [Decade Box]
George Michelle - ffrreeaakk (Assembler Code Remix) [etcetc]
Fakundo Ed - Kontent 3000 [Progressive Future]
Martinelli - Humanized Operation [Crobot Muzik]
Fundamental Knowledge - 1994-2 (Version by Skeemask) [Seilscheibenpfeiler]
Ben Pest - G-Zus [RIOT Radio Records]
Blawan - Many Many Pings [Ternesc]
James Shinra - At The End Of The World [Craigie Knowes]

BRAWLcast 276

BRAWLcast 276 Horror Brawl - Worshipping The Old Machines

30x3 is three mixes, each with 30 tracks, each dedicated to a different chapter in the story of how electronic musicians have utilized the Roland TB-303. 

This is the third and final mix in the series, and it's a fitting way to end the decade! This particular mix is a celebration of the undying magic of acid music, as expressed through a selection of some of my favorite modern acid house and acid techno records.

It's a bit of a departure for me, as it starts off at about 120 bpm, which is probably the slowest point for any mix of mine ever! Maybe I'm getting old? In any case, I'm not yet ready for the glue factory as the mix builds to a healthy 150 bpm by the end. 

Enjoy the ride and please share the mix!

30x3.1: Your Mind on 303s https://soundcloud.com/sonicrampage/30x31-your-mind-on-303s-old-skool-acid-techno-for-dark-warehouses

30x3.2: Into the Dreamstate https://soundcloud.com/sonicrampage/30x32-into-the-dreamstate-old-skool-euphoric-acid-trance

Blog link: http://sonicrampage.org/blog/2019/12/pearsall-presents-30x3-3-acid-cant-die-new-skool-acid-house-&-techno/

Art by Alex Mapar: https://instagram.com/alexmapar

Mixed in Berlin, August 2019
100% Vinyl
(98:37, 233 MB, 320 kbps mp3)

Tracklisting:

01. Perseus Traxx - My Heart Jumps A Little (I Love Acid)
02. KiNK - 1st Electric (Midnight Shift)
03. Luke Vibert - Cassetc (I Love Acid)
04. Global Goon - The Botanist (I Love Acid)
05. Gesloten Cirkel - Never (Murder Capital)
06. Posthuman - Wake Up (Acid Mix) (Balkan Vinyl)
07. Paranoid London - The Boombox Affair ft Bubbles Bubblesynski (Paranoid London)
08. Cursor Miner - Vampire Acid (Bleeper)
09. Bloody Mary - Mono (Dame)
10. DJ Arg - Strobo-Acid (Super Rhythm Trax)
11. Jared Wilson - Drug Related Stories (TNT's Perceptions Remix) (7777)
12. Jerome Hill - Mole Hole Acid (Weapons Of Desire)
13. Mike Ash - Watch Your Mouth (Super Rhythm Trax)
14. Chrissy - Truth Bomb (Super Rhythm Trax)
15. Snuff Crew - Memories (I Love Acid)
16. Do The Du - Lost Acids (Senseverse)
17. Ellen Allien - Bowie In Harmony (BPitch Control)
18. Pukemaster Gehm - 303 Degrees Below 0 (Solar One)
19. Ben Sims - Acid OD (Deeply Rooted)
20. Alien Rain - Space Race (UFO Inc)
21. 999999999 - 000000005 (NineTimesNine)
22. Noir - Done ft Cari Golden (Noir Music)
23. Deep Dimension - AAA (Advanced Acid Algorithms) (EarToGround)
24. Verschwender - Flex Zone (Emerald)
25. Jacidorex - Acid Flashback (Molekul)
26. Parallx - Tuathal (R Label Group)
27. Ascion - Your Finest Nightmare (Oaks)
28. Mall Grab & Nite Fleit - Anatomy of the Senses (Looking For Trouble)
29. Dax J - Chaos Come to Conquer (Monnom Black)
30. Regal - Overground (BPitch Control)

www.sonicrampage.org/blog

30x3.1

30x3.3: Acid Can't Die (Modern Acid House & Techno)

Currents

Spherical Wave

curated by Jorge Cruz, mastered by Nate Oberman
released 31 July 2012 

"Review: Still treated with reverential awe, some 25 years after the label first got jacking, Trax keeps the summer popping with this excellent compilation of Chicago house and acid classics. After a short intro from the compiler, Jorge Cruz, you'll be treated to 303 masterpieces like Jack Frost's "Clap Me", Maurice Joshua's "I Got a Big Dick" and others from Adonis, Nic Sarno, Phortune and Farley "Jackmaster" Funk." - junodownload.com

Can You Feel The Bass - Phortune

curated by jorge cruz, mastered by nate oberman. produced by rachael cain, onehouseinc.

Hot Hands - Hula

Defected Records stands with its black artists, producers, DJ’s, writers, performers, staff and friends.

We see and we celebrate Gospel, Soul, Funk, Jazz & Blues... The roots of all dance music. Black art and black creativity has enriched our lives and inspires everything we do at Defected, Glitterbox & the Classic Music Company.

We see and acknowledge Disco, Garage & House. Music created by Black, Hispanic & Gay producers.

We also see and celebrate Detroit, The Motor City... Home of Motown and the birthplace of Techno.

We are proud of our 20 year history of working alongside black artists, musicians and performers. Today’s show represents our love and inspiration for Black music, for Black culture.

We stand with all people of colour.
We stand against racism .
We stand against the injustices of all crimes of prejudice and discrimination.
We stand for Justice for George Floyd and all other victims of racial hatred. 

Let’s be the change.
Let’s bring down the walls.
- Simon Dunmore

01. Stevie Wonder - Living For The City [Motown] X Roland Clarke - Resist (Accapella) [Defected]
02. Gregory Porter - 1960 What? (Opolopo Kick & Bass Rerub) [Tokyo Dawn]
03. Franky Boissy - Black Music [Chez Music]
04. Jasper Street Co. - Lift Every Voice (Take Me Away) (12 Inch Vox Mix) [Basement Boys] X Eddie Amador - Rise Preacher (Accapella) [Yoshitoshi Records]
05. Dave + Sam featuring Mike Dunn - Til The World Blow Up (Mike Dunn BlackBall Classic Soul MixX) [Classic]
06. Childish Gambino - This Is America (Todd Terry & Louie Vega & Kenny Dope Remix) [InHouse Records]
07. Fiorious - I'm Not Defeated Pt. II (Honey Dijon's Fiercely Furious Dub) [Defected]
08. Romanthony - Hold On [Roulé]
09. Soul Rebels vs. Roland Clark - The Revolution Will Not Be Televised (Lunar Disco Remix) [Defected]
10. Prince - Controversy (Do I Believe In God) (LNTG Muscle Mix) [White Label]
11. AmFlow featuring Koffee - Raw Uncut (Louie Vega Remix) [Vega Records]
12. Lil' Louis - Blackout [FFRR]
13. Robert Owens - Bring Down The Walls [Trax Records]
14. Honey Dijon & Joi Cardwell - State Of Confusion (The Maurice Fulton Remix) [Classic]
15. Luke Solomon featuring. Amy Douglas & Queen Rose - Love, Hope & Happiness [Classic] X Cevin Fisher - Music Saved My Life (Accapella) [Maxi Records]
16. Hannes Bieger featuing. Ursula Rucker  - Poem For The Planet [Awesome Soundwave]
17. Stevie Wonder - Higher Ground [Tamla]
18. Swing 52 featuring. Arnold Jarvis - Color Of My Skin [Cutting Records]
19. Joe Smooth - Promised Land [Blue Pie Records]
20. Deep Sensation - There's a Soul Heaven [ITH Records]
21. CeCe Rogers - Someday [Atlantic]
22. Harold Melvin & The Blue Notes - Wake Up Everybody [Philadelphia International]
23. Marvin Gaye - Whats Going On [Tamla] X Jose Burgos featuring Kenny Bobien - For Your Love (Cueber Accapella) [4 To The Floor Records]

Defected Radio Show: Bring Down The Walls - 04.06.20

Stef Mendesidis | Memorex EP [ CRG022 ]

A1 // Critical Ratio
A2 // Interlynx
B1 // Memorex
B2 // Chroma

Written & Produced by Stef Mendesidis
Artwork designed by Jorden Hodgetts
Photography by Mariana Matamoros @ Possession, Paris
Mastered by Stef Mendesidis
Format : Vinyl & Digital
Cat Number : CRG022
Release Date : 21st of August, 2020
Copyright : CLERGYLTD

Stef Mendesidis | Memorex EP [ CRG022 ]

"Ego" EP [PALMS033] out now. 

Vinyl available here with free digital download: 
https://computerdata.bandcamp.com/album/ego-ep

A1. Ego [PALMS033]

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!