WOOFERLAND 2013 Frank De Wulf DJset

Tracklist : Phi Phi // Back To The Old School  Part 12   

1  -   Underrworld  -  Rez
2  -   Barbarella  -  Barbarella
3  -   O T Quartet  -  Hold That Sucker Down Build Like a Skyscraper
4  -   Country & Western   Reincarnation
5  -   Joe T Vannelli  -  Play With The Voice
6  -   Innertales  -  Odyssée (Original Mix)
7  -   HMC  -  187
8  -   Mechanical Soul Saloon  -  Punos (Original Mix)
9  -   Microbots  -  Cosmic Evolution
      10  -   Sven Vath  -  L’Esperanza

Phi Phi // Back To The Old School Part 12

Extended 5.30hr set full of forgotten Classic Progressive gems... Enjoy!

Tracklist Progressive house/trance 44
1- Intro The X-Factor -Desert Rain
2- Odessa - Refresh my memory (original mix)
3- Pole Folder - Moon in a blue sky
4- Rocco Mundo & ONNO - Je t’aime (Jerome Isma-AE remix)
5- Duran and Aytek - Future Hope
6- Brothers of Dub - Same Frequency (original mix)
7- Felipe Fernandez - Thieves (dub mix)
8- Jerome Ima-AE - Heat (original mix)
9- New Disco Science Alliance - The only way home
10- Nikola Gala - Subterra (original mix)
11- Eric Del Mar - Freeland (mellow mix)
12- Amalgam - Sum of your fears (original mix)
13- Chris Domingo - One Sound (Thomas Penton Slider remix)
14- Flash Brothers - Protect The Sense (M.A.S. Collective remix)
15- Medway vs Pete Gawtry - Optical Illusion (Brian Stillwater dub remix)
16- Patrick Zigon - Electric Affair (original mix)
17- Mile 1 - Itsu (original mix)
18- Stoneproof - Everything’s not you (Quivver space mix)
19- Jerome Isma-AE vs Bruce - Missing
20- Silverspin - Oh Superman (Mädchenmusik mix)
21- Loco - Eighty Ten (Praha’s remix)
22- Q-Lock - Seconds ( original mix)
23- Q-Lock - Goliath (original mix)
24- San - Sunday
25- Tidal - Inside
26- Ramirez - La musika tremenda (Elastique culture remix)
27- Paganini Traxx - Zoe
28- L.S.G. - Infectious (S.A.S. Remix)
29- Substructure - Electronik
30- Casa Flava - Darka (main mix)
31- Prototype - La Caldera (Thomas Penton remix)
32- V-SAG - Mar de Oro (V-SAG Cypriot remix)
33- Cassino & Laben - Leaving Panic Behind (Flash Brothers remix)
34- Blue Noise - Landslide (Jay Welsh remix)
35- Brancaccio & Aisher - Darker (Sin @ Dogstar mix)
36- Adolf Marsan - Output
37- Datar - B (Tarrentella & Redanka’s  NYSC mix)
38- Yekuana - Northface remix
39- Andrew K pres. Junk Science- Travelogue (144mph mix)
40- Subsky - Albino (original mix)
41- Adam Dived - State Of Pnic (Main Element remix)
42- Condor - You can (kiss my…) Graeme L remix
43- Sonic Tribe - Synchronized (Jeenie Green remix)
44- Matt Busch with Aphasia - Faith (featuring Chab audio treatment remix)
45- Tilt - I Dream (Tilted dub)
46- Thomas Penton - Cliffhanger (original mix)
47- Aquilia - Voodoo (Black Magic mix)
48- Aftercast - Tyranny (original mix)
49- Praha - Mojito (part 1)
50- Oliver Lieb - Subraumstimulation (John Johnson remix)
51- C.M. - Dream Universe (After on sunday dj George’s mix)
52- Castle Trancelott - Resonance (Graeme L remix)
53- Canyon - Cosmos
54- Jaya - Subterranean

Progressive Sounds 1994 - 2004

Classic Progressive House & Trance vinyl set 44 By R-IK

DJ George's vs Jos - Analog Dreams (Extended Mix)

SUMMER '25 3/4

We control everything, we control everyone! But there comes a moment when we begin to realize that we cannot even control ourselves!

Martin Ikin & Winnie Ama - Control It (Bidjo Remix)

Techno BPM, but with a nod to funky house. 

I Feel Music

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Get @fabmassimo's EP on @kosmos_records here: 
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🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

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Fab Massimo - Join Me [KOSMOS]

As recorded live at 'Petrol Antwerp': It describes best what I think is 'Old Skool' 90ties Club Music. Enjoy, Frank De Wulf

FrankDeWulfs Definition of OldSkool DJset May 2012

Frank De Wulf's Definition of OLDSKOOL DJset 2 
Recorded live @ YOKO ONO Ghent   13 januari 2013


FrankDeWulfs Definition of OldSkool 2 DJset @ YOKO ONO Jan 2013

Enjoy my signature sound in a classic At the villa style...

Tracklist : Phi Phi // Back To The Old School  Part 2 (ATV Kooigem) 

1	-  Hope  -  Tree Frog (Original Mix)
2	-  Inner City  -  Ahnongay (Original Mix)
3	-  Quakerman  -  Schlam Me (Original Mix)
4	-  Mechanical Soul Saloon  -  Punos (Original Mix)
5	-  The Delorme  -  Beatniks  (Original Mix)
6	-  Minimal Man  -  Headspin  (Original Mix)
7	-  Trancesetters  -  The Secrets Of Meditation (Original Mix)
8	-  The Gateway Experience  -  Living Body Map (Original Mix)
9	-  Johnny Dangerous  -  Father In Heaven (Original Mix)
10	-   Dharma Bums  -Dharma Means Dub
11	-  Graylock  -  Acceleration by T.R.A.N.C.E.
12	-  The Mackenzie  -  Higher In The Sky (Original Mix)
13	-  Tranquil Voice  -  Acid India (Original Mix)
14	-  Pizzaman  -  Babyloop (Original Mix)

Phi Phi // Back To The OldSchool Part 2

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!