Some cool clashing of timbres to dramatic and mysterious effect.

victim P

appel

A while ago, I completed a batch of tracks, most of which were purposefully underproduced. That is to say, they were intentionally finished early on in the production process. The idea was an experiment in technical minimalism, to see if my tracks might benefit from a leaner sound. I don’t mean strict minimalism, but I do mean less ear candy and a lower track count.

This track was part of that batch, but I just couldn’t leave it alone and so it’s the most worked-on of the bunch. It’s an uplifting, riff-driven track with dubstep leanings and a dark, simplistic bass line. The dubstep elements are strictly old, old school, ‘cause I’d had my fill by the time Skrillex came along.  

It kind of harkens back to the 90's in some respects, but then much of my work is like that, what with me having my formative musical experiences in that era. I do hope those vintage rave vibes keep it interesting.

If this one strokes your familiar, then please do ‘like’, comment and repost. I genuinely hope that you’ll let me know if you agree with the write-up, or whether you feel that it’s inaccurate - sometimes I get so absorbed in a piece that I lose the ability to see the wood for the trees… However you feel about it, thank you for listening.

Higher Magick

Sailing away on the crest of a wave
Point our bows to the rising sun
The diamond sea sings so softly to me
It says...

Day after day as our world fades away
We set a course for the brightest star
We fall fast asleep and dream crystalline dreams
’Til we arrive

When we arrive
When we arrive
We’ll build a city that burns like a fire

When we arrive
If we survive
Our children are greeted
By the Garden of Eden
They’ll never go hungry again
Oh what a feast we’ll have then
They’ll never go hungry again

A New World (Pilgrim Song)

This is a re-imagining of one of my old tunes.  Here's the link: https://soundcloud.com/madrigalmusick/nowhere-to-go

Photo by Alesia Kozik at www.pexels.com

Composed and arranged by obcb with Fl Studio

Somewhere to Go

｢過去生 ~ ALLEGRETTO CITTA' POP」

Concept music for a graphic novel.

Music written, produced, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "The Golden Stairs" (1880) by Edward Burne-Jones. Edited by me.

PAST LIVES

ＰＡＳＴ･ＬＩＶＥＳ

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

Ian Shirley's Album

Voidavoid

My Name is Electra Volcana

MY NAME IS ELECTRA VOLCANA    remiXX MARBEUF STUDIOS

'Light The Candle Please' is fusion of Jazz/Fusion/Rock and Ambient. Not inspired by anything in particular and just what appears from the imagination sometimes. This is definitely one of those moments.
I have replaced the original file as Georg Boehme has replaced the original Tenor Sax solo. So thank you Georg for this wonderful addition . Also doubling the brass parts near the begining and also the end section. I am priviledged indeed to have your superb playing involved once again, so a big thank you.
You can hear Georg's own work here: https://soundcloud.com/georg-boehme

Light The Candle Please

Light The Candle Please (Feat. Georg Boehme)

A Kinsâme song with :
https://soundcloud.com/kiyotoyoshihara

1. Si l'hexagramme de Pikachu zèbre ces zombies de la raie alitée, le pilier est speed. Mare nostrum.

2. Les dix mille multi-clonages du gemme impérial lunent tes yeux mi-clos en cloque d'un sexy jutsu. Semper fidelis.

3. Quelques kicks ainsi connectés car San ku Kaï par terreur amère circule sans ceinture effaçant le centre délétère sous ses astres sismiques. Missi dominiqui.

4. Alors, l'omission du feu onde Kira qui inscrit sur son carnet d'onyx l'ode des erres érodées. Sator arepo tenet opera rotas.

5. Allez coquin, cache-moi cet arc-en-ciel dans ton cœur que je ne saurais entendre sans secret sanguin cerclé sous le sanctuaire de Shiryu. Res nullius.

6. En action, ce Vogue Merry attelé de six dragons soufflant dans des escargophones les mérites du Gum-Gum. Yo ! Yo ! Yo ! Jugula ! Ne...

7. Les super nanas singent Sailor Moon pour plaindre d'autres week-ends ascensionnistes au ping-pong des planètes. Non fui, fui, non sum, non curo.

8. Quelle roue tourne toujours ? Onizuka en perd son sombrage à l'âge sonique des perfections digitales. Dente superbo.

9. Voici que l'arène s'est suspendue distillant sa silice aphrodisiaque dans les iris de tous les tamagotchis, frères de l'écho et du mirage. Morituri te salutant

Voidavoid

Mesmeric

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