Your sonic godhood serves you well, Frank! WUNDERBAR! Your sense of passionate depths is intoxicating! 💘💮💮💮💮💮😍💐♾🙌🏻🏆💋🌹

L’infatigable créateur de bons moments musicaux .... avec toujours un style très marquant .... Que l'on écoute avec enthousiasme et un certain recueillement (du moins pour ce genre musical) .... Excellent.

You were my friend

Real-Wards&vocals/ Khan
Prod/Tot
 
lyric


I don’t believe what I can see
What is the real?
I believe what I feel impulse
What is the real?

Stop asking 
Your asking make a lot of questions
Stop asking
I’m thinking about my rainbow sky
Stop asking
You’re living just your stories
Stop asking
I’m living just my own story
I don’t believe what I can see
What is the real?
I believe what I feel impulse
What is the real?

Where do I go when I done my story?
Where do I go
Where do I go
Where do I go
Where do I go?

The Real   (Tot.Prod)

Theatre theme for the play Iphigenie auf Tauris by Goethe performed in Straubing in 2008

Iphigenie

Instrumental 

I’m just a balloon. Nothing to see here

Eden

Just Balloons

The video for Drawbridge can be found here: https://youtu.be/RXHflm14XGI
Thank You for listening.  I appreciate.

Dave

Believe it or not:
DRAWBRIDGE was created at my home studio and referenced a hugely popular pop song called Driver's License by Olivia Rodrigo. The song sounds nothing like Driver's License but drew inspiration from this song's sound textures and arrangement. DRAWBRIDGE was crafted to deliver an emotional tension and buildup in a similar fashion.

Draw Bridge
By David Husted

V1
The universe gives up her memory
As time goes back to sleep
The Vast so relatively small before
The still begins to dream
Gravity reach out and compose               
A new cosmos, a new symphony
 
We presuppose our stories while we craft our little biographies
Shutting out infinities inside little rooms of quantum suffering
and who could have dreamed that our heart beats in everything
And this new beginning is an old song received
 
V2
Without my thoughts this pen still writes
I will travel to the end 
Where time is running out, 
without traces , without breath
We dance between the atoms 
With the Shamans and Ignorance.    

We presuppose our stories while we craft our little biographies
Shutting out infinities inside little rooms of quantum suffering
and who could have dreamed that our heart beats in everything
And this new beginning is an old song received

ch

somehow I knew, I knew, but I could not cross that Bayou
This castle is magic please lower down that Drawbridge 
Space slept with time so fine just before the Big Bang
Then gravity and light beams exploded on the main screen

Star dust, black holes, white dwarf super nova
Then planets, imagine they somehow even managed to make us
Trees, this breeze, this miracle of life seething
Madly, so madly love lowered down that Drawbridge

outro
We presuppose our stories while we craft our little biographies
Shutting out infinities inside little rooms of quantum suffering
and who could have dreamed that our heart beats in everything                    
And this new beginning is an old song received  received
From before the next heart beat begins

Drawbridge

The Castle

Morphine And Strawberries (Acoustic guitar instrumental)

method: crave, voice (through VT4 and equalizer) into zoom r20.
narration: it‘s absurd. the title does not refer to a category made-up by baumgarten. it could refer to one by jean paul sartre, though.

poem / copyright jo richter:

traffic is organized in a two-lane manner, so
that cars, lorries and motorbikes constantly fail to
crash frontally which can not be said for the surrounding air

he remembers a conversation with someone he
had been married to when he felt like suffocating
in plain air, that unidirectional had been her approach

it‘s the atmosphere, akasha, the morphogenetic field
that holds the relational world together, connects
and distributes, unlike the one-way arrow of light

the art of budging is not a martial art at all, he
understands, those who belittle the understood will not
give in to understanding, misconception will prevail

hell is other people, sartre shouted into the void, referring
to those who mistake themselves for the holy flame, who
have not yet learned that breathing means sharing

from an atomic point of view, everything
is a hyperobject, distributed within a medium made
of attractions, repulsions, interconnections and dialogue

and the lines of interference come about when
observed only, when the amorpheous non-understood
is dragged along by the causal, carousel force of a mind understanding

gnoseologia alterior

gnoseologia alterior (soundscape)

Bardo

Entertainment in a visual way: https://youtu.be/FTTobvjG2C0 😀🎬

*An edited version, as it can also be heard on Youtube. Without horns I felt a little bored. So I added some* :)

Ariadne (ancient Greek Ἀριάδνη Ariádnē, German die Heiligste, Latin Ariadna, Italian Arianna) was in Greek mythology the daughter of the Cretan king Minos and his wife Pasiphaë, a daughter of the sun god Helios. She helped Theseus defeat the Minotaur.

Let me enterta... 🎬

Ariadne

Hope the sound is ok, for the time being I can only hear with one ear
Added electric guitars
If you like, free download

Europe In Flames

Melody Dreams

Tears Of Happiness

I need to take a break...

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Ariadne

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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