It's good to come back to series from an early age.  Sentiments never fade away. Nicely made track. Kind Regards 😏

Cool feel and vibe, loving the filter sweeps!

wonderful futuristic tune, magnificent piano sound!

Ich bin in Spanien aufgewachsen und da hat mich und mein Bruder die Serie auch fasziniert. Leider gibt es keinerlei Folgen davon auf Youtube, hätte gerne nochmal rausbekommen, was daran vielleicht so besonders war... Lieber Gruß!

Dance and enjoy the luxury of being yourself 💃🕺

Please be invited to listen also the vocal version, - Die rosarote Brille - 
By Gabriel: 

https://soundcloud.app.goo.gl/xbaHw



Samplitude pro x6
NI - Massive X, Battery
Eastwest sounds - Hollywood strings, 
Voices of Empire
Output - Exhale
Izotope - Ozone 9

spotify:track:6EtkiyMuhe1rB3rNaqX7nJ

Danser Rich

I bought this children's guitar at GoodWill for less than $15... I put $6 worth of good nylon strings on it.  And then I just played it.  Maybe I'm out of line... especially since I set the levels too high when recording it.  But there's something about this recording: I guess beauty is in the ear of the beholder...

Children's Goodwill Nylon Guitar W Levels Too Hot

Paradox

Original music (German Version): Christian Hans Bruhn (* October 17, 1934 in Wentorf near Hamburg).

The original series idea, titled Mr. Future, Wizard of Science, was developed by Mort Weisinger, an editor at Better Publications, during the 1939 World Science Fiction Convention. In it, a mutant superhero with superior physical and mental abilities was to be the main character. Three secondary characters were intended as helpers: a robot telepathically controlled by Mr. Future, a crystalline life form from Jupiter, and an ancient man who has read every book in the world and presents his knowledge as a walking encyclopedia. This was intended to combine the then-popular subgenres of space opera and superheroes. It took a lot of convincing for Edmond Hamilton, main author of the novels, to dissuade the publishers from their original ideas. However, the title remained almost the same at the beginning: Captain Future, Wizard of Science, but later changed to Captain Future, Man of Tomorrow.

What I loved the series as a kid. Here is my version of the (GER/BRD/D) theme song...

There is also the Japanese one. I don't know how many countries also ran the comic series at the time. You'll have to find out the theme song for yourself 😆

Captain Future (Main Theme)

Brosellian 23722

Concentricity

Bandcamp

Meridian

It's Not A Straight Line - Jamie Rhind

Time

"Pour une biguine avec toi", singed by Marc Lavoine was released on 1984. I was 5 years old. One of the track that marked my childhood.

Pour une Biguine avec Toi - Marc Lavoine (Synthbuster Synthwave remix)

This world just doesn't feel right anymore.
Sometimes, everything just becomes too much. So I keep locking myself away in thoughts of better times.

This is Volume 5 of a series of nostalgic Synth-Pop songs with the distinctive sound of the 1990s, meant to send you back to a time when everything felt so much better.

Immerse yourself in lush analog synths, atmospheric and melancholic synthesizer sounds, and retro drum machines that paint a bittersweet story of memory, longing, and the search for hope.

Whether you're driving alone at night, working from home, or simply closing your eyes and drifting away — this music is your ticket to another time.
Perfect for late-night drives, creative moments, or simply letting go, drifting lost in thought.

Dont miss out on Sentimental Panda on Youtube ❤️

Time Flies

A sonic journey to the outer rim of the groove. Deep Space House blends the hypnotic rhythms of deep and tech house with expansive, atmospheric soundscapes. Expect pulsing basslines that anchor drifting synth melodies, cosmic textures, and a steady, meditative pulse designed for late-night travel through the inner and outer cosmos. Explore the void where the kick drum meets the infinite.

The Path Unfolds

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Captain Future (Main Theme)

Frank Mehl

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