Beautiful music and wonderful drawing!!🌟🌠

@user-409964430 fantastic built and produced Song! Very sunny! ☀️ A pleasure to listen! 👍

You really captured the mood with the choice of sounds. Fantastic work!

Another beautiful version. The dedication is especially meaningful.

Both are very good, but, although the version with guitar takes away the prominence of the voice, I like it better with this instrument... good... I'm Spanish... and Andalusian... what could you expect me to say?

Color Column

The Best of Kevin Cramer

Watch Out

In this music fragments of sound, musical ideas, are all pulling in different directions in a state of chaotic flux, 
As the music progresses the tension builds until a violent climax is reached when the tension suddenly dissolves releasing a new state in which the disparate elements are in a state of calm and peaceful coexistence. 
A puzzling dissonance resolves into a logical harmonious and orderly progression. 
This music is a reworking of my piece 'Prelude-Storm-Postlude  which can be found here as it originally sounded: 
https://soundcloud.com/julian-cafarella/theme-22-august-2021-12-00pm-54bpm-with-ntprfmr-cubase-mix
The original was composed in Sibelius and I exported it into into Dorico and reworked it for the current piece

Transition from Chaos:  a Puzzle Unscrambled (Mastered) May 2022

Guitar Beats - Guitar, Songwriting https://soundcloud.com/beats-guitar
MOSNAR DET - Remixing, Bass Guitar, Drum Programming
Special thanks to Guitar Beats/ Audrey for offering up the great collabs! check out her profile.

Loop Diggers Sunday Roulette Challenge 89 (feat Guitar Beats) - G R E E N _ M A N

Lost Vibrations of Forgotten Dreams

Cyberpunk Lullaby for Interstellar Sleep

Faces disappear, friendships dissolve. Memories of once loved ones remain. When they all leave before you do, it's hard to bear. And those who remain also leave you bit by bit. Everyone is so busy with himself that he/she/it no longer notices and understands how important it is to have a friend.

This song is especially meant for people who feel lost, whose love is broken. Draw courage and confidence!

(Dare) Time to Leave Your Faces

(Poem from the Fae)By Sphaera (Remix Patterns In the Eye)

Senf

@the-italian-job-remix: THE ITALIAN JOB WAS WONDERFUL TO ALLOW ME TO BLAST OFF ON HIS NEXUS 6? TRACK.  BAHAHA SEEMS I GOT IT WRONG HAHAA  O WELL CARLO YOU KNOW I LOVE YOUR NEXUS SERIOUS !!!                                                                         
    I WORKED REALLY HARD AND I HOPE THAT Y'ALL LIKE IT!          I LOVE IT!             
                               I REALLY HOPE IT IS GOOD!                                                                          
  THANK YOU CARLO- THE ITALIAN JOB.                   I AM GRATEFUL FOR Y'ALL.
        I WISH MUCH PEACE, HAPPINESS, AND LOVE FOR ALL OF Y'ALL!         
               I PUT ME, & MY WHOLE HEART IN THIS PROJECT .... 
                                                                  XOXOXO!

KRAE- _'EMPTY'_ - FEAT KENNA-RAE ON VOCALS (PROD. BY THE ITALIAN JOB)

You taste the venom on my tongue
I dress in shadows where you hide
You love the chains, you call it fun
I keep the secrets you provide

I burn your name across the floor
You beg for less, I give you more

Fall into my velvet rage
I’ll tear the lines across your face
Darkness sings when I command
You’ll break like glass inside my hands

You trace the bruises like a prayer
I paint devotion in your skin
You tell me danger makes it fair
I’ll be the sin you can’t begin

I burn your name across the floor
You beg for less, I give you more

Fall into my velvet rage
I’ll tear the lines across your face
Darkness sings when I command
You’ll break like glass inside my hands

Whisper low, I own you now
Breathless screams, you won’t get out

Fall into my velvet rage
I’ll tear the lines across your face
Darkness sings when I command
You’ll break like glass inside my hands

Velvet Rage

Licht aus Sternenstaub

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

(Dare) Time to Leave Your Faces

Frank Mehl

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