awesome, lush, sonic landscapes, very powerful beauty here

I'm not a big listener of ambient music but this carried me away. Thank you!

fantastic inspiration,  while being based on a saddening and fury creating reason, you have captured the beauty, delicacy and also the mighty powers of our planet in a spectacular sonic painting

wonderful journey,  biggest respect to both of you. this work is really a gift.

Amazing huge and very colourful piece you created here! Very well done guys!

It is with this title that I have come to you. 👍

Great relaxing track! Congratulations to both of you! 👍

so nice to hear this again, having previously heard on Werner's page - the blend of both your styles creates a wonderful soundscape!

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Maillet

MAILLET

Notice: all (NEWAGE79) tracks are also available under
 user:
 sound23-941370948 plus more tracks over 600..!👍

ProgressiveAcousticRock

Pierre Bordetti productions (c) 03/2023.
Composed, arranged, performed, and produced by:
Pierre Bordetti

An Electro-Jazz track inspired by one of the very 
beautiful photos brought back by Julie during a recent 
trip to Thailand.
Many thanks to Julie.

Un titre Electro-Jazz inspiré d'une des très
belles photos rapportées par Julie lors d'un récent
voyage en Thaïlande.
Un grand merci à Julie.

Raise your eyes

Raise Your Eyes

Stefano Manotti - La Storia Da Scrivere

Performed by Stefano Manotti

Music and lyrics by Stefano Manotti

All rights reserved ©

Produced and arranged by Giulio Carmassi (ex Pat Metheny group)

Executive production and mastering : Paolo Schianchi and OmniaMusica Recording Studio

TESTO
Confuso galleggiava 
Cercando la sua strada 
Pensando a quel sorriso
Di quando era partito 



E la notte non passava
Col vento un po’ sospeso
Parlò col primo uomo
Lasciandolo sorpreso
Sai perché sono qua 
Il sogno mi rende libero 
Lo so non mi giudicherai 
Siamo due storie da scrivere 


E quanta storia da scrivere
Per chi come te 
Non vive mai
Quanta ne scriverai 
E adesso dei sogni ti occuperai 





Lo so per te è strano 
Ma non sei tu il
Fallito
Soltanto per il fatto
Che non mi punti il dito 
Non mi hai guardato male 
Né dall’alto al basso
Sei solo inciampato 
Come molti sul mio passo





Sai ti ho capito già
Sei uno con troppa sensibilità 
E non sai quanto , quanto ti costerà 
Ma quante pagine che scriverai 



Quanta storia da scrivere 
Per chi come te
Non vive mai
Quanta ne scriverai 
E adesso per i sogni combatterai 



Ma in fondo sai
Siamo simili 
Ma non hai ancora perso come me
Chissà se questo mondo mi ricorderà 
Chissà se questo incontro ti servirà 


Quanta storia da scrivere 
Per chi come te
Non vive mai
Quanta ne scriverai 
E adesso per i sogni combatterai

LYRICS
He floated bewildered
Searching for his way
Thinking of that smile
From when he had departed
And the night wouldn't pass
With the wind somewhat suspended
He spoke with the first man
Leaving him surprised
Do you know why I'm here?
The dream makes me free
I know you won't judge me
We have two stories to write

And so much history to write
For someone like you
Who never truly lives
How much will you write?
And now you will take care of your dreams

I know it's strange for you
But you are not the failure
Just because you don't point your finger at me
You didn't look at me badly
Not from top to bottom
You just stumbled
Like many in my path.
You see, I already understand you
You're someone with too much sensitivity
And you don't know how much, how much it will cost you
But how many pages you will write

How much history to write
For someone like you
Who never truly lives
How much will you write?
And now you will fight for your dreams

But deep down you know
We're similar
But you haven't lost like me yet.
Who knows if this world will remember me
Who knows if this encounter will serve you

How much history to write
For someone like you
Who never truly lives
How much will you write?
And now you will fight for your dreams

La Storia Da Scrivere

Original composition by Nylïa

All instruments, effects are performed, recorded, and mixed by me.
For more information, see my public Profile.
All rights reserved.

Celestial Dance Of The Nymphs

tried this piano blues piece for you, as I did not post for years..hope you like. Love, Rina

Live Relexion#006

𝘿𝙚𝙨𝙥𝙞𝙩𝙚 𝙖𝙡𝙡 𝙩𝙝𝙚 𝙙𝙧𝙖𝙢𝙖𝙨 𝙩𝙝𝙖𝙩 𝙖𝙧𝙚 𝙝𝙖𝙥𝙥𝙚𝙣𝙞𝙣𝙜 𝙖𝙧𝙤𝙪𝙣𝙙 𝙪𝙨 𝙖𝙣𝙙 𝙙𝙚𝙨𝙥𝙞𝙩𝙚 𝙖𝙡𝙡 𝙩𝙝𝙚 𝙙𝙚𝙨𝙩𝙧𝙪𝙘𝙩𝙞𝙤𝙣, 𝙩𝙝𝙚 𝙚𝙖𝙧𝙩𝙝 𝙖𝙣𝙙 𝙡𝙞𝙛𝙚 𝙬𝙞𝙡𝙡 𝙨𝙪𝙧𝙫𝙞𝙫𝙚. 𝙈𝙖𝙮𝙗𝙚 𝙬𝙞𝙩𝙝𝙤𝙪𝙩 𝙝𝙪𝙢𝙖𝙣𝙨, 𝙢𝙖𝙮𝙗𝙚 𝙬𝙞𝙩𝙝. 5 𝙩𝙞𝙢𝙚𝙨 𝙩𝙝𝙚 𝙚𝙖𝙧𝙩𝙝 𝙝𝙖𝙨 𝙖𝙡𝙧𝙚𝙖𝙙𝙮 𝙥𝙧𝙤𝙫𝙚𝙣 𝙩𝙤 𝙪𝙨 𝙝𝙤𝙬 𝙩𝙝𝙞𝙨 𝙬𝙤𝙧𝙠𝙨, 𝙩𝙝𝙚 6𝙩𝙝 𝙩𝙞𝙢𝙚 𝙞𝙨 𝙟𝙪𝙨𝙩 𝙞𝙣 𝙛𝙪𝙡𝙡 𝙨𝙬𝙞𝙣𝙜. 𝘽𝙪𝙩 𝙣𝙚𝙫𝙚𝙧 𝙗𝙚𝙛𝙤𝙧𝙚 𝙝𝙖𝙨 𝙖 𝙨𝙥𝙚𝙘𝙞𝙚𝙨 𝙬𝙞𝙥𝙚𝙙 𝙞𝙩𝙨𝙚𝙡𝙛 𝙤𝙪𝙩, 𝙝𝙤𝙥𝙚𝙛𝙪𝙡𝙡𝙮 𝙞𝙩 𝙬𝙞𝙡𝙡 𝙨𝙩𝙖𝙮 𝙩𝙝𝙖𝙩 𝙬𝙖𝙮.
Without the refreshing collaboration with the gifted fellow musician Werner, this would only be a half-finished track. His outstanding intro buoyed and inspired me at the same time. I can only strongly advise: νιѕιт нιм σи нιѕ ѕιтє! 👉@wejfi

________________________________________________________________________

Dear earth,
decorated cradle, wreathed grave,
Oh, how dear, how dear I love you.
Can heaven be much more beautiful?

Look, the wonders, the many angels,
Playing with your flowers.
Sun, you have joyfully awakened them,
you've covered them with red roses,
it spreads the golden cloths.
O joy - I am still at home with you.

Heinrich Steinhausen (1836 - 1917)

єαrth wíll survívє (feat. @wejfi)

SOUNDS GOOD PLAYED LOUD

Tea R Sea (Terry) composer on syth and percussion-Producer
Stonerjazz (Jeff) lyrics and vocals
Terry also created the Artwork :)
Smoke  

What was lt ln that day
That turned away so arrogantly
While leaves twisted and glared
obviously Angry
and repulsed by the very Air
lt;s not the way my Mother said that Trees would be

Sitting ln the garden ln the early morning hours
while the cows are sleeping soundly ln the meadow cross the roadway


Against his leg, his dog Moon ls leaning
While he's waiting, all aquiver, for the whistle
that signifies the starting of the workday

Drinking Coffee, Thick black and steaming
contemplating nothing but the quiet swirling
of the smoke that's curling
ln the stillness of the moment
from the cigarette that's burning brightly
ln the darkness that he's smoking

Even as l think lt
knowing that lt's futile
hoping for a resurrection
of the love that left me
ln the labyrinth of the brokenhearted
while the monster slumbers ln the featherbed
savoring lt's self inflicted wounds
and dreaming of Revenge

Digital Molasses  wlth Tea R Sea

Inspired by Amarok! Global Presence! Riffs of the 70s!

This recording is the result of my most ’guitar-intensive’ period ever. It came as a reaction to what came before it, a period where I focused very much on the classical guitar but a moment came when I was fed up with polishing small details in my repetoar. One day, I felt an incredible hunger for riffs, for steel string guitars, and for going back to (progressive) rock music! I always loved the rock of the 70s, considering it as ’Mount Everest of the music history’ (classical music excluded here). An era where everyone was incredibly ambitious, when everything had to be handplayed, and when the broader audience had some considerable attention span ;)

I started to explore some riffs on my CORT steel string guitar, which had been collecting dust in a corner for a long time. It soon gave me the opening riffs and some additional riffs (e.g., around 5 minutes into the track). I quickly worked up the bulk of the track and got maybe half of the track done in just a few weeks (not counting later polishing, when I re-recorded some bits to get the sound I wanted). I got a vision of the completed track, a long progressive one - yes, for sure inspired by Oldfield and YES (favorites from this era!), but it was easier said than done to complete the track. Considerable work remained, as I was about to learn….

It was incredibly hard to finalize the composition and I almost gave up on it. I arrived at a moment where I seemed to have promised too much and where the Ear demanded some serious further action; many permutations tested, but nothing seemed to work. In the end, due to all this, I lost some control of the files (e.g., a key solo guitar is badly panned but I seem to be unable to find the raw data needed to fix it).

Extremely much work went into the last months, on a mission to crack it! Late nights, tinnitus, frustration! :) Finally I think I found what I needed (but who am I to know).. I had to accept some slightly less than perfect audio at some places: does it matter? Not to me, but the listener is the jury. I decided to go for attitude and energy rather than anything else… I hope you will enjoy what I discovered!

I doubt that cold-blooded perfect ARTIFICIAL INTELLIGENCE ever will replicate what a desperate Dave J. Svensson sounds like, late at nights with all controls turned to 11 on a scale from 0 to 10 …. ;)

The SHAMBOLIC GUITARS were:
- two 6s steel: CORT (rythms!) and OVATION (main recurrent theme!)
- a 12s FENDER (colour!)
- three electric guitars: IBANEZ (now sold), PRS & SCHECTER (dirt!)
- two classical guitars: CORT, KREMONA (clarity!)
Plus, a ROLAND keyboard (for some pads), and various hardware effect boxes.

Artcover by DS, featuring the guitars listed above.

//Dave, 6th October 2023

SHAMBOLIC GUITARS

got nothing

A little Politics and a dash of rock n roll.

Walk Around the Moon

WALK AROUND THE MOON

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

єαrth wíll survívє (feat. @wejfi)

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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