Tres belle space atmo prod . Bravo Frank :))

wonderful, Frank! love the first section - really nice light & airy astrodance!

das letzte drittel gefällt mir wieder sehr, schön spacy

Wonderful trip, love the instrumentation a lot!

Tolles Stück! Nimmt mich mit auf die Reise …

Just do yourself a favor, take a minute and listen to 
https://soundcloud.com/debra_buesking

Loud and Clear - With Debra Buesking

Original music by FPMORINSTUDIO/François Pierre Morin 4 4 85 bpm

Theme For A Friend 2022 02 17

Video On Youtube; https://youtu.be/3iQNSmttm4E

Written & performed by Rhett Tillery
Mike Baysden on drums

Recorded on Reaper
Mastered using Emastered

https://www.tiktok.com/t/ZTd7bxYFv/?k=1

Validification

Gotta be more

There's Got To Be More

Numinous

5. DOP BLACK Feat FOFA LU_VAMOS SE AMAR_(DOP NO BEAT 842473451.mp3

Base photo for cover by Kunj Parekh on Unsplash

There Once Was

No. 16 // ROUTE 66
@joerxworx > Composition, Instruments, Arrangement, Sax & EWI Brass, final Mix
@docfritz > Rhythm Design, Drums, Artwork
© 2023 by joerxworx and docfritz / DRUMAX PROJECT

ROUTE 66

DRUMAX No. 16 // ROUTE 66

Yesterday was "The Today" Tomorrow.

The past is the truth,
the present is a coincidence,
and the future is a theory.
---------------------------------------------------------------------------------------------------------------

Video 📽️🎵

Into The Future

Ambient electronic live improvisation. Music for poetry performance.

Giovedì Notte

Original Score inspired by the Todd Keisling novel Devils Creek

Father Jacob

This track is a captivating techno track that combines eastern sounds with modern techno elements. The track starts with a powerful kick drum and a deep bassline that immediately create a driving energy. As the track progresses, hypnotic synthesizer melodies and rhythmic percussions are added, continuously increasing the tension. Characteristic oriental melodies and instrumental sounds give the track a unique atmosphere that is both exotic and futuristic. The skillful use of effects such as delay and reverb creates a deep and spatial soundscape that takes the listener on an incomparable musical journey.

Have fun listening and thank you for your support!
Leave a comment if you like the Track,
Feedback is nice and the algorythm like it too ;-)

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Oriental Sounds

Unfortunately SC once again doesn't allow regular comments. I'm trapped in a continuous loop to solve a puzzle, send the comment and it opens again this puzzle page that wants to check if SC is dealing with a robot...
🤖

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Into The Future

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

Recent comments

N.o.b.S.

weirdness without conviction

Midisound

John Buckle

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