grandioses Stimmchen… Holla, die Waldfee?!

tolles langes Violinen-Piano-Outro☺️🙏🏻

Schön träumerisch mit wunderbarer Stimme. Die hätte ruhig noch ein wenig mehr aus dem Mix rausstechen können.

Great👏👏 Thank you for sharing this❣️

Dieser ist echt der Hammer, die Voice ist wunderschön gewählt, unterstreicht den ohnehin schönen Sound

A very beautiful musical discovery ,the melody is absolutely beautiful. Nice work 👍 👏

Funny Kind of Sad

Composed & produced by Mirjam Keijnemans

Korg LP-380
Keylab 49
Samplitude Music Studio 2020

Enlightened

Date de publication: 30/04/2024

Musique, arrangements, claviers, mixage, mastering:
Damien MAUREL & Cyril MENDEZ 

Synthétiseurs utilisés en + des VST:
Roland JUPITER XM
Korg VOLCA FM

© Damien MAUREL & Cyril MENDEZ 2024, All Rights Reserved.

Dementia (Collaboration avec Visions of Dystopia)

Stop N Go

FIRECRAKA

I particularly enjoyed working with Gabriele C. Kunz. I was very taken with her "Magical Melodies" and asked her if I could orchestrate it. Thanks to her enchanting personality and the inspiring original, it was an easy undertaking. Let yourself be captivated by the magic of this enchanting song...

Here is the link to the track on her portfolio and please, please visit Gabriele C. Kunz' page. Her music is so colorful and joyful.

👉🏻https://on.soundcloud.com/muopqBQSNEwJLbno9

Lyrics:
[Verse]
In a land of dreams
Where the moonlight gleams
There's a fairy creature
With mystical themes
With a voice so pure
And a heart so bright
She sings her song
To create a new light
[Verse 2]
With every note
The stars align
As she weaves her magic
In a rhythm divine
Her melody floats
In the soft night air
Creating a world
Beyond compare
[Chorus]
Her song soars
Like a gentle breeze
Unveiling a realm
Where dreams find peace
With each sweet word
Her power unfurls
The fairy creature
Who creates new worlds...

Magical Melodies w/ Gabriele C. Kunz

#electro #techno #beat #frenchtouch #bandlab

(_BlaCk_DawN_)

Hyper Perfection. Still not enough. And - as per usual - it's always about money.

Down the Rabbit Hole

Whirlpool

10 Whirlpool

Elsewhere

Cast of characters:

mistermark-- @user-432503709 -- synth

TexMex Shaman– @texmex-shaman –Stephen–electric guitar, banjo, production, and mix

J.J. Terrell-- @j-j-terrell—JJ—clavichord and theremin

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums

cgmaness-- @user-419254289-15129531 – Chris -- electric guitar

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five-string fretless bass, electric guitar, seed idea 

Composition--The Eclectic Collective 

This song began with Josh coming up with the bass line and accompanying guitar chords that make up that part of the rhythm section. Ken was next to add his funky drums, thus completing the rhythm section. JJ also added to the rhythm, however, with his driving clavichord, soon after. He also added the trippy theremin you hear in the break part, too. Chris added some far out guitar parts that fill in the sound throughout. Mark then jumped in and added some of the synth you hear in the break part, too. Stephen came along to complete the sound with his cunning banjo, as well as fiery guitar in the break part. He also produced and mixed this superbly as always for us. 

This is another purely Eclectic Collective production, and almost of us were able to add our voices to this, except Tez and The Mysterious Decibel. 
We hope you enjoy listening to it as much as we enjoyed creating it.

Time Is Our Only Enemy  - (Eclectic Collective)

Buy full OST on Steam

Drought, Pt. 2

I need to take a break...

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Magical Melodies w/ Gabriele C. Kunz

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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