grandioses Stimmchen… Holla, die Waldfee?!

tolles langes Violinen-Piano-Outro☺️🙏🏻

Schön träumerisch mit wunderbarer Stimme. Die hätte ruhig noch ein wenig mehr aus dem Mix rausstechen können.

Great👏👏 Thank you for sharing this❣️

Dieser ist echt der Hammer, die Voice ist wunderschön gewählt, unterstreicht den ohnehin schönen Sound

A very beautiful musical discovery ,the melody is absolutely beautiful. Nice work 👍 👏

Daily Drops

RiZLiX - The Sound

Are You Waiting? (Original Live)

For those who love Jules Verne... While trying ideas for Debra Buesking's Nautilus (the collab was named Take a Pen), I wrote down this text, and later found that Dave Rose's nostalgic instrumental provided a nice ambiance to sing it. Dave was kind enough to allow me to use it.

Seagulls recorded by Bruno Auzet.

** Nautilus Lost **

From the depths of despair
and the maelstroms of emotions
Captain Nemo rammed the ships
for the sake of revenge.

Searching the oceans for a vague relief
he roamed the deep an crushing emptyness.
He fought, encircled by giant squids,
once imprisoned by treacherous  ice.

He searched for the ships
that flew on their stern the hated flag.
He scored in vain.
He could not heal the pain he felt for his slaughtered children,
the sorrow for his murdered wife.
He rammed the ships
and watched them go down
as sunsets of his lonely life.

Nautilus Lost (based on Dave Rose's instrumental "Loss")

Synthetic Blue

I particularly enjoyed working with Gabriele C. Kunz. I was very taken with her "Magical Melodies" and asked her if I could orchestrate it. Thanks to her enchanting personality and the inspiring original, it was an easy undertaking. Let yourself be captivated by the magic of this enchanting song...

Here is the link to the track on her portfolio and please, please visit Gabriele C. Kunz' page. Her music is so colorful and joyful.

👉🏻https://on.soundcloud.com/muopqBQSNEwJLbno9

Lyrics:
[Verse]
In a land of dreams
Where the moonlight gleams
There's a fairy creature
With mystical themes
With a voice so pure
And a heart so bright
She sings her song
To create a new light
[Verse 2]
With every note
The stars align
As she weaves her magic
In a rhythm divine
Her melody floats
In the soft night air
Creating a world
Beyond compare
[Chorus]
Her song soars
Like a gentle breeze
Unveiling a realm
Where dreams find peace
With each sweet word
Her power unfurls
The fairy creature
Who creates new worlds...

Magical Melodies w/ Gabriele C. Kunz

Chapter 190 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 12 is now released exclusively on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-12

TAFFETA VOLUMES 1-12 are all available on Bandcamp. 

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 190

TAFFETA | 190

Had To Do This

Jaua Experience

This music is gentle and lyrical; throughout it, you will hear an angel playing chords on a harp.
I will be grateful if you support my content by liking and commenting.
Thank you!

A Place In Heaven

Gary Reeves Drums and Percussion
Barbara Browning Cello and Vocals

SEEMS I’VE BEEN HERE BEFORE
FEELS LIKE IT FELT BEFORE
SEEMS I’VE SEEN YOU BEFORE
OR
WAS IT IN BALTIMORE

HEY I’VE HEARD THAT SONG BEFORE
A MILLION TIMES AND MAYBE MORE    
THE WAY I LOOKED THE CLOTHES I WORE
OR
JUST A TOUCH OF CHRISTIAN DIOR


SEEMS I’VE BEEN HERE BEFORE
FEELS LIKE I’VE SEEN YOU BEFORE
WAS I THE LOVE OF YOUR LIFE
OR
ONLY THE GIRL NEXT DOOR

SO RENDEZ-VOUS BEFORE
LE DÉJÀ-VU LE NEVERMORE
IN A DREAM IN BALTIMORE 
OR
IN GERMANY BEFORE THE WAR 


SEEMS I’VE BEEN HERE BEFORE

BEFORE (Lyrics) + Barbara Browning & Gary Reeves

Reign Of Fire | Powerful and Emotional Cinamatic Music |

A new take on a very old English folk song, Early One Morning, for chill solo piano.

Streaming links:https://songwhip.com/williamhaviland/early-one-morning-piano-version

Early One Morning

The Forgotten Horizon Line – La Ligne d’Horizon Oubliee

Bootleg/Remix of "Sticky Fingers - How to fly"
Listen to this track on Youtube: https://youtu.be/HbMtYV8l3Gg

Sticky Fingers - How to Fly (Thomas Reifner Bootleg Remix) // Ambient I Synthwave

Sacred Score: A Truffle Odyssey, Leeuwenstein
A cinematic journey designed to gently guide a truffle ceremony from threshold to homecoming. Warm analog pads, cathedral-like choirs, and expressive orchestral themes (with a soft wink to Vangelis) rise and fall like breath, majestic one moment, tender the next. A five-note leitmotif appears throughout as a compass, returning you to center.
What to expect
This album moves in arcs: opening → descent → discovery → peak → release → integration. Massive drums and brass lift you when courage is needed; intimate felt-piano, handpan and strings hold you when the heart opens. Everything is wordless and ceremonial—crafted to support deep inner work without pulling attention away.
Best way to listen
Low or moderate volume, full-range speakers or good headphones, lights soft and warm. Breathe with the swells. Allow the spaces between notes to do their work.
Tracklist
Threshold of Light — 6:30
Descent Through Amber — 7:20
Cathedral of Ferns — 8:00
Mirrors in the Veil — 7:10
The Mountain Remembers — 9:00
Starlight Procession — 6:40
Heart Peak (Lux Intus) — 10:30
Tears Made of Dawn — 7:50
Integration Walk — 6:20
Home to the Infinite — 8:30
Instruments & palette
CS-80-style analog pads, felt-piano, strings & brass, handpan, frame drums, flugelhorn, solo violin, harp, subtle arpeggiators, and a luminous mixed choir (no lyrics).
For facilitators
Arc lengths are intentional; transitions have long tails for seamless cueing. Suitable for deep introspection, breath-led movement, and gentle integration.
Credits
Music, concept & production: Leeuwenstein
Artwork: “Sacred Score: A Truffle Odyssey”

Home to the Infinite

01 - Arturia - Pigments - Bloomy
02 - Arturia - Pigments - Hat Generator 2000
03 - Arturia - Pigments - Inside Modular
04 - SA - EWC - Tutti - A Simple Start - Dynamic
05 - SA - ASE - Warm Wobble
06 - NI - STRAYLIGHT - Cliff Hangar - Morph Swell - Thowback Piano

Welcome Pigments

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Magical Melodies w/ Gabriele C. Kunz

Frank Mehl

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