No Christmas would be complete without you, Frank! I'll always adore your beautiful mind & talent!  I stand in awe of you!  Sweetest Christmas joys be yours for years to come!  The heart knows what it likes & undeniably so! ;)  Your music takes me to a better place! 😍♾💘🎶❄🌹❄🌹❄💓🙏🏻🤗 THANK YOU>>

So beautiful and soul-uplifting music. Happy Holidays !

This percussion makes this wonderful string and bells arrangement very exciting! Fantastic piece!

Great track…..🌍☮︎👍🐞🍀2024

Shock the Algorithm

Composed and produced by: Chivicke
HomeStudio Productions©2023
Photographer: Ben Mack

Step by Step

Step By Step

Wait For The Morning

Nat King Cole's version - All I Want For Christmas Is My Two Front Teeth punk rock cover.

"All I Want for Christmas Is My Two Front Teeth" is a novelty Christmas song written in 1944 by Donald Yetter Gardner (1913-2004) while teaching music at public schools in Smithtown, New York. 

The song was originally recorded by Spike Jones & His City Slickers on December 6, 1947, with lead vocal by George Rock. That version reached the top of the pop charts in 1948, and again in 1949. The song has also been recorded by numerous other singers and performers, including Ray Stevens, George Strait, Danny Kaye with The Andrews Sisters, The Platters, Dread Zeppelin, The Kelly Family,  Nat King Cole (reportedly Gardner's favorite version), The Chipmunks, the Hampton String Quartet, The Three Stooges, and Count von Count of Sesame Street.

Merry Christmas & Happy New Year my friends!!!

Youtube link: https://youtu.be/kdKyiJvK41g

#youtube link: https://youtu.be/kdKyiJvK41g?si=rIT0jvoakbkdplPi

All I Want For Christmas Is My Two Front Teeth (punk rock cover)

Interstellar exploration probe.

Docking Around The Globe

The Loading Zone

Cardea (Sol Invictus)

The Most Beautiful Gift In The World (Sax & Solo Violin)

After Christmas

This is for the Soundcloud Ad competition

Escape Pod (One Click)

Escape Pod SC

UnBoxed January 2024

Original lyrics and vocal performance by the superb Shivonne @misssm

[ d o w n l a d a b l e ]

Batteries Don’t Come Included (Featuring Shivonne)

The colorful symbols are my message to everyone... 🌍 ☮︎ 👍 🍀 2024 for a better world...!

Change

Synthn' Down

Come visit my store where I offer Song Commissions, Collaboration & Remix Opportunities & more : https://owseymusic.myshopify.com/

I've started writing personalized 1 minute songs: https://owseymusic.myshopify.com/products/1-minute-commission

Join me on Patreon for Exclusive music, Discord Community, Audience Collaboration Projects, Music Lessons & more : https://www.patreon.com/owsey

Stream this song & discover past releases on Spotify: https://open.spotify.com/album/3X7HA4EFqJNiD5S4IbzWUI?si=BO06yzmERgulvn9yKNRLdQ

Bandcamp: Download this song & view my entire 200+ song discography: https://owsey.bandcamp.com/album/a-ticking-clock-in-an-empty-home

Visit our online Music Production Academy and start learning how to make music today: https://zeverb.com/

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http://www.twitter.com/owseymusic 
http://www.facebook.com/owsey 
http://www.youtube.com/owseymusic 
http://www.owsey.bandcamp.com 
http://www.soundcloud.com/owsey

One Beach, Forever

Horizontals - Wild Light
welcome to HORIZONTALS the new ambient / balearic project from London based dj & producer LEO ZERO

It was born out of Leo’s longstanding love-affair with Ibiza's sunset / chill-out culture which he became a devotee of since first visiting Cafe Del Mar in 1989. Leo went on to co-write one of the defining tracks of the scene - Chicane’s ‘Offshore’

Now with 30 years as a music producer under his belt, and a long history scoring bespoke music for film, tv and advertising, Leo has returned to the original Balearic sound he fell in love with, whilst also tuning into modern global sunset bar scene in Bali, Tulum and beyond. Across 10 tracks we touch on classic folk and flamenco leaning Spanish flavours, to glacial ambient synth soundscapes, and bang up to date organic / minimal house tracks.

Written, produced, engineered, arranged, mixed, and mastered by : LEO ZERO for Leo Zero Studio productions.
P Leo Zero Studio 2025 C Zero Songs 2025
credits
released September 16, 2025

Written, produced, engineered, arranged, mixed, and mastered by : LEO ZERO for Leo Zero Studio productions. P Leo Zero Studio 2025 C Zero Songs 2025 @leozerostudio email: leo@leozerostudio.com 

06 Horizontals - Everything Anew

mirroring

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

The Most Beautiful Gift In The World (Sax & Solo Violin)

Frank Mehl

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