Frank Wallace sings, writes, publishes and records his own classical music.

Marco Molteni ha studiato composizione con Luciano Chailly e con Giuseppe Giuliano presso il Conservatorio  G.Verdi di Milano, diplomandosi nel 1985.
Nello stesso istituto ha poi studiato musica elettronica con Riccardo Sinigaglia, diplomandosi a pieni voti nel 1988.
Nel 1983 e 1984 ha frequentato i corsi di perfezionamento in composizione tenuti da Franco Donatoni presso l’Accademia Musicale Chigiana di Siena e l’Associazione francese MC2 Musique Contemporaine di Avignone.
Nel 1985 ha frequentato l’Atelier de Recherche Instrumental organizzato da Pierre Yves Artaud presso l’Ircam di Parigi.
Dal 1986 al 1992 ha preso parte ai Ferienkurse fur Neue Musik di Darmstadt.

Ha vinto o è stato segnalato in numerosi concorsi nazionali ed internazionali, tra cui:
"Icoms" Torino
"Alfredo Casella" Siena
"Concorso Internazionale Guido D’Arezzo"
"International Review of Composers" Belgrado
"Festival WNMD 2010" Sydney
"IBLA Grand Prize (23rd Annual World Music Competition)" NY
"International Festival MUSLAB", Messico
NY City Electroacoustic Music Festival 2016
etc.

La sua musica, pubblicata da Arspublica, è stata suonata in importanti festivals  internazionali da numerosi e prestigiosi interpreti ed inserita nei programmi d'esame per il conseguimento di masters di perfezionamento musicale.

Suoi interventi critici sono stati pubblicati dalla rivista 1985 La Musica (Roma-1989).

A Milano, nel 1988 è andato in scena il suo lavoro di teatro musicale Zwei Szenen uber Paul (su testo da Eliot, Jabes e Pasolini) con la regia di Giovanni Carluccio, commissionato dal CRT – Centro di Ricerca Teatrale e dalla Civica Scuola di Musica di Milano.

DISCOGRAFIA

Confiteor – flauto in sol – PY. Artaud – CD PAN 3034 – Edipan Roma 1992

Prologo (dall’operina di teatro musicale “Zwei Szenen uber Paul” 1988) – nastro magnetico – CD 003 G Pagano Editoriale – Napoli 1999

Zig Zag Bubble – pianoforte solo – Neda Hofman – Association of Serbian Composer – 2002

Come Frisso perse Elle, la viva luce – pianoforte solo – Neda Hofman – Association of Serbian Composer – 2003

Come Frisso perse Elle, la viva luce / AElia Minimix2 / Folio uno (valzer lento) / Zig Zag Bubble / Three Pills (n.1 memory Walk / n.2 Dance) – Alfonso Alberti – Guido Boselli – DOUBLE NATURE – CD Ars Publica ARS 141-014 – 2011









Composer Ingrid Stölzel has been described as having “a gift for melody” (San Francisco Classical Voice) and “evoking a sense of longing” that creates “a reflective and serene soundscape that makes you want to curl up on your windowsill to re-listen on a rainy day.” (I Care If You Listen)  

Stölzel’s compositions have been commissioned by leading soloists and ensembles, and performed in concert halls and festivals worldwide, including Carnegie Hall, Merkin Concert Hall, Kennedy Center, Seoul Arts Center, Thailand International Composition Festival, Festival Osmose (Belgium), Vox Feminae Festival (Israel), Dot the Line Festival (South Korea), Ritornello Chamber Music Festival (Canada), Festival of New Music at Florida State (USA), Beijing Modern Music Festival (China), Festival of New American Music (USA), and SoundOn Festival of Modern Music (USA). Her music has been recognized in numerous competitions, among them recently the Suzanne and Lee Ettelson Composer's Award, Red Note Composition Competition, the Robert Avalon International Competition for Composers, and the Kaleidoscope Chamber Orchestra Competition. Recordings can be found on various commercial releases including her portrait album “The Gorgeous Nothings” which features her chamber and vocal chamber music. Stölzel teaches composition at the University of Kansas School of Music.

Aaron Mencher writes “sophisticated and compelling” (Boston New Music Initiative) contemporary classical music, film scores, and incidental music. He recently worked with Alarm Will Sound during the 2019 Mizzou International Composers Festival when they premiered his piece Haworthia. Additionally, Aaron has received recognition from organizations such as ASCAP, The American Modern Ensemble, The Boston New Music Initiative, NAfME, the European-American Musical Alliance, the American Prize, and the Third Millennium Ensemble.
Aaron is currently studying with Oscar Bettison at the Peabody Conservatory. His past teachers include Carolina Heredia, Yoshiaki Onishi, and Stefan Freund.

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