wOOhOOO.. YeaH.. MUSIC... THE ANSWER!!  AAA +++++  <3

@Franzz Jazz Powerful....! love Leela James, where can I get this? Can you buy it? Would love this in one of my sets. Such a good mashup

SHAME GOOD VOICE BUT INSTRUMENTS THEY ARE ON TOP OF HER, ENGINEER SORT IT OUT

Leftys 40

Surface - Falling In Love (Original 12'' Version)

Leroy Hutson - Filled With Love (DannyBlue Edit)

Produced by @jayprincemusic
Vocals by Jay Prince & @raheaven

Taken from the 'BeFor Our Time' EP.

Download at http://beforourtime.com
Download on Bandcamp http://jayprince.bandcamp.com/album/befor-our-time

Be For:

There are two definitions to this EP, the first being literally being “for our time”. In the current era of musicians, like myself from London, people tend crave and look to the states for answers and are quick to criticise the music from our own home. Some may disagree – but I speak from experience. This EP is the project that demonstrates there is hope where we’re from and where I’ve come from and we should unite in that. We all have a story to tell. This project is about Truth, Love and Passion.

Before:

The second meaning of this project is its nostalgic presence. This being a story telling project, it is filled with reflecting on situations and life experiences. The whole theme sonically is driven by reminiscence; I wanted to bring the same feeling or something close to the feeling, you felt when Hip Hop was at its peak of greatness and what is said actually meant something. I was born in 1993, and with this project I wanted to give people that same feeling of when music and Hip Hop was appreciated and respected by the masses in the 90's, and bring that feeling back to my home city and the world.

BeFor Our Time, For The People.

FOLLOW JAY PRINCE
Facebook - on.fb.me/1kCu5Nr
Twitter - twitter.com/JayPrince

BeFor Our Time

Polaroids

out now on traxsource. Get it here:
http://traxsource.com/track/2295499/cosmic-soul-original-mix

Louis Benedetti - Cosmic Soul

Demo - snippet
Only for listening pourpouses

Inspirated by the original acetate edit, 1976.

An Ape edit
Inagroove© Labs, 2011

The Salsoul Orchestra - It's Good For The Soul (Acetate Version Revisited)

Hidden Beach Celebrates its 15th Year Anniversary with the release of Jill Scott “Golden Moments” which includes 14 Career Spanning Iconic Songs
Plus Previously Unreleased “I Adore You” from “The Original Jill Scott from the Vault Vol. 1″

Cross My Mind

All I See

2011 Franzz Jazz OSH Mash Up using:

Jihad Muhammad - Be Without You [Movement Soul Recordings / 2007]
Leela James - Music & Good Times (Accapella) [Warner Bros. Records / 2003 - 2004]

Jihad Muhammad & Leela James - Music & Good Times (Franzz Jazz OSH Mash Up) [2011]

Jeanne Shy - That Old Black Magic (1979) Funkdamento Remix

Off " The Scrapbook." 

http://producerveterano.bandcamp.com/album/the-scrapbook

Dwele - Weekend Love (Space Love Edition)

Alicia Myers - Right here Right Now (Extended Dance/Club Mix)

01. Bon Garcon - It's Alright (2005)
02. Amp Fiddler - Hollywood (2008)
03. Musiq Soulchild - My Girl (2000)
04. Metropolis - Play Ya Game (2005)
05. Rahsaan Patterson - The One For Me (2002)
06. Rahsaan Patterson, Faith Evans & Shanice - Crazy (2011)
07. Donell Jones - The Finer Things In Life (2010)
08. Raphael Saadiq - We Get Down (Interlude)(2009)
09. Cooly's Hot Box - It's Alright (2002)
10. Dwele - What Profit (2012)
11. Musiq Soulchild - Newness Caught (2002)
12. Projeto SoulQSoul - SoulQSoul (Video remix) (2010)
13. Winston Warrior - Bad 4 U (2011)
14. N'Dambi - Nobody Jones (2009)
15. Myron - Best Is Yet To Come (2008)
16. Jill Scott - Golden (2004)
17. Sunshine Anderson - Call My On (2010)
18. Dwele - Feel So Good (2008)
19. Terri Walker - Drawing Board (2003)
20. Eric Roberson - Summertime Anthem (2011)

Super Soul do F-Soul Vol

Reel People are back. Back to their roots. Back to the future. Back with a bang. Eagerly awaited album Retroflection was released on October 19th 2018 and saw the revered collective recreating 12 soul, disco and boogie classics pivotal to their formation nearly 20 years ago and subsequent hugely successful evolution. Band leader Oli Lazarus has gathered a stellar cast of musicians and singers, – the likes of Angie Stone, Mica Paris, Omar, Tony Momrelle, Navasha Daya, Anthony David, LaSharVu and Sharlene Hector breathing fresh and irresistible life into seminal grooves by Maze, Evelyn ‘Champagne’ King and Teena Marie among others.

Reel People Music now give us the third instalment of many remix packages to be taken from Retroflection as the legendary German maestro Mousse T. beautifully reworks I Need Your Lovin’.

Reel People team up LaSharVu – a white-hot amalgam of Sharlene Hector and fellow female powerhouses Vulu Malinga and LaDonna Harley-Peters – to smartly re-dress Teena Marie’s classic I Need Your Lovin’.

Retroflection is Reel People’s first full studio album in 10 years (following acclaimed releases Second Guess and Seven Ways To Wonder, as well as compilation work including Golden Lady), Retroflection reflects the highest possible level of passion and polish. Such soulful devotion and craftmanship has ever been a Reel People hallmark. Recorded in London and Atlanta over an intense 12-month period, Retroflection also avoids the formulaic overload of modern beats and basslines that countless others pursue. Here the past is artfully reawakened, Reel People’s talented cast of performers – overseen by experienced studio-hands Lazarus, Mike Patto, Matt Cooper (of Incognito fame) and Toni Economides - re-treading classic riffs with new yet respectful purpose. Their compelling neo-soul blend of now and then should awe diehards and newcomers alike. Retroflection is one hell of a return.

RPM073

I Need Your Lovin’

Download

Reel People feat. LaSharVu – I Need Your Lovin' (Album Mix)

Pal Joey is one of NYC’s true sample-based music production legends. He has produced a diverse assortment of hits for artists such as Boogie Down Productions, Deee-Lite and The Orb.  This unprecedented 7-inch single has assembled two of his best-known solo efforts: "Hot Music" the Hip Hop/House crossover banger and "Dance" the groundbreaking House classic together as they were originally released in 1989. These timeless tracks show no signs of aging from their late '80s origin, both are still in heavy rotation with club DJs today.  This never before seen on a 7-inch pressing is a limited and fully licensed Dopebrother Edition. This release is both a collector's item and a serious weapon on the dance floor.
    
If you would like to purchase copies just click the buy link it will foward you to site,
peace

Dance-Earth People (45 Release)

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


Jihad Muhammad & Leela James - Music & Good Times (Franzz Jazz OSH Mash Up) [2011]

Franzz Jazz

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