WEBSITE
www.captainklab.com 

JUNKFOOD - RECORD LABEL
www.junkfoodrecords.com

North America Bookings 
- evan.steinberg@unitedtalent.com
- steve.gordon@unitedtalent.com

Australia/NZ/Canada

- Tomas@daniomanagement.com

MGMT
Meghan@mammothmusicgroup.com
Jared@mammothmusicgroup.com

Making music of the electronic sort

https://soundcloud.com/itsyujin

say hi: orientalcravingsmusic@gmail.com

• [ MIX FEED ]

:: BOOKINGS REQUEST ::
artiikmusic@gmail.com

Mix/Master/Collab/GhostPro: >> 
artiikmusic@gmail.com

you are welcome here

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

T H O M O    ~    B I G O  

Bio  // Info 

The two behind this music project TWO O are Josh Biggin & Kyle Thomson. Started as two individual music producers and DJ’s originating from Coffs Harbour, NSW, also known locally as Thomo and Bigo, started their music dreams at the age of 16 years old by mixing in the psytrance genre at local events. In late 2016, the two best friends stepped outside the psytrance / progressive scene, creating the heavy house project known as TWO O. 

After they both decided to move to the Gold Coast in 2017, they started working heavily on their project producing their own originals and remixes such as: 
“Get Back” (original mix) 
“Just kiddin - Thinking about it” (TWO O REMIX) 
This has bought the duo an audience, which only keeps growing larger the harder they work. The duo have and continue to play indoor and outdoor gigs up and down the coast of Aus, enticing their audience at every event they played. 

In 2018, the TWO O project burst into the Queensland night life scene, becoming well recognised in the music scene all over and doing it all with a smile on their faces. Smashing out their goals and working so hard, the duo are soon to bring out a two track EP named “HIGH CLASS”, with a tour to be announced soon up and down the NSW & QLD coast. The pair are doing outstandingly well, and will only continue to improve. 
Big things to come in oncoming years so keep tabs on this space.

Bookings // Enquiries
https://www.facebook.com/twoooffical/?ref=bookmarks

https://soundcloud.com/odditiespacks

Management: archie@oddmb.com
AU/NZ + Asia Bookings: Paul@proxyagency.co
North American Bookings: hamilton@wrightbookings.com
UK/Europe Bookings: paul@primarytalent.com

Email: info@mackygee.com
Management: michael@ctrlfrk.co.uk

Alison Wonderland architects a world of her own design as its chief author, creator, and voice. The Sydney-born and Los Angeles-based singer, songwriter, producer and DJ first emerged in 2009, and since then her sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella” label, captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively, headlined sold out arenas around the globe plus headlined stages at the biggest festivals in the world, and to date has clocked upwards of 500 million streams.

MGMT: mgmt@revelrymgmt.com 
Bookings: paul@posterchild.com.au

Frazer Yule is following