Juan Atkins & Moritz von Oswald Present Borderland: Transport

Riod

Lightyears

Track: Essha
Artist(s): John Wick
Label: OUTCAST RECORDINGS
Catalog: OREP007
Release Date: 19 december 2025
Format: Digital
Genre: Electronic
Style: Techno
Mastering: STIPP
Artwork: Lunarplatz

Artist links: 
Soundcloud: https://soundcloud.com/john_wick93 
Instagram: https://www.instagram.com/john_wick_jp/

Label links:
Soundcloud: https://soundcloud.com/outcast-recordings-nl 
Bandcamp: https://outcastrec.bandcamp.com/
Instagram: https://www.instagram.com/outcast.recordings/

Pre-Order Link: https://outcastrec.bandcamp.com/track/john-wick-essha-orep007


GTG Premiere | John Wick - Essha [OREP007]

Martyn - U1-U8

Nthng — 1996

Phylyps Trak II

Phylyps Trak Ii/Ii

Archives Two

Planetary Assault Systems - The Return

* Read More: http://boltingbits.com/trudge-last-night-she-left-the-ground
* Watch on YouTube: https://youtu.be/qQiKxD3kRJU
* Pre-order: https://shallnotfade.bandcamp.com/album/negative-spaces-ep

The A1 from Trudge's release on Lost Palms titled Last Night She Left The Ground, starts out with a hectic assortment of drums, bass, and hi-hats but gradually begins blending in an array of dreamy synths and pads to give the song a lighter, more elated feel than what it’s opening moments might signify. After the build-up, Trudge elects to break the tension by introducing muddled, female vocals that increase the moodiness of the tune. When all these elements are taken in together, they act to create an atmosphere that is touching, but vague in nature. For instance, who is this girl speaking? What does she want? Is she in need of help? I think these questions that the song conjures up are done intentionally and are meant to have the listener answer them depending on the mood they are in when they're listening. This makes “Last Night She Left The Ground” a tune that can be utilized for many occasions; whether that be moments of pure euphoria on a dancefloor or solemn periods of self-reflection in front of your laptop.

PREMIERE : Trudge - Last Night She Left The Ground

A radiant workout complete with Italo bassline propulsion that speaks to Kasper Marott​'s versatility.

The 'Keflavik EP' is out September 21st on Seilscheibenpfeiler.

Pre-order: bit.ly/2xmUE9A

@kaspermarott
@user-736029411

Premiere: Kasper Marott – Keflavik [Seilscheibenpfeiler]

‘Paul’s Horizon’ – @Ryan-Elliott’s first EP in six years – falls musically between Berlin and Detroit, between house and techno and between hypnotic repetition and unpredictability, revealing a subtle ear for groove and composition.

It’s the DJ’s perspective that has informed the Berghain / Panorama Bar resident's own analogue productions, with ‘Paul’s Horizon’ turning its focus toward deep and slick percussion. This is apparent from the get-go, with the title track’s triangle/clap interplay, funky 5-6 kicks per bar, and bleary-eyed atmosphere. From there “Martinsville Morning” slows down into an understated sunrise groover, led by bassline, strings and pads. EP closer “Grafton Road” turns up the pace again with gasps for hats, aggressive punctuating snares, and a modulating synth bubbling-up throughout.

Nthng — 1996

Freaky Days