Vacuum Issue 4 - FADE

Instrumentals

random

I wrote this composition for the Art Magazine http://www.vacuummag.com/issue-4-fade/ ,for the "Fade" issue.
Why an orchestral composition? 
Because bowed instruments are the only acoustic instruments which can properly "fade".
http://www.vacuummag.com/project/fading-harmonics-freaks-utopia/

Fading Harmonics

Fragments of acoustic memories.
Composed of field recordings and Farfisa organ.
Recorded on tape in Cremona and Göteborg, 2011-2014.

Unknown Liturgy

Upwind is a mix of two investigations about the wind phenomena in different seasons and cities: Berlin and Agrigento.

Emmanuele Maggiore is a sound and visual researcher in new media from Turin, born in Palermo. His sound research involving hybrid natural, analog and digital signals into conceptual topics, studying the possibilities given by Field recording, Hardware Hacking, Circuit Bending and Supercollider. 

http://yacum.tumblr.com/

Featured on Vacuum Magazine Issue 4 - FADE
http://www.vacuummag.com/

Mastering: Alessio Occhiodoro

Emmanuele Maggiore - Upwind

Recorded & arranged by Peter Kutin & Florian Kindlinger

The piece you can listen to here is an excerpt of the actual work from Peter Kutin / Florian Kindlinger that deals with sounds and acoustic-characteristics of glaciers .
Kutin/Kindlinger realised complex multichannel-recordings of several variations on feedback-room-resonations (based on Alvin Luciers concept of his masterpiece 'i am sitting in room') .
They did this deep inside a glacier gap up 3200 meters in the austrian alps.

The dramaturgy of the composition is based on the true story of a man who fell into a glacier gap and survived there for six days and nights. he was kept alive by collecting water-drops in his aluminum-bottle.
during this time in complete isolation and darkness , his subconsciousness started to take control of almost all his brainactivity; when he was conscious was saying prayers for most of the time .
The slow transformation of the pure field-recording of the glacier into the drone-sound of it's unqiue resonance-frequencies is a sonic-gesture that reassembles the subconscious or let's say the hidden information of any room .
It takes certain situations to get in touch with, or experience this layer of a hidden but constantly present reality . in this case isolation was the key.

Featured on Vacuum Magazine Issue 4 - FADE
http://www.vacuummag.com/

Peter Kutin / Florian Kindlinger - E# from a glacial tune

Fade is a musical theme trying to depict in a surreal way the course of a man's life to death. We born from chaos, rise, fade away and suddenly bite the dust.

Kostas Loukovikas is an electronic music artist, sound designer, recordist and creative director of Sound Ex Machina, an independed studio producing HQ sound effects & Foley libraries. He collaborates with contemporary artists, graphic designers, photographers, cinematographers and 3D artists missioned to design original music, custom sound frames and sonic environments.

http://behance.net/loukovikas

Featured on Vacuum Magazine Issue 4 - FADE
http://www.vacuummag.com/

Kostas Loukovikas - Fade

Other tracks available on Spotify
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BUY DEBUT ALBUM

Oh How It Comes * Not Available on Spotify

RUNAGROUND Version of "Take Me To Church" Originally by Hozier

Take Me To Church

#28 on iTunes!

Take Me To Church - Hozier - Official Cover - RUNAGROUND

Here is the official video for this new single release

http://www.youtube.com/watch?v=3spYTcGupdc

Recorded in Belgium by KONOBA
Written and performed by Kevin Murphy

This Is The End-

ОКЕАН ЕЛЬЗИ feat. БУМБОКС - Це Зі Мною

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Fading Harmonics

Freak's Utopia